Chris Curran - Her Deadly Secret

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A family built on lies…A dark and twisty psychological thriller, in which a young girl is abducted and her family is confronted with a horror from deep in their past. Perfect for fans of BA Paris and Sue Fortin.A young girl has been taken. Abducted, never to be seen again.Joe and Hannah, her traumatized parents, are consumed by grief. But all is not as it seems behind the curtains of their suburban home.Loretta, the Family Liaison Officer, is sure Hannah is hiding something – a dark and twisted secret from deep in her past.This terrible memory could be the key to the murder of another girl fifteen years ago. And as links between the two victims emerge, Joe and Hannah learn that in a family built on lies, the truth can destroy everything…

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Her Deadly Secret

CHRIS CURRAN

A division of HarperCollins Publishers wwwharpercollinscouk Copyright - фото 1

A division of HarperCollins Publishers

www.harpercollins.co.uk

Copyright

This is a work of fiction Any references to real people living or dead real - фото 2

This is a work of fiction. Any references to real people, living or dead, real events, businesses, organizations and localities are intended only to give the fiction a sense of reality and authenticity. All names, characters, places and incidents are either the product of the author’s imagination or are used fictitiously, and their resemblance, if any, to real-life counterparts is entirely coincidental.

Killer Reads

An imprint of HarperCollins Publishers

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

Published by HarperCollins Publishers 2017

Copyright © Chris Curran 2017

Chris Curran asserts the moral right to be identified as the author of this work

Cover design © HarperCollins Publishers 2017

Cover photographs © Shutterstock.com

A catalogue record for this book is available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books

Ebook Edition © JULY 2017 ISBN: 9780008261320

Version 2019-01-18

Table of Contents

Cover

Title Page

Copyright

Dedication

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty-One

Chapter Twenty-Two

Chapter Twenty-Three

Chapter Twenty-Four

Chapter Twenty-Five

Chapter Twenty-Six

Exclusive extract of the latest psychological thriller by Chris Curran

Acknowledgements

Keep Reading …

About the Author

Also by Chris Curran

About the Publisher

Dedication

This one is for Sue Curran and Jack Farmer, with love.

What would I do without you?

Chapter One

Joe

As the police car brought him home, Joe saw a crowd outside and the cameras started up again. He still had black spots in front of his eyes from the last lot.

It was nearly midsummer, so still daylight at seven in the evening, and coming through the estate he’d noticed how run-down the area looked and realized their own house must seem no better. He had been doing it up, hoping to sell and move somewhere nicer, but he’d been away a lot recently. So the paintwork was peeling on the old front door and the bricks he’d bought to rebuild a wall were piled under the window. Lit up by those harsh flashes, with the knot of people crowding round the gate, it looked not half-finished but neglected.

The kind of place where bad things happen.

He’d used the word exhausted before, coming home from a surveying job at the other end of the country, but this was different. His whole body ached with it. He’d spent two nights driving around Swindon and, when it became light, walking the streets. He’d scoured the parks, getting funny looks from joggers and women with pushchairs, aware he must look half-mad.

The way Hannah was going on didn’t help. She stayed in her dressing gown the whole time, lying on the bed, or sitting at the kitchen table. When he tried to hold her she kept herself stiff, arms by her sides. He talked and talked, telling her where he’d been and what he planned to do next. Instead of speaking she pushed plates of toast or sandwiches in front of him and left him to it. When he did crawl into bed with her for a few minutes she turned away or got up and went downstairs.

At first, the police didn’t seem to take Lily’s disappearance seriously. Hannah had rung him about half past six that night in a panic. Lily was never late back from school and none of her friends had seen her. He’d driven fast, and as soon as he’d got in, dialled 999, and a patrol car came round. But the two uniforms seemed to think it was normal for a 14-year-old to stay out late without letting anyone know. Said they’d ‘look into it’, whatever that meant.

On the third day, they came back; three of them this time. He recognized the black woman constable from that first night, even though she was no longer in uniform. The one in charge introduced himself as Detective Chief Inspector Philips, and explained that Loretta was now their Family Liaison Officer. The woman nodded at Joe, her expression telling him she wouldn’t trust him as far as she could throw him, and went upstairs to see Hannah.

Philips said they now had to treat ‘the disappearance’ very seriously. ‘The likelihood is that she’s gone off somewhere. Maybe something’s upset her or she thinks she’s in trouble, but we need to find her as soon as possible.’

They asked him lots of questions about Lily. How did she get on at school; did she have a boyfriend? He answered as best he could, but too often found himself saying stupid things like, ‘You’d better ask her mum about that.’ All he wanted was to get out again. To do something. Anything but sit here with them watching him. He knew he was fidgeting as he tried to hear the voices upstairs, anxious in case Hannah’s answers were different from his, but he couldn’t help it.

Philips suggested a TV appeal. ‘If there’s still no sign of her by then. I’ll be with you and I can help you with what to say.’

Of course he agreed, and they said Hannah should be there too. She wouldn’t have to speak if she was too upset. But when the policewoman came down she gave the inspector a look and said Hannah wouldn’t do it; nothing could persuade her.

He’d hated doing the appeal and now, as they got out of the car, Philips told him to ignore the reporters. It wasn’t easy with all the cameras and with microphones shoved in his face, one of them knocking against his mouth. Philips stood close to him, and the smell of his sickly aftershave, which had bothered Joe all evening, was very strong. He turned away, preferring the whiff of BO and damp cloth coming from the crowd.

‘Clear the way now. Let us through. Mr Marsden has nothing more to say.’ Philips pushed them both forward, and Joe took the chance to stab his elbow into the guy with the microphone.

The Family Liaison Officer, the one they were apparently meant to call Loretta, was with Hannah at the kitchen table. Hannah didn’t even look up let alone ask how it had gone. Why was she leaving it all to him? Couldn’t she see he needed her?

Philips said, ‘Excuse me, Joe,’ and fumbled in his pocket as his phone chirruped. He kept calling Joe by his first name, even though he hadn’t asked if that was OK and hadn’t offered his own. He turned away muttering into the phone, and Hannah was suddenly standing, brushing off Loretta’s hand and walking towards Joe.

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