Leo Tolstoy - 3 books to know Napoleonic Wars

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Welcome to the3 Books To Knowseries, our idea is to help readers learn about fascinating topics through three essential and relevant books.
These carefully selected works can be fiction, non-fiction, historical documents or even biographies.
We will always select for you three great works to instigate your mind, this time the topic is:Napoleonic Wars.
– The Duel; A Military Tale By Joseph Conrad
– The Red and the Black By Sthendal
– War and Peace By Leo TolstoyThe Duel is a Conrad's brilliantly ironic tale about two officers in Napoleon's Grand Army who, under a futile pretext, fought an on-going series of duels throughout the Napoleanic Wars. Both satiric and deeply sad, this masterful tale treats both the futility of war and the absurdity of false honor, war's necessary accessory.
The Red and the Black is a historical psychological novel in two volumes by Stendhal, published in 1830. It chronicles the attempts of a provincial young man to rise socially beyond his modest upbringing through a combination of talent, hard work, deception, and hypocrisy. He ultimately allows his passions to betray him.
War and Peace is a novel by the Russian author Leo Tolstoy. It is regarded as a central work of world literature and one of Tolstoy's finest literary achievements. The novel chronicles the history of the French invasion of Russia and the impact of the Napoleonic era on Tsarist society through the stories of five Russian aristocratic families.
This is one of many books in the series 3 Books To Know. If you liked this book, look for the other titles in the series, we are sure you will like some of the topics

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Julien was ashamed of his emotion; for the first time in his life, he saw himself loved; he wept for joy, and went to hide his tears in the great woods above Verrieres.

‘Why am I in this state?’ he asked himself at length; ‘I feel that I would give my life a hundred times over for that good Father Chelan, and yet he has just proved to me that I am no better than a fool. It is he above all that I have to deceive, and he sees through me. That secret ardour of which he speaks is my plan for making my fortune. He thinks me unfit to be a priest, at the very moment when I imagined that the sacrifice of an income of fifty louis was going to give him the most exalted idea of my piety and my vocation.

‘For the future,’ Julien continued, ‘I shall rely only upon those elements of my character which I have tested. Who would ever have said that I should find pleasure in shedding tears? That I should love the man who proves to me that I am nothing more than a fool?’

Three days later, Julien had found the pretext with which he should have armed himself from the first; this pretext was a calumny, but what of that? He admitted to the cure, after much hesitation, that a reason which he could not explain to him, because to reveal it would injure a third party, had dissuaded him from the first from the projected marriage. This was tantamount to an indictment of Elisa’s conduct. M. Chelan detected in his manner a fire that was wholly mundane, and very different from that which should have inspired a young Levite.

‘My friend,’ he appealed to him again, ‘be an honest yeoman, educated and respected, rather than a priest without a vocation.’

Julien replied to these fresh remonstrances extremely well, so far as words went; he hit upon the expressions which a fervent young seminarist would have employed; but the tone in which he uttered them, the ill-concealed fire that smouldered in his eyes alarmed M. Chelan.

We need not augur ill for Julien’s future; he hit upon the correct form of words of a cunning and prudent hypocrisy. That is not bad at his age. As for his tone and gestures, he lived among country folk; he had been debarred from seeing the great models. In the sequel, no sooner had he been permitted to mix with these gentlemen than he became admirable as well in gesture as in speech.

Madame de Renal was surprised that her maid’s newly acquired fortune had not made the girl more happy; she saw her going incessantly to the cure’s, and returning with tears in her eyes; finally Elisa spoke to her mistress of her marriage.

Madame de Renal believed herself to have fallen ill; a sort of fever prevented her enjoying any sleep; she was alive only when she had her maid or Julien before her eyes. She could think of nothing but them and the happiness they would find in their married life. The poverty of the small house in which people would be obliged to live, with an income of fifty louis, portrayed itself to her in enchanting colours. Julien might very well become a lawyer at Bray, the Sub–Prefecture two leagues from Verrieres; in that event she would see something of him.

