Art in Theory

13 Part VI: In a World of Colonies VIA Modern, Primitive, UniversalVIA1 Guillaume Apollinaire (1880–1918) ‘On the Art of the Blacks’ VIA2 Guillaume Apollinaire (1880–1918) On African and Oceanic sculptures VIA3 Roger Fry (1866–1934) ‘Negro Sculpture’ VIA4 Florent Fels (1891–1977) et al. ‘Opinions on Negro Art’ VIA5 Herbert Read (1893–1968) from Art Now VIA6 James Johnson Sweeney (1900–86) ‘The Art of Negro Africa’ VIA7 Alain Locke (1886–1954) ‘African Art: Classic Style’ VIA8 Robert Goldwater (1907–73) ‘A Definition of Primitivism’ VIA9 Margaret Preston (1875–1963) ‘Paintings in Arnhem Land’ VIA10 Henry Moore (1898–1986) ‘Primitive Art’ VIA11 A cluster of short texts by American painters of the 1940s on primitive art and myth VIA11(i) Adolph Gottlieb (1903–74) and Mark Rothko (1903–70) Statement VIA11(ii) Adolph Gottlieb (1903–74) and Mark Rothko (1903–70) from ‘The Portrait and the Modern Artist’ VIA11(iii) Jackson Pollock (1912–56) Answers to a questionnaire VIA11(iv) Barnett Newman (1905–70) ‘Pre‐Columbian Stone Sculpture’ VIA11(v) Barnett Newman (1905–70) ‘Art of the South Seas’ VIA11(vi) Barnett Newman (1905–70) ‘Northwest Coast Indian Painting’ VIA11(vii) Jackson Pollock (1912–56) Statement VIA11(viii) Mark Rothko (1903–70) from ‘The Romantics were prompted …’ VIB Western CivilizationFor and AgainstVIB1 Rosa Luxemburg (1871–1919) from The Accumulation of Capital – an Anti‐Critique VIB2 Hermann Hesse (1877–1962) ‘The European’ VIB3 Ezra Pound (1885–1972) from Hugh Selwyn Mauberley VIB4 Oswald Spengler (1880–1936) from The Decline of the West VIB5 Rabindranath Tagore (1861–1941) from Creative Unity VIB6 The Third International, ‘The Black Question’ VIB7 W. E. B. Du Bois (1868–1963) ‘Criteria of Negro Art’ VIB8 Franz Boas (1858–1942) from Primitive Art VIB9 Alain Locke (1886–1954) ‘Art or Propaganda’ VIB10 Sigmund Freud (1856–1939) from Civilization and Its Discontents VIB11 Alfred Rosenberg (1893–1946) from The Myth of the Twentieth Century VIB12 Leo Frobenius (1873–1938), ‘Reflections on African Art’ VIB13 Walter Benjamin (1892–1940) ‘Experience and Poverty’ VIB14 Narranyeri (attributed to David Unaipon 1875–1967) ‘A Blackfellow’s Appeal to White Australia’ VIB15 Edmund Husserl (1859–1938) from ‘The Vienna Lecture’ VIB16 Julius Lips (1895–1950) from The Savage Hits Back VIB17 Fernando Ortiz (1881–1969) ‘The Social Phenomenon of “Transculturation”’ VIB18 Eric Williams (1911–81) from Capitalism and Slavery VIC The Challenge of theAvant‐GardeVIC1 Voldemārs Matvejas/‘Vladimir Markov’ (1877–1914) ‘Negro Art’ VIC2 Carl Einstein (1885–1940) from Negerplastik VIC3 Tristan Tzara (1896–1963) ‘Chanson du serpent’/‘Song of the Snake’ VIC4 Oswald de Andrade (1890–1954) ‘Cannibalist Manifesto’ VIC5 Sergei Eisenstein (1898–1948) ‘The Cinematographic Principle and the Ideogram’ VIC6 