Ali Harper - The Runaway

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She has nowhere left to turn…A twisty, compelling, thought-provoking new crime thriller from a major new talent.‘Outstanding, gritty and hard-hitting, yet woven with humour’ Jo Jakeman, author of Sticks and Stones‘Edgy and fast moving’ Danuta Kot, author of Life RuinsA body without a name… One night, the body of a young woman is found, naked but for a necklace, tied to a statue outside a block of luxury flats. There should be an outcry. But the police rule it a suicide, and move on. A case where nothing is as it seems… Private investigators Lee and Jo, owners of No Stone Unturned detective agency in Leeds, are tasked with looking into the case. Who was the woman? Did she really kill herself? A world where danger lurks around every corner… As they investigate, Lee and Jo uncover shocking secrets. And when they see links between this case and another they are working on, they are forced to question – is any woman ever truly safe in this world? And are they risking their own lives by delving too deep?Praise for Ali Harper:“I adored this rollicking crime caper” Rachel Sargeant, author of The Perfect Neighbours‘I loved the humour that Harper imbued every page with’ Liz Mistry, author of Unquiet Souls‘This book is a brilliant high-wire of a novel’ SJ Bradley, author of Guest

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The Runaway

ALI HARPER

A division of HarperCollins Publishers wwwharpercollinscouk KillerReads an - фото 1

A division of HarperCollins Publishers

www.harpercollins.co.uk

KillerReads

an imprint of HarperCollins Publishers Ltd

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain by HarperCollins Publishers Ltd 2019

Copyright © Ali Harper 2019

Cover design © HarperCollins Publishers Ltd 2019

Cover photograph © Shutterstock.com

Ali Harper asserts the moral right to be identified as the author of this work.

A catalogue copy of this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Ebook Edition © September 2019 ISBN: 9780008354305

Version: 2019-06-21

This one is for my netball team.

We’ve never lost a game – we just occasionally run out of time.

Table of Contents

Cover

Title Page The Runaway ALI HARPER A division of HarperCollins Publishers www.harpercollins.co.uk

Copyright KillerReads an imprint of HarperCollins Publishers Ltd 1 London Bridge Street London SE1 9GF www.harpercollins.co.uk First published in Great Britain by HarperCollins Publishers Ltd 2019 Copyright © Ali Harper 2019 Cover design © HarperCollins Publishers Ltd 2019 Cover photograph © Shutterstock.com Ali Harper asserts the moral right to be identified as the author of this work. A catalogue copy of this book is available from the British Library. This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Ebook Edition © September 2019 ISBN: 9780008354305 Version: 2019-06-21

Dedication This one is for my netball team. We’ve never lost a game – we just occasionally run out of time.

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty-One

Chapter Twenty-Two

Chapter Twenty-Three

Chapter Twenty-Four

Chapter Twenty-Five

Chapter Twenty-Six

Chapter Twenty-Seven

Chapter Twenty-Eight

Chapter Twenty-Nine

Chapter Thirty

Chapter Thirty-One

Chapter Thirty-Two

Chapter Thirty-Three

Chapter Thirty-Four

Chapter Thirty-Five

Keep Reading …

Acknowledgements

Also by Ali Harper

About the Author

About the Publisher

Chapter One

I was bent double when she pushed open the office door, my sides aching so much I thought I was going to wet myself. A moment before, Aunt Edie had been up the set of stepladders, brushing away the cobwebs in the cornices with a bright blue and purple plastic feather duster. Jo had made some joke about how it was fortunate we didn’t have any men in the office as the sight of Aunt Edie’s pop socks would drive them wild, and Aunt Edie had swiped at her with the feather duster. The steps had toppled, Aunt Edie grabbed hold of the filing cabinet and the pot plant on top of it got knocked over, landing on Jo’s Afro. Jo was spitting out polystyrene balls and dry compost when the bell chimed and this young woman, with dreads and a silver cannabis leaf nose stud, marched into our office.

Aunt Edie was the first to recover. ‘Welcome to No Stone Unturned,’ she said, clambering down from the filing cabinet. ‘The,’ – she rhymed the word with bee – ‘the most successful private investigation bureau in the north of England.’ She pushed past me, stuffing the feather duster behind Jo’s chair as she bustled across the room. ‘Edith Caudwell, Office Manager.’

Aunt Edie had been installed as receptionist only the week before, having swapped her terraced house in Accrington for a housing association flat down the road from our offices in Royal Park. ‘Are you missing someone, pet?’

‘My boyfriend,’ the woman said, her eyes settling on Aunt Edie. ‘I don’t know where he is and I need to find him. Like now.’

She held the left sleeve of her rainbow-coloured top in her right hand, twisting the material. I glanced across at Jo and noticed a polystyrene ball clinging to her eyebrow. I was about to point it out when our visitor’s face crumpled and her shoulders sagged, like someone had let the wind out of her.

‘Oh, now. Don’t you go getting yourself worked up,’ said Aunt Edie, putting her arm around the woman’s shoulders. They were almost the same height, which is no height at all. ‘Come on, take a seat and tell us all about it. Did you read about these two,’ – she turned and pushed Jo’s DMs off the desk – ‘in the papers? If anyone can find your missing fella, they can.’

I pulled a face at Aunt Edie. Our first case had gone well, but if this woman hired us to find her missing boyfriend, it would make her only our second client. My lungs buzzed at the thought, although it was early days and she didn’t look like she could afford shoes, let alone private investigators. However, if I’ve learned one thing from living in this part of Leeds, it’s not to judge a book by its cover. Trustafarians, Jo calls them. Kids that get off on looking poverty-stricken while their parents run Barclays.

‘We’ll go through to the back room,’ I said, having finally got control of my vocal cords. ‘Tea would be great, Aun— er, Edie. Would you mind?’

Aunt Edie pouted. I knew she itched to get the details, but she was the receptionist, something Jo and I had gone to great lengths to explain when we agreed to let her work here. Tea-making went with the territory.

‘I’m Lee and this is Jo,’ I said to the woman. ‘What’s your name?’

She held her hand over her eyes, like we might not notice her crying. ‘Nikki.’

She didn’t volunteer a surname and I didn’t push it. Jo grabbed a new client file and I led the way to our interview room. It’s tiny, the proportions not helped by the dark laminate panelling that lines the walls. We’ve got a card table with a green felt top, three wooden chairs and a punch bag strapped to the ceiling in the far corner. ‘Take a seat, Nikki,’ I said. ‘And take a minute. We’ve plenty of time.’

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