Joe Hammond - A Short History of Falling - Everything I Observed About Love Whilst Dying

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A Short History of Falling – like The Diving Bell and the Butterfly, and When Breath Becomes Air – is a searingly beautiful, profound and unforgettable memoir that finds light and even humour in the darkest of places. We keep an old shoebox, Gill and I, nestled in a drawer in our room. It’s filled with thirty-three birthday cards for our two young sons: one for every year I’ll miss until they’re twenty-one. I wrote them because, since the end of 2017, I’ve been living with – and dying from – motor neurone disease. This book is about the process of saying goodbye. To my body, as I journey from unexpected clumsiness to a wheelchair that resembles a spacecraft, with rods and pads and dials and bleeps. To this world, as I play less of a part in it and find myself floating off into unlighted territory. To Gill, my wife. To Tom and Jimmy. A Short History of Falling is about the sadness (and the anger, and the fear), but it’s about what’s beautiful too. It’s about love and fatherhood, about the precious experience of observing my last moments with this body, surrounded by the people who matter most. It’s about what it feels like to confront the fact that my family will persist through time with only a memory of me. In many ways, it has been the most amazing time of my life.

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Over the Portuguese winter it rained continuously in the mountains, and the eucalyptus that burnt all summer now smelt green. Descending the mountain, we’d wind down through these forests and the warm microclimate inside the car created ideal conditions for precipitation. Any thought or awareness or reflection simply switched it on. The road snaked and seemed to further dislodge all the salty snotty liquid within. I could have leant forward and found the button on the dashboard. And it would come, rising up through the pipes pooling inside my head. Then I’d hit the button again and it would stop.

During those days it felt like some figure was cutting around me with a pair of scissors; moving me with the blades to cut close and accurately. And as the paper turned, more of me would drop down and I knew that it wouldn’t take long for the scissors to have made their whole way round. I would be imagining the boys and Gill. Living in a place I might not know – a life that worked but which was alien to me. The boys older. Life happening. And I was looking at all of this from the outside. I clung to Gill, but I saw her and Tom and Jimmy connected by something that I wasn’t. They seemed somehow in place and as they should be. And though I was holding on, I wasn’t connected in the same way. Until this time I’d just assumed that we were formed from a single piece. That something like this could never happen. A little family of four pinched into human form and then hardened. Set. Finished. So that one figure could never be the person outside observing all these parts. That it would necessarily become a complete form made up of three figures is one of the things I discovered in this cavernous place. This is a concept that I looked at and looked at and looked at and looked at again and again, and I could not understand it. And all the moments that had upset me in the past were in one place. And this moment of upset was in another place. It was an entire physical feeling. And when it came my body curled inwards like a fortune-telling fish on a hot palm.

*

When the five days of tears came they filled the spaces I had never known. Unused rooms. Forgotten rooms. The places where I might have been. It crashed through barriers and washed away impediments like they were blades of grass. It carried me away – it carried everything away. I bobbed on the surface of this rising, moving water, my arms outstretched – a little man being carried away. There was no need to call out; there was no other way to travel; only water. Nothing was left behind. No selves in tiny corners, no scary thoughts left buried. A bowl of chocolate ice cream, which I ate when I was five, went by upon the surface of the flood. A teacher half remembered, a scrap of brown carpet, the car I crashed when I was seventeen, a painted wooden block – all bobbing in the water along with me.

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