Derek Landy - Armageddon Outta Here - The World of Skulduggery Pleasant

Taking all this into account, I am the sum of my obsessions. I am every movie I’ve ever seen and every book I’ve ever read. I am every song I’ve ever listened to. I am every comic I’ve ever bought. I am entire collections by Joseph Wambaugh and Elmore Leonard and Joe R Lansdale and I am His Dark Materials and I am Harry Potter .

And in all of these things, I have glimpsed the Big Clue. And these glimpses were enough to open my eyes to the ideas swimming naturally through the soup of my mind. It was from that soup that I plucked Skulduggery Pleasant himself, back in the summer of 2005, and he brought with him every genre I’ve ever loved.

He is a detective (crime) who is also a skeleton (horror) who takes on a partner (screwball) and they fight monsters (fantasy) and they save the world (adventure). With a little bit of sci-fi thrown in, to stop things from getting boring.

The stories in this collection – arranged here in chronological order for your reading pleasure – are but fragments of the world that Skulduggery has opened up for me. It is because of him that I am able to write a western and sit it comfortably beside a novella about a middle-aged man revisiting the horrors of his childhood. It is because of him that the tones of these stories shift so radically between one and the next. It is because of him that I have the freedom to write the kind of stories I loved, and continue to love, to read.

And if there is a fledgling writer out there who is searching through this Introduction in an effort to find the Big Clue – the secret to writing that I, along with all the other writers, share only amongst ourselves – I am afraid I must disappoint you. This is something you must find out for yourself, fledgling writer, as the Author’s Code expressly forbids me from speaking of it in public.

I may already have said too much …

Derek Landy,

Dublin

Saint Patrick’s Day, 2014

t was the year of Our Lord eighteen hundred and sixty-one, and it was up west of the Missouri River in South Dakota, and the Dead Men were riding again.

This was still years before that damn fool Custer stumbled across all that gold in the Black Hills, years before Wounded Knee and the massacre that took place there. This was back before the territory was admitted into the union, back before Deadwood, back even before that pitiful Treaty of Laramie promised the region to the Lakota people, a treaty that, if ever that was one, was drawn up just to be burned.

It was a time of gunfighters and outlaws and hard living and easy dying and, of course, it was a time of mean-spirited, blood-slicked magic.

The Dead Men had travelled east from Wyoming, tracking their quarry, who’d led them a merry dance. But the longer they tracked, the easier it got. This was on account of the fact that their quarry had taken up with a Necromancer named Noche, who was developing a habit of leaving dead folk in his wake. Not regular dead folk, neither, but the kind that jumped up and ran around and had a madness in their dull eyes and a terrible, terrible hunger that could only be sated by human flesh. The kind only fire or a bullet to the brainpan could put down. Thankfully, fire and bullets were what the Dead Men specialised in.

Seven of them, all Irish, some of their accents a little muddied due to all the travelling and the living they’d done. There was Saracen Rue, all easy charm and easy smiles, like a man trying to convince himself he’s nicer than he is. Beside him rode Dexter Vex, one of the more thoughtful of the group, though he wasn’t one to show it. The quiet one with the week’s worth of stubble was Anton Shudder, and a scarier man was hard to find, even in this forsaken land. There was Erskine Ravel, recently returned from his sojourn to lands even more foreign and forsaken than this one, and Hopeless, a man of one name and many faces.

Riding in the lead was the scarred man, Ghastly Bespoke, and beside him the living skeleton, the one who looked like the Grim Reaper himself, the first of the Four Horsemen written about in the Bible and shouted about from pulpits up and down this wounded and pockmarked country.

And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him. And power was given unto them over the fourth part of the earth, to kill with sword, and with hunger, and with death, and with the beasts of the earth.

Skulduggery Pleasant’s clothes were scuffed and faded, and his coat was long and may have been black once upon a time. Among normal folk, what these men called ‘mortals’, he’d take that kerchief from around his neck there and tie it over all those teeth that were fixed in that permanent grin, and he’d pull that hat down low over those empty eye sockets. He had two pistol belts, criss-crossing low and held in place with tie-downs, and in those holsters he had guns with pearl handles and long barrels. Colt Walkers, they were. Guns built for stopping men.

They’d been riding for days and their horses were tired and thirsty, and the riders with flesh were chafed and sore. They came upon the town of Forbidden, and didn’t think much of it. A town of three streets and dirty people who bathed not often or well. There was a mangy dog lying in the middle of the street, who looked at them with mild indifference as they passed. When they were safely gone, the dog offered up a feeble growl, then lay back down and went to sleep or died. Didn’t make much difference to anyone which one it was.

They found the livery down the other end of town and the owner, an ungrateful piece of work called Sully, limped out into the sun, scratching himself in places soap hadn’t touched in a long, long time.

“Yeah?” he said with a mouth full of spit. “What the hell d’you want?”

The Dead Men dismounted. Pleasant and Bespoke stayed at the back, them being the most likely to draw attention, and Rue and Vex looked at the proprietor and frowned.

“What the hell do you think we want?” Vex said. “We want our horses fed and watered. You own this place, don’t you?”

The piece of work Sully looked at these men, saw the steel in their eyes and the steel on their hips, and he lost some of his scowl and swallowed some of his spit.

“I do,” he said. “Proud owner of Sullivan’s Livery. If the paint hadn’t peeled off years ago, you could see my name on the sign up there, even though it was spelled wrong and the ‘y’ was missing from Livery. I blame myself, not being able to read, and I blame the fella I hired to make the sign, him not being able to write. But regrets are what regrets are – we all have ’em, and those who don’t have ’em don’t miss ’em. Fed and watered, you say. You can depend on me, provided you have coin enough to pay for such a service.”

Vex tapped Rue’s arm. “Show the man some coin, Saracen.” He went to join the others, who were walking down the wide patch of dirt called Main Street towards the saloon. The townspeople gave them a decent berth, watched them with wary eyes and waited till they were out of earshot to start whispering. Men with guns were never a good sign. Men who looked like they knew how to use those guns even less so.