Louisa Young - Tree of Pearls

It was only about twenty years ago, and a different world. Answerphones not mobiles, no internet. Tickets and conductors on the bus. And it was before 9/11, and the mass collapse of international innocence which 9/11 and George Bush’s reaction to it dragged in their miserable, brutalising wake. Could I write a story now, where an English girl and her Egyptian lover meet at the surface of the water? Yes, of course – but it could not be this story.

Anyway, I have grown up too thoughtful to write like this now. I exhaust myself even reading it.

I see too that these, my first novels, were the first pressing of thoughts and obsessions which have cropped up again and again in things I’ve written since. It seems I only really care about love and death and surgery and history and motorbikes and music and damage and babies, and the man I was in love with most of my life, who has appeared in various guises in every book I have ever written. I realise I continue to plagiarise myself all the time, emotionally and subject-wise. And I see the roots of other patterns – Baby Love , my first novel, turned into a trilogy all of its own accord. Since then, I’ve written another two novels that accidentally turned into trilogies – and one of those trilogies is showing signs of becoming a quartet.

People ask, oh, are they autobiographical? I do see, in these pages, my old friends when we were younger, their jokes and habits, places I used to live, lives I used to live. I glimpse, with a slight shock, garments I owned, a bed, a phrase … To be honest I made myself cry once or twice.

But, though much is undigested and autobiographical, in the way of a young person’s writing, I can say this: be careful what you write. When I started these novels I was not a single mother, I didn’t live in Shepherds Bush, I didn’t have a bad leg and I wasn’t going out with a policeman. By the time they were finished, all these things had come about. However as god is my witness to this day I never have never belly danced, nor hit anyone over the head with a poker.

Louisa Young

London 2015

I was in the bath when trouble came for me for the third and, pray god, the last time.

My habit in winter when I have nothing better to do is to lie in the bath, keeping warm, reading ancient novels, steamed fat from previous sessions. Comfort reading. I’ve done it since childhood: it makes me feel safe. Georgette Heyer, Catcher in the Rye , Raymond Chandler, Naguib Mahfouz, Madame Bovary. That’s where I was, one Tuesday morning in early December 1997, taking comfort after a time of turbulence; settling down and attending to the correct healing of wounds and to the immense and profound change which had come over my life. Out of all that the past months had thrown at me – and there was plenty, let me tell you – one thing stood out: I had discovered that my daughter had a father.

You may think that unsurprising – that she has one. Or surprising – that I didn’t know. You may have a point. But in my life many things are inside out or upside down. Here in the bath, I lie safe and warm with my hair swirling round me and only the tip of my nose out of the water, and think about them, think about the shape and nature of our life to come.

I raised my head from its underwater reverie because I could hear, through some strange relationship of vibrations between the telephone and the floorboards and the water, the ring of the telephone and the formal tones of a voice on the machine. Through the rush of water down from my hair and over my ears as I rose, I could hear that it was not a voice I knew. This made me a little nervous, because unexpected and unwelcome phone calls had been something of a feature of the recent … turbulence. Not the domestic turbulence. Another part. Anyway, I wouldn’t be getting out of the bath for whoever it was, so I turned on some more hot water, removed one of Lily’s sponge letters of the alphabet (G, purple) from under my arse where it had fallen, and resubsided, putting from my mind echoes of the dangers I had come through. It wasn’t Eddie Bates’s voice, and that’s all that mattered.

I lie, actually. It wasn’t Sa’id el Araby’s either. But I wasn’t even entertaining that thought. (Hey, thought, please don’t go, I’ll put on a floorshow for you …)

*

Three quarters of an hour later I trailed into the study, wrapped in a bath towel, and listened to my messages. My message. Simon Preston Oliver, please could Evangeline Gower return his call without delay, phone number on which to do so. Formal, polite, authoritative. No explanation, no introduction beyond his name. He could have been a fitted-kitchen salesman, except that he obviously wasn’t. Or someone from the accounts department ringing to cut off my electricity. I sniffed and pulled my towel up and went to turn up the heating, and I forgot all about him. I don’t want anything new.

First I’m just going to tell you what you need to know for any of the rest of it to make sense.

I’ll start with Janie, my sister, because I did start with Janie. I only ever had eleven months of my life without her – we were true Irish twins – until she died, and since then I’ve had her memory, and her child. My child now, since her birth and her mother’s death, five years ago. Lily, the light of my life and the most beautiful, kind, intelligent, magical creature God ever made, bar none, and no, that’s not bias.

Janie died in a crash. I used to think I killed her because I was riding the motorcycle she was on the back of, but I accept now that I didn’t. It’s taken a little while to realize that. In fact I’m still so … satisfied … with accepting it that I’ll say it again: I didn’t kill Janie.

Before the crash ruined my leg I was a bellydancer. I loved four things: bellydancing, motorbikes, Harry Makins and Janie. A year or two ago, I found things out about Janie which I don’t so much hold against her any more, though I did then. There’s no reason to withhold it though it’s not my favourite subject.

OK. She was a prostitute and a pornographer. I didn’t know until after she was dead. She lied to me. She used film of me dancing in her dirty movies. She wore my costumes while selling sex to my admirers, pretending to be me. Then she died, and left me alone with all that to deal with.