Len Lye (1901–80) Two letters VIC7 The Surrealist group in Paris ‘Don’t Visit the Colonial Exhibition’ VIC8 The Surrealist group at the Sorbonne from Legitimate Defence VIC9 The Surrealist group in Paris ‘Murderous Humanitarianism’ VIC10 Michel Leiris (1901–90) from L’Afrique fantôme / Phantom Africa VIC11 Antonin Artaud (1896–1948) ‘What I Came to Mexico to Do’ VIC12 Josef Albers (1888–1976) ‘Truthfulness in Art’ VIC13 Art et Liberté group, Cairo ‘Long Live Degenerate Art’ VIC14 Aimé Césaire (1913–2008) from Notebook of a Return to the Native Land VIC15 Claude Lévi‐Strauss (1908–2009) ‘The Art of the Northwest Coast’ VIC16 Pierre Mabille (1904–52) ‘ The Jungle ’

14 Part VII: Independence and thePost‐colonial VIIA Resituating Theory and PoliticsVIIA1 Jean‐Paul Sartre (1905–80) from Black Orpheus VIIA2 Aimé Césaire (1913–2008) from Discourse on Colonialism VIIA3 Claude Lévi‐Strauss (1908–2009) from Tristes Tropiques VIIA4 Roland Barthes (1915–80) ‘African Grammar’ VIIA5 Frantz Fanon (1925–61) from ‘On National Culture’ VIIA6 George Kubler (1912–96) from The Shape of Time VIIA7 Michel Foucault (1926–84) from The Order of Things VIIA8 Edward Said (1935–2003) from Orientalism VIIA9 Gilles Deleuze (1925–95) and Félix Guattari (1930–92) from Mille plateaux VIIA10 Johannes Fabian (b. 1937) from Time and the Other VIIB Exhibitions, Museums and Histories ReimaginedVIIB1 André Malraux (1901–76) from ‘Museum Without Walls’ VIIB2 Aimé Césaire (1913–2008) On the institution of the museum VIIB3 Carl Sandburg (1878–1967) and Edward Steichen (1879–1973) from The Family of Man VIIB4 Roland Barthes (1915–80) ‘The Great Family of Man’ VIIB5 Georges Bataille (1892–1962) ‘The Cradle of Humanity’ VIIB6 Léopold Sédar Senghor (1906–2001) from the First World Festival of Black Arts VIIB7 Robert Farris Thompson (b. 1932) ‘Yoruba Artistic Criticism’ VIIB8 Ian Burn (1939–93) ‘Art is what we do, culture is what we do to other artists’ VIIB9 Linda Nochlin (1931–2017) from ‘The Imaginary Orient’ VIIB10 Luis Camnitzer (b. 1937) ‘Report from Havana: The First Biennial of Latin American Art’ VIIB11 William Rubin (1927–2006) from ‘Primitivism’ in 20 th Century Art VIIB12 James Clifford (b. 1945) ‘Histories of the Tribal and the Modern’ VIIB13 Martin Bernal (1937–2013) from Black Athena VIIC Beyond ModernismVIIC1 David A. Siqueiros (1896–1974) ‘Towards a New Integral Art’ VIIC2 Kazuo Shiraga (1924–2008) ‘The Shaping of the Individual’ VIIC3 Ad Reinhardt (1913–67) ‘Timeless in Asia’ VIIC4 George Maciunas (1931–78) Fluxus Manifesto VIIC5 Anni Albers (1899–1994) ‘Tapestry’ VIIC6 Hélio Oiticica (1937–80) from ‘General Scheme of the New Objectivity’ and ‘Tropicália’ VIIC7 María Teresa Gramuglio (b. 1939) and Nicolás Rosa (1938–2006) Tucumán Burns VIIC8 Marshall McLuhan (1911–80) and Quentin Fiore (1920–2019) from War and Peace