Maurice Druon - The King Without a Kingdom

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‘This was the original GAME OF THRONES’ George R.R. MartinAvailable for the first time in English, THE KING WITHOUT A KINGDOM is the seventh and final volume of The Accursed Kings series.The reign of the Capetian kings has ended and John II, ‘The Good’, second of the Valois dynasty, has taken the throne.Under his leadership the Hundred Years War, one of the longest and bloodiest conflicts in history, escalates and England and France begin to tear each other apart.Cardinal Périgord, narrating the drama, shows us a monarch as vain and cruel as he is incompetent. Under his turbulent reign, warring factions plunder the land, famine threatens the people and the Black Death spreads far and wide. France is bleeding to death around the new king.

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Copyright Harper Voyager an imprint of HarperCollins Publishers Ltd 1 London - фото 1

Copyright Harper Voyager an imprint of HarperCollins Publishers Ltd 1 London - фото 2

Copyright

Harper Voyager an imprint of

HarperCollins Publishers Ltd

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain by HarperCollins Publishers 2015

Copyright © Maurice Druon 1977

This translation copyright © Andrew Simpkin 2014

First published in French as Quand un Roi perd la France

Cover Layout Design © HarperCollins Publishers Ltd 2015

Jacket digital illustration © Patrick Knowles

Jacket photograph © Antiquarian Images (map)

Maurice Druon asserts the moral right to be identified as the author of this work.

A catalogue copy of this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780007491377

Ebook Edition © January 2015 ISBN: 9780008159443

Version: 2016-03-01

Epigraph

‘Our longest war, the Hundred Years War, was merely a legal debate, interspersed with occasional bouts of armed warfare’

PAUL CLAUDEL

Contents

Cover

Title Page

Copyright

Epigraph

Foreword

Author’s Acknowledgements

Family Tree

Map

Prologue

Part One: Misfortunes Come From Long Ago

1. The Cardinal of Périgord thinks …

2. The Cardinal of Périgord speaks

3. Death knocks on every door

4. The Cardinal and the Stars

5. The Beginnings of the King they call The Good

6. The Beginnings of the King they call The Bad

7. News from Paris

8. The Treaty of Mantes

9. The Bad in Avignon

10. The Annus Horribilis

11. The Kingdom Cracks

Part Two: The Banquet of Rouen

1. Exemptions and Benefits

2. The Anger of the King

3. To Rouen

4. The Banquet

5. The Arrest

6. The Preparations

7. The Field of Forgiveness

Part Three: The Lost Spring

1. The Hound and the Fox Cub

2. The Nation of England

3. The Pope and the World

Part Four: The Summer of Disaster

1. The Norman Chevauchée

2. The Siege of Breteuil

3. The Homage of Phoebus

4. The Camp of Chartres

5. The Prince of Aquitaine

6. The Cardinal’s Approach

7. The Hand of God

8. The Battalion of the King

9. The Prince’s Supper

Translator’s notes and historical explanations

By Maurice Druon

About the Publisher

Foreword

GEORGE R.R. MARTIN

Over the years, more than one reviewer has described my fantasy series, A Song of Ice and Fire , as historical fiction about history that never happened, flavoured with a dash of sorcery and spiced with dragons. I take that as a compliment. I have always regarded historical fiction and fantasy as sisters under the skin, two genres separated at birth. My own series draws on both traditions … and while I undoubtedly drew much of my inspiration from Tolkien, Vance, Howard, and the other fantasists who came before me, A Game of Thrones and its sequels were also influenced by the works of great historical novelists like Thomas B. Costain, Mika Waltari, Howard Pyle … and Maurice Druon, the amazing French writer who gave us the The Accursed Kings , seven splendid novels that chronicle the downfall of the Capetian kings and the beginnings of the Hundred Years War.

Druon’s novels have not been easy to find, especially in English translation (and the seventh and final volume was never translated into English at all). The series has twice been made into a television series in France, and both versions are available on DVD … but only in French, undubbed, and without English subtitles. Very frustrating for English speaking Druon fans like me.

The Accursed Kings has it all. Iron kings and strangled queens, battles and betrayals, lies and lust, deception, family rivalries, the curse of the Templars, babies switched at birth, she-wolves, sin, and swords, the doom of a great dynasty … and all of it (well, most of it) straight from the pages of history. And believe me, the Starks and the Lannisters have nothing on the Capets and Plantagenets.

Whether you’re a history buff or a fantasy fan, Druon’s epic will keep you turning pages. This was the original game of thrones. If you like A Song of Ice and Fire , you will love The Accursed Kings .

George R.R. Martin

Author’s Acknowledgements

картинка 3

I am most grateful to Jacques Suffel for his assistance in gathering and compiling the documentation for this book. I would also like to express my thanks to the Bibliothèque Nationale as well as to the Archives de France .

Family Tree

картинка 4

Kingdom of France map

Prologue

HISTORY’S TRAGEDIES REVEAL great men: but those tragedies are provoked by the mediocre.

At the beginning of the fourteenth century, France was the most powerful, the most densely populated, the most dynamic, and the richest of the Christian kingdoms, whose interventions were most feared, whose arbitration was heeded and whose protection was sought after. And one could have thought that a French century was about to take hold across Europe.

How, then, did it happen that this same France forty years later came to be crushed on the battlefield by a nation it outnumbered fivefold? Why should its noblemen be split up into factions, its bourgeoisie in revolt, its people overwhelmed by excessive taxation, its provinces lawless and plagued by roving gangs engaged in pillaging and crime, all authority flouted, the currency weakened, trade at a standstill, and poverty and violence rife everywhere? Why this collapse? What caused this reversal of fortune?

It was mediocrity. The mediocrity of just a few kings, their vanity and self-importance, their frivolousness in the conduct of their affairs, their inability to attract talented advisors, their nonchalance, their presumptuousness, their failure to draw up grand designs or even to follow those already conceived.

Nothing great can be accomplished politically, and nothing can last, without the presence of men whose brilliance, character and determination inspire, rally and channel the energies of a people.

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