Greg Iles - The Devil’s Punchbowl

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The shocking new thriller from the king of southern gothic.When he was a prosecuting attorney Penn Cage sent hardened killers to death row. But it is as mayor of his hometown - Natchez, Mississippi - that Penn will face his most dangerous threat.Urged by old friends to restore the town to its former glory, Penn has ridden into office on a tide of support for change. But in its quest for new jobs and fresh money, Natchez has turned to casino gambling. Five fantastical steamboats float on the river beside the old slave market like props from Gone With the Wind. But one boat isn't like the others. Rumour has it that the Magnolia Queen has found a way to pull the big players from Las Vegas. And with them comes an unquenchable taste for one thing: blood sport, and the dark vices that go with it.When a childhood friend of Penn's who brings him evidence of these crimes is brutally murdered, the full weight of Penn's failure to protect this city hits home. So begins his quest to find the men responsible. But it's a hunt he begins alone, for the local authorities have been corrupted by the money and power of his hidden enemy. With his family's life at stake, Penn realizes his only allies in his one-man war are those bound to him by blood or honour.

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After I undress and brush my teeth, I walk to my bedroom window and gaze across sixty feet of space to the second floor of Caitlin’s house. Is she there? Did she fall asleep with the light on? Or is she down at the Examiner offices, badgering the editor about the layout of tomorrow’s paper? This thought brings a smile, but then I realize Caitlin could just as easily be dancing at one of the bars on Main Street, or exercising her gift for irony at the expense of some pompous, nouveau-riche redneck who threw a balloon-race party. I feel a compulsion to walk down and check her garage for a rental car. Has eighteen months of separation from her turned me into a stalker? The reality is that she could pull up to her house right now with a man and disappear inside for a night of recreational sex behind that familiar curtain.

Christ . As selfish as it sounds, this image has a more violent effect on my adrenal glands than the photos I viewed in the cemetery. If I’m this jealous, can I possibly be over her? One thing is sure: I’ll be damned–truly damned–if I stand here mooning at her light like a latter-day Gatsby, until the very scene I fear transpires before me. Caitlin left me because I believed the path to my future lay through the past. So what the hell is she doing back here, where the past is never past?

As I drift toward sleep, the images from Tim’s cell phone snapshots rise again, but they seem remote, like evidence dropped on my desk by cops I dealt with in Houston. Can young girls be raped and dogs be slaughtered within sight of the town I love so dearly? In the foggy frontier between sleep and wakefulness the idea seems farfetched, yet one burden of my legal experience is the knowledge that savage crimes occur in the most benign settings, that screams go unheard, that pleas for mercy are ignored, even relished.

When thoughts like these trouble my passage into sleep, I use a trick taught me by a sixties-era rock musician I saved from going to jail in Houston. Whenever drug withdrawal sent him into paroxysms of pain and need, whenever the demons came for him, he would picture a virgin field of ice, blue-white and impossibly clean, so remote that no footprint had ever marred its surface. He would focus on that scene until he felt himself inside it, and sometimes peace would come. To my surprise, I found this sometimes works for me as well. But tonight, as I carefully construct my Zen-like sanctuary, I cannot keep the demons out. Dark shapes move beneath the ice like predators prowling a vast sea, ever alert for the shadows of prey on the white sheet above.

Tonight I’m on the ice, I realize, one more shadow to be hunted. A penumbra the size of a small car flashes beneath me, and I run. Though I lie supine in bed, my heart thumps in my chest, and the blood rushes through my veins. Far ahead, I see a blue mark on the ice. A hole. Beside it Tim Jessup stands shirtless and blue from the cold. As I crunch toward him, he removes his pants and looks down into the hole. I shout for him to wait, but he doesn’t hear. He sits down, dangles his legs in the water, then, with a gentle shove like a boy edging himself off a roof, drops through the blue-black opening. I start to scream, but a new vision stops me. Stark against the horizon, a wolf stands watching me. His fur is bone white, and his eyes gleam with unsettling intelligence. I try to stop running, but I slide forward, hopelessly out of control. As I come to rest, the wolf begins to move, walking at first, then loping toward me with single-minded purpose. His eyes transfix me, and as I try to force my legs to backpedal, I hear Tim’s hysterical voice crying, ‘You don’t know, man! You don’t know ….’

6

Julia sits at her kitchen table, staring at a Ziploc sandwich bag filled with speckled pills and white powder. She found it an hour ago, when the running toilet got on her nerves badly enough to make her remove the tank cover. The baggie was sealed inside a small Tupperware container weighted with a handful of bolts. The edge of the Tupperware lid was keeping the toilet flapper from sealing. Tim had been clean for so long that the first moments after lifting the container out of the tank filled Julia with confusion. But after removing the lid, she’d felt her universe imploding as surely as if a black hole had swept into it .

She’d set the baggie on the kitchen table and simply stared at it for a while, shivering with anger and her sense of betrayal. But mostly she felt fear, because she hadn’t seen any sign that Tim was using again. To stop her hands from shaking, she got out her crocheting needle and tried to crochet the way her grandmother had taught her, but her mind was unable to direct her fingers. So she waited, her gaze moving from the dope on the table to the clock on the stove, an endless motion of eyes that offered no solace .

Julia tenses now, listening for sound from the baby’s room. It’s 3:45 a.m., almost time for a feeding. She has preternatural hearing when it comes to her baby; Tim is constantly amazed by the things she picks up. It’s like she’s bound to the child by an invisible thread, a silken strand like a spider’s web, and if little Timmy moves, it pulls something down in Julia’s belly. She knows what that something is .

When you lose a child and God grants you another, you take no chances. She feels the same way about Tim, but on that score there isn’t a lot she can do. Someone has to stay with the baby. She’s been worried recently, but not about drugs–not for a long time. It infuriates her to think that she was afraid for Tim tonight. Before she found that baggie, she’d believed he was doing something about whatever he’d seen at work, and trying to protect her by not telling her details. But he’d been almost three hours late even then. She feels so stupid that she wants to tear out her hair or whip herself .

As if Penn Cage would stay out this late with Tim! Penn is home in bed with Libby Jensen, or somebody like her. Someone smart who can still laugh with innocence in her eyes, someone who has her shit together. Julia wonders briefly why Penn left Libby. Maybe Libby doesn’t have her shit quite as together as she seems to. Maybe she doesn’t really understand what’s important in life. Or maybe Penn just grew bored with her, the way men do .

Julia hadn’t thought Tim was bored with her, but there’s the dope, right there on the table. What else could it mean? That he can’t cope? With what ? With happiness? With a loving wife and a beautiful son? This thought terrifies her. Julia once thought Tim was smarter than she, and he is, in book smartness. But what good is that when the issue is survival, as it has been for them? Julia’s common sense and fortitude have gotten them through some tough times. To sit facing the prospect of reliving the hell she thought long behind them is almost more than she can bear. She has gone from fury to terror and back a thousand times. The pills make her wonder about other women. A woman might push Tim back to using, if she was an addict, a woman from the boat, maybe—

An unfamiliar scraping sound brings Julia to full alertness, the yarn stretched taut between her fingers and the hook. That noise didn’t come from the baby’s room–she’s sure of that. It sounded like someone raising the window in the guest room at the back of the house .

She swallows hard, then goes to the cabinet above the stove and takes down the pistol Tim stole from his father’s safe back when he was using. He’d tried to give it back later, but his father told him to keep it. The gun is heavy and black, but Julia grips it firmly in her flexed fist and tiptoes to the back of the house .

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