in the Global Village VIIC9 Robert Smithson (1938–73) ‘Incidents of Mirror‐Travel in the Yucatan’ VIIC10 Nam June Paik (1932–2006) ‘ Global Groove and the Video Common Market’ VIIC11 Joseph Beuys (1921–86) ‘Manifesto on the Foundation of a “Free International School for Creativity and Interdisciplinary Research”’ VIIC12 Terry Smith (b. 1944) ‘The Provincialism Problem’ VIIC13 Robert Morris (1931–2018) ‘Aligned with Nazca’ VIIC14 Lothar Baumgarten (1944–2018) from ‘Conquering the Southern Continent in the Haze of a Sixpenny Cigar’ VIIC15 Alfredo Jaar (b. 1956) Statement VIID Asserting IdentityVIID1 F. N. Souza (1924–2002) ‘Nirvana of a Maggot’ VIID2 James Baldwin (1927–87) ‘Princes and Powers’ VIID3 Uche Okeke (1933–2016) ‘Growth of an Idea’ and ‘Natural Synthesis’ VIID4 Aubrey Williams (1926–90) ‘The Predicament Of The Artist In The Caribbean’ VIID5 Larry Neal (1937–81) from ‘The Black Arts Movement’ VIID6 Frank Bowling (b. 1934) ‘It’s Not Enough to Say Black Is Beautiful ’ VIID7 Faith Ringgold (b. 1930) Interview on For The Women’s House VIID8 Papa Ibra Tall (1935–2015) ‘Negritude and Contemporary Plastic Art’ VIID9 Edward ‘Kamau’ Brathwaite (1930–2020) from Contradictory Omens VIID10 Rasheed Araeen (b. 1935) ‘Preliminary Notes for a Black Manifesto’ VIID11 Ana Mendieta (1948–85) ‘Introduction’ to Dialectics of Isolation VIID12 Isaac Julien (b. 1960) and Kobena Mercer (b. 1960) ‘De Margin and De Centre’

15 Part VIII: The Global Turn VIIIA Critical RevisionsVIIIA1 Rasheed Araeen (b. 1935) ‘Why Third Text?’ VIIIA2 Peter Wollen (b. 1938) ‘Tourism, Language and Art’ VIIIA3 Homi K. Bhabha (b. 1949) ‘The Postcolonial and the Postmodern’ VIIIA4 Arjun Appadurai (b. 1949) from Modernity at Large VIIIA5 Michael Hardt (b. 1960) and Antonio Negri (b. 1933) from Empire VIIIA6 Irit Rogoff (b. 1963) On visual culture VIIIA7 Richard Bell (b. 1953) ‘Bell’s Theorem: Aboriginal Art – It’s a White Thing’ VIIIA8 Dipesh Chakrabarty (b. 1948) from Provincializing Europe VIIIA9 Immanuel Wallerstein (b. 1930) from World‐Systems Analysis VIIIA10 James Elkins (b. 1955) from Is Art History Global? VIIIA11 Partha Mitter (b. 1938) ‘Decentering Modernism’ VIIIA12 Fredric Jameson (b. 1934) from A Singular Modernity VIIIA13 Aruna D’Souza Introduction to Art History in the Wake of the Global Turn VIIIA14 Peter Weibel (b. 1944) ‘Modernity Reset: Renaissance 2.0’ VIIIB Diversity, Translation, Creolization and IdentityVIIIB1 Stuart Hall (1932–2014) ‘New Ethnicities’ VIIIB2 Édouard Glissant (1928–2011) ‘Creolisation and the Americas’ VIIIB3 Sonia Boyce and Manthia Diawara (b. 1962 and 1953 respectively) ‘The Art of Identity: A Conversation’ VIIIB4 Paul Gilroy (b. 1956) from The Black Atlantic VIIIB5 Coco Fusco and Guillermo Gómez‐Peña (b. 1960 and 1955 respectively) Interview with Anna Johnson VIIIB6 Sarat Maharaj (b. 