Madame de Renal sincerely believed that she was going mad; she said so to her husband, and finally did fall ill. That evening, as her maid was waiting upon her, she noticed that the girl was crying. She loathed Elisa at that moment, and had spoken sharply to her; she begged the girl’s pardon. Elisa’s tears increased; she said that if her mistress would allow it, she would tell her the whole tale of her distress.

‘Speak,’ replied Madame de Renal.

‘Well, the fact is, Ma’am, he won’t have me; wicked people must have spoken evil of me to him, and he believes them.’

‘Who won’t have you?’ said Madame de Renal, scarcely able to breathe.

‘And who could it be, Ma’am, but M. Julien?’ the maid replied through her sobs. ‘His Reverence has failed to overcome his resistance; for His Reverence considers that he ought not to refuse a decent girl, just because she has been a lady’s maid. After all, M. Julien’s own father is no better than a carpenter; and he himself, how was he earning his living before he came to Madame’s?’

Madame de Renal had ceased to listen; surfeit of happiness had almost deprived her of the use of her reason. She made the girl repeat to her several times the assurance that Julien had refused in a positive manner, which would not permit of his coming to a more reasonable decision later on.

‘I wish to make a final effort,’ she said to her maid. ‘I shall speak to M. Julien.’

Next day after luncheon, Madame de Renal gave herself the exquisite sensation of pleading her rival’s cause, and of seeing Elisa’s hand and fortune persistently refused for an hour on end.

Little by little Julien abandoned his attitude of studied reserve, and ended by making spirited answers to the sound arguments advanced by Madame de Renal. She could not hold out against the torrent of happiness which now poured into her heart after all those days of despair. She found herself really ill. When she had come to herself, and was comfortably settled in her own room, she asked to be left alone. She was in a state of profound astonishment.

‘Can I be in love with Julien?’ she asked herself at length.

This discovery, which at any other time would have filled her with remorse and with a profound agitation, was no more to her than a singular spectacle, but one that left her indifferent. Her heart, exhausted by all that she had just undergone, had no sensibility left to place at the service of her passions.

Madame de Renal tried to work, and fell into a deep sleep; when she awoke, she was less alarmed than she should have been. She was too happy to be able to take anything amiss. Artless and innocent as she was, this honest provincial had never tormented her soul in an attempt to wring from it some little sensibility to some novel shade of sentiment or distress. Entirely absorbed, before Julien came, in that mass of work which, outside Paris, is the lot of a good wife and mother, Madame de Renal thought about the passions, as we think about the lottery: a certain disappointment and a happiness sought by fools alone.

The dinner bell rang; Madame de Renal blushed deeply when she heard Julien’s voice as he brought in the children. Having acquired some adroitness since she had fallen in love, she accounted for her colour by complaining of a splitting headache.

‘There you have women,’ put in M. de Renal, with a coarse laugh. ‘There’s always something out of order in their machinery.’

Accustomed as she was to this form of wit, the tone of his voice hurt Madame de Renal. She sought relief in studying Julien’s features; had he been the ugliest man in the world, he would have charmed her at that moment.

Always zealous in imitating the habits of the Court, with the first fine days of spring M. de Renal removed his household to Vergy; it is the village rendered famous by the tragic adventure of Gabrielle. A few hundred yards from the picturesque ruins of the old gothic church, M. de Renal owned an old castle with its four towers, and a garden laid out like that of the Tuileries, with a number of box borders, and chestnut alleys trimmed twice in the year. An adjoining field, planted with apple trees, allowed the family to take the air. Nine or ten splendid walnuts grew at the end of the orchard; their massive foliage rose to a height of some eighty feet.

‘Each of those damned walnuts,’ M. de Renal would say when his wife admired them, ‘costs me half an acre of crop; the corn will not grow in their shade.’

The rustic scene appeared to come as a novelty to Madame de Renal; her admiration knew no bounds. The feeling that animated her gave her a new spirit and determination. On the second day after their removal to Vergy, M. de Renal having returned to town upon some official business, his wife engaged labourers at her own expense. Julien had given her the idea of a little gravelled path, which should run round the orchard and beneath the big walnuts, and would allow the children to walk there in the early morning without wetting their shoes in the dew. This plan was put into execution within twenty-four hours of its conception. Madame de Renal spent a long and happy day with Julieu supervising the labourers.

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