Fiona Harper - The Other Us - the RONA winning perfect second chance romance to curl up with

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***WINNER OF THE 2018 SPECULATIVE ROMANTIC NOVEL AWARD***‘This is a pure joy’ HeatIf you could turn back time, would you choose a different life?Forty-something Maggie is facing some hard truths. Her only child has flown the nest for university and, without her daughter in the house, she’s realising that her life, and her marriage to Dan, is more than a little stale.When she spots an announcement on Facebook about a uni reunion, she can’t help wondering what happened to Jude Hanson. The same night Dan proposed, Jude asked Maggie to run away with him, and she starts to wonder how different her life might have been if she’d broken Dan’s heart and taken Jude up on his offer.Wondering turns into fantasising, and then one morning fantasising turns into reality. Maggie wakes up and discovers she’s back in 1992 and twenty-one again. Is she brave enough to choose the future she really wants, and if she is, will the grass be any greener on the other side of the fence?Two men. Two very different possible futures. But is there only once chance at happiness?Perfect for fans of One Day,The Versions of Us and Miss You

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As a child, Fiona was constantly teased for two things: having her nose in a book and living in a dream world. Things haven’t changed much since then, but at least she’s found a career that puts her runaway imagination to use!

Fiona lives in London with her husband and two teenage daughters (oh, the drama in her house!), and she loves good books, good films and anything cinnamon flavoured. She also can’t help herself if a good tune comes on and she’s near a dance floor – you have been warned!

Fiona loves to hear from readers and you can contact her through her website fionaharper.com, her Facebook page (Fiona Harper Author) or Twitter (@FiHarper_Author).

COPYRIGHT

An imprint of HarperCollins Publishers Ltd

1 London Bridge Street

London SE1 9GF

First published in Great Britain by HQ in 2017

Copyright © Fiona Harper 2017

Fiona Harper asserts the moral right to be identified as the author of this work.

A catalogue record for this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Ebook Edition © May 2017 ISBN: 9780008216931

Version: 2018-08-01

For Andy

CONTENTS

Cover

About the Author

Title Page

Copyright

Dedication

CHAPTER ONE

CHAPTER TWO

CHAPTER THREE

CHAPTER FOUR

CHAPTER FIVE

CHAPTER SIX

CHAPTER SEVEN

CHAPTER EIGHT

CHAPTER NINE

CHAPTER TEN

CHAPTER ELEVEN

CHAPTER TWELVE

CHAPTER THIRTEEN

CHAPTER FOURTEEN

CHAPTER FIFTEEN

CHAPTER SIXTEEN

CHAPTER SEVENTEEN

CHAPTER EIGHTEEN

CHAPTER NINETEEN

CHAPTER TWENTY

CHAPTER TWENTY-ONE

CHAPTER TWENTY-TWO

CHAPTER TWENTY-THREE

CHAPTER TWENTY-FOUR

CHAPTER TWENTY-FIVE

CHAPTER TWENTY-SIX

CHAPTER TWENTY-SEVEN

CHAPTER TWENTY-EIGHT

CHAPTER TWENTY-NINE

CHAPTER THIRTY

CHAPTER THIRTY-ONE

CHAPTER THIRTY-TWO

CHAPTER THIRTY-THREE

CHAPTER THIRTY-FOUR

CHAPTER THIRTY-FIVE

CHAPTER THIRTY-SIX

CHAPTER THIRTY-SEVEN

CHAPTER THIRTY-EIGHT

CHAPTER THIRTY-NINE

CHAPTER FORTY

CHAPTER FORTY-ONE

CHAPTER FORTY-TWO

CHAPTER FORTY-THREE

CHAPTER FORTY-FOUR

CHAPTER FORTY-FIVE

CHAPTER FORTY-SIX

CHAPTER FORTY-SEVEN

CHAPTER FORTY-EIGHT

CHAPTER FORTY-NINE

CHAPTER FIFTY

CHAPTER FIFTY-ONE

CHAPTER FIFTY-TWO

CHAPTER FIFTY-THREE

CHAPTER FIFTY-FOUR

CHAPTER FIFTY-FIVE

CHAPTER FIFTY-SIX

CHAPTER FIFTY-SEVEN

CHAPTER FIFTY-EIGHT

CHAPTER FIFTY-NINE

CHAPTER SIXTY

CHAPTER SIXTY-ONE

CHAPTER SIXTY-TWO

CHAPTER SIXTY-THREE

CHAPTER SIXTY-FOUR

CHAPTER SIXTY-FIVE

CHAPTER SIXTY-SIX

CHAPTER SIXTY-SEVEN

ACKNOWLEDGEMENTS

Extract

About the Publisher

CHAPTER ONE

My first thought is that I am dead.

