John Keats - Selected Poems and Letters

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HarperCollins is proud to present its new range of best-loved, essential classics.‘I am certain of nothing but the holiness of the Heart's affections and the truth of the Imagination.’One of the most popular of the Romantic poets, Keats’ poetry is suffused with adoration for natural beauty, exploration of joy and pain, and ideas on the transience of life. This new collection combines many of Keats’ well-loved poems – from ‘Ode to a Nightingale’ to ‘Bright Star’ – with his letters, often studied, analysed and admired in parallel and offering a fascinating insight into the life and mind of the famous poet.Despite a lack of recognition during his own lifetime, Keats’ work has touched the hearts and minds of many, and deserves its place in the canon of English literature.

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And went into that dismal forest-hearse.

XLIV.

See, as they creep along the river side,

How she doth whisper to that aged Dame,

And, after looking round the champaign wide,

Shows her a knife. – “What feverous hectic flame

Burns in thee, child? – What good can thee betide,

That thou should’st smile again?” – The evening came,

And they had found Lorenzo’s earthy bed;

The flint was there, the berries at his head.

XLV.

Who hath not loiter’d in a green church-yard,

And let his spirit, like a demon-mole,

Work through the clayey soil and gravel hard,

To see scull, coffin’d bones, and funeral stole;

Pitying each form that hungry Death hath marr’d,

And filling it once more with human soul?

Ah! this is holiday to what was felt

When Isabella by Lorenzo knelt.

XLVI.

She gaz’d into the fresh-thrown mould, as though

One glance did fully all its secrets tell;

Clearly she saw, as other eyes would know

Pale limbs at bottom of a crystal well;

Upon the murderous spot she seem’d to grow,

Like to a native lily of the dell:

Then with her knife, all sudden, she began

To dig more fervently than misers can.

XLVII.

Soon she turn’d up a soiled glove, whereon

Her silk had play’d in purple phantasies,

She kiss’d it with a lip more chill than stone,

And put it in her bosom, where it dries

And freezes utterly unto the bone

Those dainties made to still an infant’s cries:

Then ’gan she work again; nor stay’d her care,

But to throw back at times her veiling hair.

XLVIII.

That old nurse stood beside her wondering,

Until her heart felt pity to the core

At sight of such a dismal labouring,

And so she kneeled, with her locks all hoar,

And put her lean hands to the horrid thing:

Three hours they labour’d at this travail sore;

At last they felt the kernel of the grave,

And Isabella did not stamp and rave.

XLIX.

Ah! wherefore all this wormy circumstance?

Why linger at the yawning tomb so long?

O for the gentleness of old Romance,

The simple plaining of a minstrel’s song!

Fair reader, at the old tale take a glance,

For here, in truth, it doth not well belong

To speak: – O turn thee to the very tale,

And taste the music of that vision pale.

L.

With duller steel than the Perséan sword

They cut away no formless monster’s head,

But one, whose gentleness did well accord

With death, as life. The ancient harps have said,

Love never dies, but lives, immortal Lord:

If Love impersonate was ever dead,

Pale Isabella kiss’d it, and low moan’d.

’Twas love; cold, – dead indeed, but not dethroned.

LI.

In anxious secrecy they took it home,

And then the prize was all for Isabel:

She calm’d its wild hair with a golden comb,

And all around each eye’s sepulchral cell

Pointed each fringed lash; the smeared loam

With tears, as chilly as a dripping well,

She drench’d away: – and still she comb’d, and kept

Sighing all day – and still she kiss’d, and wept.

LII.

Then in a silken scarf, – sweet with the dews

Of precious flowers pluck’d in Araby,

And divine liquids come with odorous ooze

Through the cold serpent-pipe refreshfully, –

She wrapp’d it up; and for its tomb did choose

A garden-pot, wherein she laid it by,

And cover’d it with mould, and o’er it set

Sweet Basil, which her tears kept ever wet.

LIII.

And she forgot the stars, the moon, and sun,

And she forgot the blue above the trees,

And she forgot the dells where waters run,

And she forgot the chilly autumn breeze;

She had no knowledge when the day was done,

And the new morn she saw not: but in peace

Hung over her sweet Basil evermore,

And moisten’d it with tears unto the core.

LIV.

And so she ever fed it with thin tears,

Whence thick, and green, and beautiful it grew,

So that it smelt more balmy than its peers

Of Basil-tufts in Florence; for it drew

Nurture besides, and life, from human fears,

From the fast mouldering head there shut from view:

So that the jewel, safely casketed,

Came forth, and in perfumed leafits spread.

LV.

O Melancholy, linger here awhile!

O Music, Music, breathe despondingly!

O Echo, Echo, from some sombre isle,

Unknown, Lethean, sigh to us – O sigh!

Spirits in grief, lift up your heads, and smile;

Lift up your heads, sweet Spirits, heavily,

And make a pale light in your cypress glooms,

Tinting with silver wan your marble tombs.

LVI.

Moan hither, all ye syllables of woe,

From the deep throat of sad Melpomene!

Through bronzed lyre in tragic order go,

And touch the strings into a mystery;

Sound mournfully upon the winds and low;

For simple Isabel is soon to be

Among the dead: She withers, like a palm

Cut by an Indian for its juicy balm.

LVII.

O leave the palm to wither by itself;

Let not quick Winter chill its dying hour! –

It may not be – those Baälites of pelf,

Her brethren, noted the continual shower

From her dead eyes; and many a curious elf,

Among her kindred, wonder’d that such dower

Of youth and beauty should be thrown aside

By one mark’d out to be a Noble’s bride.

LVIII.

And, furthermore, her brethren wonder’d much

Why she sat drooping by the Basil green,

And why it flourish’d, as by magic touch;

Greatly they wonder’d what the thing might mean:

They could not surely give belief, that such

A very nothing would have power to wean

Her from her own fair youth, and pleasures gay,

And even remembrance of her love’s delay.

LIX.

Therefore they watch’d a time when they might sift

This hidden whim; and long they watch’d in vain;

For seldom did she go to chapel-shrift,

And seldom felt she any hunger-pain;

And when she left, she hurried back, as swift

As bird on wing to breast its eggs again;

And, patient, as a hen-bird, sat her there

Beside her Basil, weeping through her hair.

LX.

Yet they contriv’d to steal the Basil-pot,

And to examine it in secret place:

The thing was vile with green and livid spot,

And yet they knew it was Lorenzo’s face:

The guerdon of their murder they had got,

And so left Florence in a moment’s space,

Never to turn again. – Away they went,

With blood upon their heads, to banishment.

LXI.

O Melancholy, turn thine eyes away!

O Music, Music, breathe despondingly!

O Echo, Echo, on some other day,

From isles Lethean, sigh to us – O sigh!

Spirits of grief, sing not your “Well-a-way!”

For Isabel, sweet Isabel, will die;

Will die a death too lone and incomplete,

Now they have ta’en away her Basil sweet.

LXII.

Piteous she look’d on dead and senseless things,

Asking for her lost Basil amorously;

And with melodious chuckle in the strings

Of her lorn voice, she oftentimes would cry

After the Pilgrim in his wanderings,

To ask him where her Basil was; and why

’Twas hid from her: “For cruel ’tis,” said she,

“To steal my Basil-pot away from me.”

LXIII.

And so she pined, and so she died forlorn,

Imploring for her Basil to the last.

No heart was there in Florence but did mourn

In pity of her love, so overcast.

And a sad ditty of this story born

From mouth to mouth through all the country pass’d:

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