1951) ‘Perfidious Fidelity; the Untranslatability of the Other’ VIIIB7 Gordon Bennett (1955–2014) Letter to Jean‐Michel BasquiatVIIIB8 Antonio Benítez‐Rojo (1931–2005) ‘Three Words toward Creolization’ VIIIB9 Edward Said (1935–2003) ‘The Art of Displacement’ VIIIB10 Fred Wilson (b. 1954) and Kwame Anthony Appiah (b. 1954) ‘Fragments of a Conversation’ VIIIB11 Homi K. Bhabha (b. 1949) ‘Another Country’ VIIIB12 Yinka Shonibare (b. 1962) Interview with Bernard Müller VIIIB13 Fiona Tan (b. 1966) ‘Other Facets of the Same Globe’ VIIIB14 Lubaina Himid (b. 1954) ‘We are Us not Other’ VIIIB15 Kara Walker (b. 1969) ‘A Sonorous Subtlety’: an interview with Kara Rooney VIIIB16 Fred Moten (b. 1962) On the art of Chris Ofili, from ‘Blue Vespers’ VIIIC Global Art and the MuseumVIIIC1 Jean‐Hubert Martin (b. 1944) Preface to Magiciens de la terre VIIIC2 Rasheed Araeen (b. 1935) from The Other Story VIIIC3 Llilian Llanes Godoy (b. 1947) ‘Introduction’ to the Third Havana Biennial VIIIC4 Luis Camnitzer (b. 1937), Jane Farver (1947–2015) and Rachel Weiss ‘Foreword’ to Global Conceptualism VIIIC5 Salah M. Hassan (b. 1964) and Olu Oguibe (b. 1964) from Authentic/Ex‐Centric VIIIC6 Okwui Enwezor (1963–2019) ‘The Black Box’THE POSTCOLONIAL AFTERMATH OF GLOBALIZATION AND THE TERRIBLE NEARNESS OF DISTANT PLACES VIIIC7 Artforum Roundtable discussion on ‘Global Tendencies’ VIIIC8 Kwame Anthony Appiah (b. 1954) ‘Whose Culture Is It Anyway?’ VIIIC9 Chin‐Tao Wu ‘Biennials Without Borders?’ VIIIC10 Gayatri Chakravorty Spivak (b. 1942) ‘Sign and Trace’ VIIIC11 Hans Belting (b. 1935) and Andrea Buddensieg ‘From Art World to Art Worlds’ VIIIC12 Clémentine Deliss (b. 1960) ‘Stored Code’ and ‘Foreign Exchange’ VIIID Concerning the ContemporaryVIIID1 Geeta Kapur (b. 1943) ‘Contemporary Cultural Practice: Some Polemical Categories’ VIIID2 Slavoj Žižek (b. 1949) ‘Multiculturalism, or, the Cultural Logic of Multinational Capitalism’ VIIID3 Nicolas Bourriaud (b. 1965) from Relational Aesthetics VIIID4 William Kentridge (b. 1955) Interview with Dan Cameron VIIID5 Grant Kester ‘A Critical Framework for Dialogical Practice’ VIIID6 Terry Smith (b. 1944) from What Is Contemporary Art? VIIID7 Hal Foster, Miwon Kwon, Chika Okeke‐Agulu, Alexander Alberro, Christopher P. Heuer, Matthew Jesse Jackson and Andrew Perchuk, Responses to a questionnaire on ‘The Contemporary’ VIIID8 Ai Weiwei (b. 1957) ‘Epilogue’ to his blog VIIID9 Francis Alÿs (b. 1959) ‘Francis Alÿs: A to Z’ VIIID10 Romuald Hazoumè (b. 1962) Cargoland VIIID11 Gerardo Mosquera (b. 1945) ‘Beyond Anthropophagy’ VIIID12 Xu Bing (b. 1955) ‘On Holding a Retrospective’ VIIID13 Doris Salcedo (b. 1958) ‘A Work in Mourning’ VIIID14 Hito Steyerl (b. 1966) ‘If You Don’t Have Bread, Eat Art!’ VIIID15 Art & Language (Michael Baldwin b. 1945, Mel Ramsden b. 1944) from Flags for Organisations