Leo Tolstoy - 3 books to know Napoleonic Wars

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Welcome to the3 Books To Knowseries, our idea is to help readers learn about fascinating topics through three essential and relevant books.
These carefully selected works can be fiction, non-fiction, historical documents or even biographies.
We will always select for you three great works to instigate your mind, this time the topic is:Napoleonic Wars.
– The Duel; A Military Tale By Joseph Conrad
– The Red and the Black By Sthendal
– War and Peace By Leo TolstoyThe Duel is a Conrad's brilliantly ironic tale about two officers in Napoleon's Grand Army who, under a futile pretext, fought an on-going series of duels throughout the Napoleanic Wars. Both satiric and deeply sad, this masterful tale treats both the futility of war and the absurdity of false honor, war's necessary accessory.
The Red and the Black is a historical psychological novel in two volumes by Stendhal, published in 1830. It chronicles the attempts of a provincial young man to rise socially beyond his modest upbringing through a combination of talent, hard work, deception, and hypocrisy. He ultimately allows his passions to betray him.
War and Peace is a novel by the Russian author Leo Tolstoy. It is regarded as a central work of world literature and one of Tolstoy's finest literary achievements. The novel chronicles the history of the French invasion of Russia and the impact of the Napoleonic era on Tsarist society through the stories of five Russian aristocratic families.
This is one of many books in the series 3 Books To Know. If you liked this book, look for the other titles in the series, we are sure you will like some of the topics

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He performed without undue difficulty what he regarded as a duty; he was far from imagining himself to be deeply in love with Mademoiselle de La Mole. No doubt he had not been in love with her three days earlier, when he had been concealed in the great mahogany wardrobe. But everything changed rapidly in his heart from the moment when he saw himself parted from her for ever.

His pitiless memory set to work reminding him of the slightest incidents of that night which in reality had left him so cold.

During the very night after their vow of eternal separation, Julien nearly went mad when he found himself forced to admit that he was in love with Mademoiselle de La Mole.

A ghastly conflict followed this discovery: all his feelings were thrown into confusion.

Two days later, instead of being haughty with M. de Croisenois, he could almost have burst into tears and embraced him.

The force of continued unhappiness gave him a glimmer of common sense; he decided to set off for Languedoc, packed his trunk and went to the posting house.

He almost fainted when, on reaching the coach office, he was informed that, by mere chance, there was a place vacant next day in the Toulouse mail. He engaged it and returned to the Hotel de La Mole to warn the Marquis of his departure.

M. de La Mole had gone out. More dead than alive, Julien went to wait for him in the library. What were his feelings on finding Mademoiselle de La Mole there?

On seeing him appear, she assumed an air of malevolence which it was impossible for him to misinterpret,

Carried away by his misery, dazed by surprise, Julien was weak enough to say to her, in the tenderest of tones and one that sprang from the heart: ‘Then, you no longer love me?’

‘I am horrified at having given myself to the first comer,’ said Mathilde, weeping with rage at herself.

‘To the first comer!’ cried Julien, and he snatched up an old mediaeval sword which was kept in the library as a curiosity.

His grief, which he had believed to be intense at the moment of his speaking to Mademoiselle de La Mole, had now been increased an hundredfold by the tears of shame which he saw her shed. He would have been the happiest of men had it been possible to kill her.

Just as he had drawn the sword, with some difficulty, from its antiquated scabbard, Mathilde, delighted by so novel a sensation, advanced proudly towards him; her tears had ceased to flow.

The thought of the Marquis de La Mole, his benefactor, arose vividly in Julien’s mind. ‘I should be killing his daughter!’ he said to himself; ‘how horrible!’ He made as though to fling away the sword. ‘Certainly,’ he thought, ‘she will now burst out laughing at the sight of this melodramatic gesture’: thanks to this consideration, he entirely regained his self-possession. He examined the blade of the old sword with curiosity, and as though he were looking for a spot of rust, then replaced it in its scabbard, and with the utmost calm hung it up on the nail of gilded bronze from which he had taken it.

