Andrew Smith - Grasshopper Jungle

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If you're a fan of John Green, Michael Grant, Stephen King or Sally Green's Half Bad, get your pincers stuck into this.In the small town of Ealing, Iowa, Austin and his best friend Robby have accidentally unleashed an unstoppable army. An army of horny, hungry, six-foot-tall praying mantises that only want to do two things. This is the truth. This is history. It’s the end of the world. And nobody knows anything about it.Funny, intense, complex and brave, Grasshopper Jungle is a groundbreaking, genre-bending, coming-of-age stunner.Look out for the highly anticipated sequel Exile from Eden.Praise for Grasshopper Jungle:‘A cool/passionate, gay/straight, male/female, absurd/real, funny/moving, past/present, breezy/profound masterpiece of a book.' Michael Grant, bestselling author of the GONE series.‘If you only read one book this year about sexually confused teens battling 6 foot tall head-chomping praying mantises in small town America, make it this one.' Charlie Higson, author of the bestselling Young Bond series.‘Grasshopper Jungle by Andrew Smith. You must read immediately. It’s an absolute joy. Scary, funny, sexy. Trust me.’ Jake Shears, lead singer of The Scissor Sisters‘Not for the faint-hearted. Mutant grasshoppers, rampant lust – a tale of teen self discovery that grips like a mating mantis.’ MetroAndrew Smith has always wanted to be a writer. After graduating college, he wrote for newspapers and radio stations, but found it wasn't the kind of writing he'd dreamed about doing. Born with an impulse to travel, Smith, the son of an immigrant, bounced around the world and from job to job, before settling down in Southern California. There, he got his first ‘real job’, as a teacher in an alternative educational program for at-risk teens, married, and moved to a rural mountain location. Smith has now written several award-winning YA novels including Winger, Stick, and Grasshopper Jungle.

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We had to leave, but we were mesmerized.

But the thing on that particular rack that was most compelling was the jar containing a two-headed boy. It was a whole fetus, bluish in color and clay-like, tiny but fully developed.

Robby reached up and spun the jar around, making the boy pirouette for us as he floated in the zero gravity of his vacuum jar. His little legs were bowed and folded beneath him. A knotted umbilical strand corkscrewed from his round belly. One hand, its fingers so perfect, rested opened, palm up in front of the knob of his penis. The other hand was clenched in a defiant fist beside his hip. And from the boy’s shoulders sprouted two perfect heads, one tilted to the side, resting. Both mouths were open, small black caverns that exposed the ridge of gums and the small rounded mounds of the boy’s tongues. The eyes were open and hollow. Each plum-sized head was rimmed with a floating tuft of iron-colored hair.

There was something overwhelmingly sad about the boy.

I couldn’t identify what it was.

Robby said, “This isn’t right.”

I said, “I think I know exactly what it would be like to have two heads like that.”

The last wall contained specimens of bugs. But these weren’t any bugs I’d ever seen. They also floated inside sealed rectangular glass cases filled with preserving fluid. They looked almost like aquariums with alien creatures in them.

Some of the bugs in the tanks were as big as middle-school kids.

They looked like praying mantises, or grasshoppers maybe.

The larger tanks only contained parts of bugs: heads, appendages, thoraxes.

The heads were as large as mine and Robby’s.

The tanks were also labeled:

MCKEON INDUSTRIES 1969 UNSTOPPABLE SOLDIER—STRAND 4-VG-12

“We need to get out of here,” Robby said.

I agreed.

It was too late, though. Robby and I were trapped in Johnny McKeon’s office. Somebody was outside, in the main room of the shop.

They weren’t making any attempt to be quiet, either.

BLUE LIGHT

“OH, SHIT, AUSTIN.”

“Get the light,” I whispered.

Robby flicked the switch, but Johnny McKeon’s office didn’t go dark.

The glass globe with the pulsating black shit in it wriggled and burned with a blue light. It was like writhing cobalt embers trapped inside the sphere of the glass. The thing in the sphere, whatever it was, obviously responded to light.

Hiding was our only option, but there was no place inside Johnny’s office that was very suitable. Robby pointed at the desk. We pulled Johnny’s chair out and huddled together, hugging each other in the small rectangular space below the desk.

