Val McDermid - The Wire in the Blood

VAL McDERMID

The Wire in the Blood

HarperCollins Publishers 77–85 Fulham Palace Road, London, W6 8JB

www.harpercollins.co.uk

First published in Great Britain by

HarperCollins Publishers in 1997

Copyright © Val McDermid 1997

Val McDermid asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereafter invented, without the express written permission of HarperCollins e-books.

HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication.

Source ISBN: 9780007217120

Ebook Edition © SEPTEMBER 2014 ISBN: 9780007327607

Version: 2014-09-01

The trilling wire in the blood

Sings below inveterate scars

Appeasing long forgotten wars.

Four Quartets,

Burnt Norton

T. S. Eliot

Contents

Cover

Title Page VAL McDERMID The Wire in the Blood

Copyright Copyright Copyright Epigraph Prologue Part One Part Two Epilogue Keep Reading Acknowledgements About the Author Praise for The Wire in the Blood Other Books By About the Publisher HarperCollins Publishers 77–85 Fulham Palace Road, London, W6 8JB www.harpercollins.co.uk First published in Great Britain by HarperCollins Publishers in 1997 Copyright © Val McDermid 1997 Val McDermid asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons living or dead, events or localities is entirely coincidental. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereafter invented, without the express written permission of HarperCollins e-books. HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication. Source ISBN: 9780007217120 Ebook Edition © SEPTEMBER 2014 ISBN: 9780007327607 Version: 2014-09-01

Epigraph Epigraph Epigraph Prologue Part One Part Two Epilogue Keep Reading Acknowledgements About the Author Praise for The Wire in the Blood Other Books By About the Publisher The trilling wire in the blood Sings below inveterate scars Appeasing long forgotten wars. Four Quartets, Burnt Norton T. S. Eliot

Prologue

Part One

Part Two

Epilogue

Keep Reading

Acknowledgements

About the Author

Praise for The Wire in the Blood

Other Books By

About the Publisher

Murder was like magic, he thought. The quickness of his hand always deceived the eye, and that was how it was going to stay. He was like the postman delivering to a house where afterwards they would swear there had been no callers. This was the knowledge that was lodged in his being like a pacemaker in a heart patient. Without the power of his magic he’d be dead. Or as good as.

He knew just from looking at her that she would be the next. Even before the eye contact, he knew. There had always been a very particular combination that spelled perfection in his thesaurus of the senses. Innocence and ripeness, mink-dark hair, eyes that danced. He’d never been wrong yet. It was an instinct that kept him alive. Or as good as.

He watched her watching him, and under the urgent mutter of the crowd, he heard echoing in his head the music. ‘Jack and Jill went up the hill to fetch a pail of water. Jack fell down and broke his crown …’ The chiming tune swelled and burst then battered his brain like a spring tide against a breakwater. And Jill? What about Jill? Oh, he knew what happened to Jill. Over and over again, repetitious as the barbaric nursery rhyme. But it was never enough. He had never quite been satisfied that the punishment had fit the crime.

And so there had to be a next one. And there he was, watching her watching him sending her messages with his eyes. Messages that said, ‘I’ve noticed you. Find your way to me and I’ll notice you some more.’ And she read him. She read him, loud and clear. She was so obvious; life hadn’t scarred her expectations with static yet. A knowing smile quirked the corners of her mouth and she took the first step on the long and, for him, exciting journey of exploration and pain. The pain, as far as he was concerned, was not quite the only necessity but it was certainly one of them.

She worked her way towards him. Their routes varied, he’d noticed. Some direct, bold; some meandering, wary in case they’d misread what they thought his eyes were telling them. This one favoured the spiral path, circling ever inward as if her feet were tracing the inside of a giant nautilus shell, a miniature Guggenheim Gallery compacted into two dimensions. Her step was measured, determined, her eyes never wavering from him, as if there were no one else between, neither obstacle nor distraction. Even when she was behind his back, he could feel her stare, which was precisely how he thought it should be.

It was an approach that told him something about her. She wanted to savour this encounter. She wanted to see him from every possible angle, to imprint him on her memory forever, because she thought this would be her only chance for so detailed a scrutiny. If anyone had told her what the future truly held, she’d have fainted with the thrill of it.

At last, her decaying orbit brought her within his grasp. Only the immediate circle of admirers stood between them, one or two deep. He locked on to her eyes, injected charm into his gaze and, with a polite nod to those around him, he took a step towards her. The bodies parted obediently as he said, ‘Delightful to have met you, do excuse me?’