Adele Nozedar - The Element Encyclopedia of Secret Signs and Symbols

The square gives man a safe, static reference point, and a stable, unmoving shape as opposed to the continual motion of the circle.

Temples and holy buildings are often built in the form of a square, solidly designed to align with the four points of the compass. The Ka’aba at Mecca is a fine example, as is the base of the Buddhist Stupa. Altars, too, are square. Square shapes define limits and create boundaries; to speak of someone as being “square” means that they are fixed and unchangeable.

A diamond shape often with rounded rather than pointed ends, the lozenge is often overlooked, but is actually a representation of the female genitalia. As such, its most popular appearance is probably as the vesica piscis, the sacred doorway through which spirit enters the world of matter. In heraldry, for example, the lozenge is used in place of the masculine shield, to denote a coat of arms belonging to a woman or a noncombative male, such as a member of the clergy.

The triangle shares all the symbolic significance of the number 3, as a shape, and therefore represents the many things that come in groups of three, from the Holy Trinity to the triple aspect of the Goddess. Triangles appear in lots of different signs and symbols. In ancient times, the triangle was considered synonymous with light, and the meanings of the triangle vary according to which way up it is. When it sits firmly on its base, then it is a masculine, virile symbol, representing fire. The other way up it becomes the water element, a chalice shape, emblematic of the feminine powers. Balanced on its point in this way the triangle also represents the yoni, further underpinning the Goddess aspect. The equilateral triangle is a harmonious form, used to indicate the Higher Powers, providing a framework, for example, for the All Seeing Eye of God.

As a symbol of strength, the triangle reinforces the corners of the square, both physically and meta-physically. The solid shape of the triangle also makes its appearance in yogic positions, for example in the Trikona Asana or Triangle Posture.

The square can be divided into two diagonal triangles. Because the length of these shapes has no simple relationship to its sides, the Greeks concluded that the diagonal must be a symbol of the irrational. Therefore, the diagonal, or oblique, has come to be associated with the incomprehensible, occult world. In J. K. Rowling’s Harry Potter books, Diagon Alley is the hidden part of London that is a magical high street full of occult devices.

However it is interpreted, the jagged shape of the zig-zag carries with it the idea of heat, energy, vitality, and movement, the archetypal sign for lightning or electricity. The double zig-zag that makes the astrological glyph for Aquarius could be water or it could be the life-force itself. The serpent that spirals up the Caduceus is a softened zig-zag shape. There is an inherent danger in the zig-zag, and the deities that carry it in their hands do so as a sign of their own authority and power.

Ironically, the first entry in this encyclopedia is a symbol that is impossible to illustrate because it takes various different forms.

An Aaskouandy charm is any object that is unusual in some way, which appears unexpectedly or is somehow out of place in its surroundings. For example, if a stone is found in the entrails of an animal that was particularly hard to hunt, then this stone is perceived to be the object that gave the animal its power, and so is eligible for Aaskouandy status.

The Iriquois believe that the Aaskouandy, a magical charm of considerable power, has a mind of its own, so much so that if it is neglected it can even turn against its owner. They also believe that the Aaskouandy has trickster tendencies and can change shape at will, so confusingly it may metamorphose into another object altogether.

Because the Aaskouandy is an independent being, the owner is careful to stay on the right side of it, keeping it happy with gifts and feasts.

If an Aaskouandy appears in the shape of a fish or serpent, then this is particularly potent because of the inherent power of these creatures. In this case, the Aaskouandy changes its name, too, and becomes an Onniont.

Depending on your point of view, Abraxas is either an Egyptian Sun God who was adopted by the early Christian Gnostics, or a demon from Hell who is closely associated with Lucifer, although there is a case for the former, since he was not demoted to the ranks of a demon until the Middle Ages.

Abraxas was no ordinary god, however. As Ruler of the First Heaven he had dominion over the cycles of birth, death, and resurrection.

Whatever the case, the symbol for Abraxas is a very unusual one. He has the head of a chicken, the torso of a man, and two serpents for legs. He holds a shield in one hand and a flail-like instrument in the other. The image of Abraxas was carved onto stones (called Abraxas Stones) and the stone used as a magical amulet. Occasionally Abraxas will appear driving a chariot drawn by four horses; these horses represent the elements.

This Abraxas symbol was adopted by the Knights Templar, who used it on their seals. No one knows precisely why this symbol was of particular significance, but a hidden secret within the name “Abraxas” may provide a clue.

In Greek, the 7 letters are the initials of the first 7 planets in the Solar System.

Further, if we apply numerology to the name then it adds up to 365, not only the number of days in a year but also the number of the spirits that those same early Gnostics believed were emanations from God.

Added to the mix is the speculation that the supreme magical word, “Abracadabra,” may derive from the name Abraxas, which means “harm me not.”

Originating in Ghana, Adrinka symbols are now related, in general, to the Ashanti people. There are hundreds of these signs, which were originally printed on the cloth that was used in sacred ceremonies and rituals, funerals in particular. “Adrinka” means “goodbye.”

The patterns are created using a block printing method. The symbols are cut into a calabash gourd, and then stamped onto the cloth in ink or paint.

The language of Adrinka is rich and varied, embracing philosophical concepts and sociological ideas as well as straightforward words. The symbols take their influence from plants, animals, the landscape, and the natural world, as well as manmade objects. There is a vast Adrinka vocabulary, with complex meanings attached to what might appear, at first glance, to be simple little doodles.

Often confused with the Caduceus, the Wand or Rod of Aesclepius is the true symbol of the medical profession. The symbol belongs to the Greek God of Healing whose name it bears. Although the origins of many symbols are indeterminate, there is a theory that the Aesclepius Wand came about due to the method of removal of a certain parasite that was drawn gradually from the body by winding it around a stick. However, the serpent is a powerful symbol of healing, despite its toxic nature. In general, the symbol of the serpent rising up toward the top of a pole or tree is representative of matter transforming into spirit and of enlightenment.