We were just like that poor two-headed boy floating in fluid in the jar.

We didn’t even think to lock Johnny’s office door behind us.

Why would anyone have thought to do such a thing?

Because it would have been smart , I told myself.

The knob on the door squeaked and turned. There were footsteps. Someone came into the office. I put my face down on the floor and looked from under the desk. There were several sets of feet there.

Someone said, “What the crap is that?”

The shoes were positioned so whoever was inside with me and Robby was looking at the mysterious globe.

“It’s alive,” another voice concluded.

“People always said Johnny McKeon kept weird shit in here. Maybe it’s an alien or something.”

Robby’s fingers squeezed around my arm. We both knew the voice. It was Grant Wallace. He and his boys had somehow gotten into From Attic to Seller.

“Let’s take that shit,” the kid named Tyler said.

“You’re carrying it. It looks heavy,” Grant said. “I don’t want that shit. I came for the booze. Let’s go.”

The Hoover Boys apparently found their way into the back room connecting Tipsy Cricket with the secondhand store. They probably broke into the abandoned foot doctor’s office to do it.

It was a simple matter.

For all anyone knew, Grant and his boys may have been planning their theft from Tipsy Cricket for a long time. It probably had everything to do with why we ran into them in Grasshopper Jungle earlier that day.

Technically, our encounter with Grant Wallace happened the day before, since it was solidly past midnight in our time zone, which was located under the desk in Johnny McKeon’s office.

“Is that a dick?” one of the boys asked.

“It’s a dick,” another concluded.

“Johnny Mack has a dick in a bottle in his office,” Grant affirmed.

“Maybe it’s his,” one of Grant’s friends said.

“Let’s take it,” another of them said.

“I’m not touching it. It’s a jar with a dick in it.” I think Tyler said that.

“Oh yeah,” someone else said. “And balls, too.”

“That’s sick. I’m not touching it. Hang on. I’m going to take a picture of that dick in a jar with my phone,” the videographer decided.

“Text it to me.” One of the Hoover Boys laughed.

I desperately wished they’d stop talking about the penis in the jar, but Grant and his friends were like lonely parakeets in front of a mirror.

Finally, after they’d exhausted all speculation and conversational rhetoric on the topic of penises in jars, the boys stood there numbly for a moment, apparently unable to detach their eyes. I heard the sound of something heavy and solid sliding on one of the shelves.

The blue shadows in the room swirled.

Tyler had lifted the globe.

It was not a good idea.

“Let’s go. I’m thirsty,” he said.

They left the door to Johnny’s office standing open.

The blue light danced away into the darkness of the back room, and then faded entirely.

I grabbed Robby’s wrist and pulled him out from our hiding place. Then I led him back through the shop and up the ladder to the roof.

PRIORITIES

ROBBY BREES ANDI had our priorities.

As soon as we closed the hatch and were outside on the roof again, we lit cigarettes.

Smoking dynamos.

“Shit,” Robby said.

“Shit,” I agreed.

Shit , like the word okay , can mean any number of things. In fact, in the history I recorded in my book for that one Friday in Ealing, Iowa, I believe I used the word shit in every possible context.

I will have to go back through the history and check.

Robby and I said shit —nothing else—approximately eleven more times as we smoked our cigarettes up on the roof.

“What do you think that shit in the ball was?” Robby said.

“I don’t know. You read the nameplate on it. It said Contained Plague .”

“Nothing good is ever called Plague ,” Robby said.

“Maybe it was just some glow-in-the-dark experimental stuff,” I said.

“I’ve done an experiment. We made a battery out of a lemon. Remember that?” Robby asked.

“Yes. It was a good experiment,” I agreed. I nodded like a scientist would. “We knew what was supposed to happen before we even started it. And it worked.”

“But I don’t think things called Plague are the subject of the kinds of experiments we do in the lab at Curtis Crane,” Robby said.

That’s what it was—what Robby and I had done up there on the roof at Grasshopper Jungle—I thought.

An experiment.

It is perfectly normal for boys to experiment. I read it somewhere that was definitely not in a book at Curtis Crane Lutheran Academy. Or if it was in a book, it would certainly no longer be part of Curtis Crane Lutheran Academy’s library collection. Not after the shit I did in eighth grade.

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