How strange, I think, as I lie very still, desperately trying not to open my eyes. Yesterday was such an ordinary day. I wasn’t ill, as far as I was aware. I went to the supermarket, watched something really dull with Dan on the telly and then we argued and I went to bed alone.

Maybe that’s it. Maybe I popped a blood vessel in my head while I was sleeping, from all the stress. Only that doesn’t make sense. It was more of a grumpy tiff than a full-on, plate-throwing kind of row. After twenty-four years of marriage, Dan and I never do anything that involves that much energy – or passion – any more.

It vaguely occurs to me that if I’d known the previous evening was to be my last on earth that I really should have spent it doing something more interesting, something less middle-aged, like tango dancing with a brooding Latin stranger or watching the Northern Lights shimmer across the polar sky. Instead, I’d spent it in the sleepy commuter town of Swanham in Kent, watching an hour-long documentary on the life cycle of a cactus – Dan’s choice.

Slightly disgusted with myself, and feeling more than a little resentful towards my husband, I turn my thoughts back to the present.

I don’t know how I know I’m dead. It’s just that I had a sense as my conscious brain swam up from the murky depths of sleep of being somewhere entirely ‘other’.

I heave in some much-needed oxygen, pulling it in through my nostrils. Odd. I’ve always thought heaven would smell nicer than this. You know, of beautiful flowers and pure, clean air, like you get on the top of a mountain.

Without meaning to, I move. There is a rustle and I freeze. Not because someone else is here and I’m suddenly aware of their presence, malevolent or otherwise, but because it sounded – and felt – suspiciously like bed sheets. For some reason this throws me.

As I remain still, listening to my pulse thudding in my ears, I start to contemplate the idea that maybe this place isn’t as ‘other’ as I thought.

There’s the sheets for one thing. And the fact that I seem to be lying on something that feels suspiciously like a mattress. As much as I get the sense that I’m not where I should be, not in my usual spot in the universe – lying next to Dan and pretending I can’t hear his soft snores – there’s also something familiar about this place. The smell of the air teases me, rich with memories that are just out of reach.

I really don’t want to open my eyes, because that will make this real. I want this to be a dream, one of those really lucid ones. I’ll tell Dan about it over breakfast and we’ll laugh, last night’s spat forgotten. But there’s a part of me that knows this is different, that it’s too real. More real than my normal life, even. I’m scared of that feeling.

It doesn’t take long before I cave, though. It’s just all too still, all too quiet.

I blink and try to focus on my surroundings. The first thing I experience is a wave of shock as I realise I’m right: I’m not at home in my own bed, Dan snuffling beside me. Then the second wave hits, and it’s something much more scary – recognition.

I know this place!

I push the covers back and stand up, forgetting I don’t really want to interact with this new reality, to give it any more credence than necessary.

The memories that were fuzzy and out of reach now become razor-sharp, rushing towards me, stabbing at me like a thousand tiny needles. I want to sit down, but there’s nothing to catch me but a thinning and rather grubby carpet.

This is the flat I shared with Becca during my last year at university.

I stumble through the bedroom door and into the lounge. Yes. There’s the faded green velour sofa and the seventies oval coffee table, which we’d thought was disgusting at the time but nowadays would fetch a pretty price at a vintage market.

Why am I here?

How am I here?

I turn into the little galley kitchen and spot the furred-up plastic kettle that produced the caffeine that fuelled Becca and me through our late-night essay-writing sessions, a kettle I had completely forgotten about but now seems as comforting and familiar as my childhood teddy bear. It’s something to hang on to while I feel the rest of myself slipping away.

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