This series of actions, very deliberate towards the end, occupied fully a minute; Mademoiselle de La Mole gazed at him in astonishment. ‘So I have been within an inch of being killed by my lover!’ she said to herself.

This thought carried her back to the bravest days of the age of Charles IX and Henri III.

She stood motionless before Julien who had now replaced the sword, she gazed at him with eyes in which there was no more hatred. It must be admitted that she was very attractive at that moment, certainly no woman had ever borne less resemblance to a Parisian doll (this label expressed Julien’s chief objection to the women of that city).

‘I am going to fall back into a fondness for him,’ thought Mathilde; ‘and then at once he would suppose himself to be my lord and master, after a relapse, and at the very moment when I have just spoken to him so firmly.’ She fled.

‘My God! How beautiful she is!’ said Julien, as he watched her run from the room: ‘that is the creature who flung herself into my arms with such frenzy not a week ago . . . And those moments will never come again! And it is my fault! And, at the moment of so extraordinary an action, and one that concerned me so closely, I was not conscious of it! . . . I must admit that I was born with a very dull and unhappy nature.’

The Marquis appeared; Julien made haste to inform him of his departure.

‘For where?’ said M. de La Mole.

‘For Languedoc.’

‘No, if you please, you are reserved for a higher destiny; if you go anywhere, it will be to the North . . . Indeed, in military parlance, I confine you to your quarters. You will oblige me by never being absent for more than two or three hours, I may need you at any moment.’

Julien bowed, and withdrew without uttering a word, leaving the Marquis greatly astonished; he was incapable of speech, and shut himself up in his room. There, he was free to exaggerate all the iniquity of his lot.

‘And so,’ he thought, ‘I cannot even go away! God knows for how many days the Marquis is going to keep me in Paris; great God! What is to become of me? And not a friend that I can consult; the abbe Pirard would not let me finish my first sentence, Conte Altamira would offer to enlist me in some conspiracy.

‘And meanwhile I am mad, I feel it; I am mad!

‘Who can guide me, what is to become of me?’

Chapter 18

PAINFUL MOMENTS

––––––––

And she admits it to me! She goes into the minutest details! Her lovely eye fixed on mine reveals the love that she felt for another!

Schiller

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MADEMOISELLE DE LA Mole, in an ecstasy, could think only of the felicity of having come within an inch of being killed. She went so far as to say to herself: ‘He is worthy to be my master, since he has been on the point of killing me. How many of the good-looking young men in society would one have to fuse together to arrive at such an impulse of passion?

‘One must admit that he did look handsome when he climbed on the chair, to replace the sword, precisely in the picturesque position which the decorator had chosen for it! After all, I was not such a fool to fall in love with him.’

At that moment, had any honourable way of renewing their relations presented itself, she would have seized it with pleasure. Julien, locked and double-locked in his room, was a prey to the most violent despair. In the height of his folly, he thought of flinging himself at her feet. If, instead of remaining hidden in a remote corner, he had wandered through the house and into the garden, so as to be within reach of any opportunity, he might perhaps in a single instant have converted his fearful misery into the keenest happiness.

But the adroitness with the want of which we are reproaching him would have debarred the sublime impulse of seizing the sword which, at that moment, made him appear so handsome in the eyes of Mademoiselle de La Mole. This caprice, which told in Julien’s favour, lasted for the rest of the day; Mathilde formed a charming impression of the brief moments during which she had loved him, and looked back on them with regret.

‘Actually,’ she said to herself, ‘my passion for that poor boy lasted, in his eyes, only from one o’clock in the morning, when I saw him arrive by his ladder, with all his pistols in the side pocket of his coat, until eight. It was at a quarter past eight, when hearing mass at Sainte–Valere, that it first occurred to me that he would imagine himself to be my master, and might try to make me obey him by force of terror.’

After dinner, Mademoiselle de La Mole, far from avoiding Julien, spoke to him, and almost ordered him to accompany her to the garden; he obeyed. This proved too much for her self-control. Mathilde yielded, almost unconsciously, to the love which she began to feel for him. She found an intense pleasure in strolling by his side, it was with curiosity that she gazed at his hands which that morning had seized the sword to kill her.

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