1 Cover
2 Title Page
3 Copyright Page
4 Acknowledgments
5 Introduction: The Affective Atmosphere of African American Literature The Idea of the Black Book How Do You Bind Nerve Endings? Notes
6 1 The Textual Production of Black Affect Toni Morrison’s Blush Notes
7 2 Mood Books Hughes’ Signifying on Signifying Bodily Feeling in In Our Terribleness and Ask Your Mama Rethinking Literary Tradition Through Mood Notes
8 3 The Vibrations of African American Literature Feeling of Vibration (Not Imitation) The Vibrations of Cane To Choose and Lose Signature: Entering into the Not Yet Here Endnotes
9 4 Shiver : The Diasporic Shock of Elsewhere Beyond the Impulse to Anthologize: the Shiver of What is Left Out Notes
10 5 Twitch or Wink : The Literary Afterlife of the Afterlife of Slavery The Twitch and Winks in Post‐Neo‐Slave Narratives Winking at the Psychic Hold of Slavery in Black Arts Movement‐Era Drama Baraka’s Reinvention of Slavery in Slave Ship and The Slave Ntozake Shange’s Performance of Body/Air Tensions Atmos‐Feeling in Funnyhouse of a Negro Notes
11 CODA Notes
12 Index
13 End User License Agreement
1 Chapter 0Figure 1. Bernard Malamud, The Tenants (1971)
2 Chapter 1 Figure 2. Figure 3.Figure 4. The New Yorker , Kara Walker, 2019.
3 Chapter 3Figure 5. Author’s Photograph. Boston, Massachusetts.Figure 6. Broadside Press, 1975.Figure 7. Martin Puryear, Cane (2000)
4 Chapter 5Figure 8. Author’s Photograph, 2014.
1 Introduction: The Affective Atmosphere of African American Literature
2 Cover Page
3 What is African American Literature?
4 Title Page
5 Copyright
6 Acknowledgments
7 Table of Contents
8 Begin Reading
9 CODA
10 Index
11 WILEY END USER LICENSE AGREEMENT
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In this series major critics make timely interventions to address important concepts and subjects, including topics as diverse as, for example: Culture, Race, Religion, History, Society, Geography, Literature, Literary Theory, Shakespeare, Cinema, and Modernism. Written accessibly and with verve and spirit, these books follow no uniform prescription but set out to engage and challenge the broadest range of readers, from undergraduates to postgraduates, university teachers, and general readers – all those, in short, interested in ongoing debates and controversies in the humanities and social sciences.
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21st‐Century Modernism |
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The Future of Theory |
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True Religion |
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Inventing Popular Culture |
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Myths for the Masses |
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The Future of War |
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The Rhetoric of RHETORIC |
Wayne C. Booth |
When Faiths Collide |
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The Future of Environmental Criticism |
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The Idea of Latin America |
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The Future of Society |
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Provoking Democracy |
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Rescuing the Bible |
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Our Victorian Education |
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The Idea of English Ethnicity |
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Living with Theory |
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Uses of Literature |
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Religion and the Human Future |
David E. Klemm and William Schweiker |
The State of the Novel |
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In Defense of Reading |
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Why Victorian Literature Still Matters |
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The Savage Text |
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The Myth of Popular Culture |
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Phenomenal Shakespeare |
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Why Politics Can’t Be Freed From Religion |
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What Cinema is! |
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The Future of Christian Theology |
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A Future for Criticism |
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After the Fall |
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After Globalization |
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Art Is Not What You Think It Is |
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The Global Future of English Studies |
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The Future of Jewish Theology |
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Philosophy and the Study of Religions |
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Breaking the Book: Print Humanities in the Digital Age |
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What is African American Literature?
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