Margo N. Crawford - What is African American Literature?

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After Kenneth W. Warren's
, Margo N. Crawford delivers
The idea of African American literature may be much more than literature written by authors who identify as «Black».
focuses on feeling as form in order to show that African American literature is an archive of feelings, a tradition of the tension between uncontainable black affect and rigid historical structure. Margo N. Crawford argues that textual production of affect (such as blush, vibration, shiver, twitch, and wink) reveals that African American literature keeps reimagining a black collective nervous system.
Crawford foregrounds the «idea» of African American literature and uncovers the «black feeling world» co-created by writers and readers. Rejecting the notion that there are no formal lines separating African American literature and a broader American literary tradition, Crawford contends that the distinguishing feature of African American literature is a «moodscape» that is as stable as electricity. Presenting a fresh perspective on the affective atmosphere of African American literature, this compelling text frames central questions around the «idea» of African American literature, shows the limits of historicism in explaining the mood of African American literature and addresses textual production in the creation of the African American literary tradition.
Part of the acclaimed
series,
is a significant addition to scholarship in the field. Professors and students of American literature, African American literature, and Black Studies will find this book an invaluable source of fresh perspectives and new insights on America's black literary tradition.

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Table of Contents

1 Cover

2 Title Page

3 Copyright Page

4 Acknowledgments

5 Introduction: The Affective Atmosphere of African American Literature The Idea of the Black Book How Do You Bind Nerve Endings? Notes

6 1 The Textual Production of Black Affect Toni Morrison’s Blush Notes

7 2 Mood Books Hughes’ Signifying on Signifying Bodily Feeling in In Our Terribleness and Ask Your Mama Rethinking Literary Tradition Through Mood Notes

8 3 The Vibrations of African American Literature Feeling of Vibration (Not Imitation) The Vibrations of Cane To Choose and Lose Signature: Entering into the Not Yet Here Endnotes

9 4 Shiver : The Diasporic Shock of Elsewhere Beyond the Impulse to Anthologize: the Shiver of What is Left Out Notes

10 5 Twitch or Wink : The Literary Afterlife of the Afterlife of Slavery The Twitch and Winks in Post‐Neo‐Slave Narratives Winking at the Psychic Hold of Slavery in Black Arts Movement‐Era Drama Baraka’s Reinvention of Slavery in Slave Ship and The Slave Ntozake Shange’s Performance of Body/Air Tensions Atmos‐Feeling in Funnyhouse of a Negro Notes

11 CODA Notes

12 Index

13 End User License Agreement

List of Illustrations

1 Chapter 0Figure 1. Bernard Malamud, The Tenants (1971)

2 Chapter 1 Figure 2. Figure 3.Figure 4. The New Yorker , Kara Walker, 2019.

3 Chapter 3Figure 5. Author’s Photograph. Boston, Massachusetts.Figure 6. Broadside Press, 1975.Figure 7. Martin Puryear, Cane (2000)

4 Chapter 5Figure 8. Author’s Photograph, 2014.

Guide

1 Introduction: The Affective Atmosphere of African American Literature

2 Cover Page

3 What is African American Literature?

4 Title Page

5 Copyright

6 Acknowledgments

7 Table of Contents

8 Begin Reading

9 CODA

10 Index

11 WILEY END USER LICENSE AGREEMENT

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Wiley Blackwell Manifestos

In this series major critics make timely interventions to address important concepts and subjects, including topics as diverse as, for example: Culture, Race, Religion, History, Society, Geography, Literature, Literary Theory, Shakespeare, Cinema, and Modernism. Written accessibly and with verve and spirit, these books follow no uniform prescription but set out to engage and challenge the broadest range of readers, from undergraduates to postgraduates, university teachers, and general readers – all those, in short, interested in ongoing debates and controversies in the humanities and social sciences.

Already Published

The Idea of Culture Terry Eagleton
The Future of Christianity Alister E. McGrath
Reading After Theory Valentine Cunningham
21st‐Century Modernism Marjorie Perloff
The Future of Theory Jean‐Michel Rabaté
True Religion Graham Ward
Inventing Popular Culture John Storey
Myths for the Masses Hanno Hardt
The Future of War Christopher Coker
The Rhetoric of RHETORIC Wayne C. Booth
When Faiths Collide Martin E. Marty
The Future of Environmental Criticism Lawrence Buell
The Idea of Latin America Walter D. Mignolo
The Future of Society William Outhwaite
Provoking Democracy Caroline Levine
Rescuing the Bible Roland Boer
Our Victorian Education Dinah Birch
The Idea of English Ethnicity Robert Young
Living with Theory Vincent B. Leitch
Uses of Literature Rita Felski
Religion and the Human Future David E. Klemm and William Schweiker
The State of the Novel Dominic Head
In Defense of Reading Daniel R. Schwarz
Why Victorian Literature Still Matters Philip Davis
The Savage Text Adrian Thatcher
The Myth of Popular Culture Perry Meisel
Phenomenal Shakespeare Bruce R. Smith
Why Politics Can’t Be Freed From Religion Ivan Strenski
What Cinema is! Andrew Dudley
The Future of Christian Theology David F. Ford
A Future for Criticism Catherine Belsey
After the Fall Richard Gray
After Globalization Eric Cazdyn and Imre Szeman
Art Is Not What You Think It Is Donald Preziosi and Claire Farago
The Global Future of English Studies James F. English
The Future of Jewish Theology Steven Kepnes
Where is American Literature? Caroline Levander
New England Beyond Criticism Elisa New
Philosophy and the Study of Religions Kevin Schilbrack
The Future for Creative Writing Graeme Harper
Breaking the Book: Print Humanities in the Digital Age Laura Mandell

What is African American Literature?

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