Percy Boynton - A History of American Literature

The general purpose in the preparation of this book has been to eliminate negligible detail and to subordinate or omit authors of minor importance in order to stress the men and the movements that are most significant in American intellectual history. The book has therefore been written with a view to showing the drift of American thought as illustrated by major writers or groups and as revealed by a careful study of one or two cardinal works by each. In this sequence of thought the growth of American self-consciousness and the changing ideals of American patriotism have been kept in mind throughout. The attempt is made to induce study of representative classics and extensive reading of the American literature which illuminates the past of the country – chiefly, of course, in reminiscent fiction, drama, and poetry.

As an aid to the student, there are appended to each chapter (except the last three) topics and problems for study, and book lists which summarize the output of each man, indicate available editions, and point to the critical material which may be used as a supplement, but not as a substitute, for first-hand study. This critical material has been selected with a view, also, to suggesting books which might reasonably be included in libraries of normal schools and colleges, as well as in universities.

As further aids to the student, there have been included two maps, three chronological charts, and, in an appendix, a brief characterization of the American periodicals which have been most significant in stimulating American authorship by providing a market for fiction, poetry, and the essay.

In the writing of the book the author’s chief obligation has naturally been to the many university classes who have stimulated its preparation, not only by their attention but by their free discussion. Special acknowledgment is gratefully made to Mr. William W. Ellsworth for a careful reading of all the manuscript and to Miss Marie Gulbransen for the initial work in formulating the appendix on the American magazines.

Acknowledgment is due to the publishers of The Nation and The New Republic for portions of the chapters on Crèvecœur, the Poetry of the Revolution, Emerson, Lowell, Whitman, Sill, and Miller, which originally appeared in these weeklies.

In its beginnings American literature differs from the literatures of most other great nations; it was a transplanted thing. It sprang in a way like Minerva, full-armed from the head of Jove, – Jove in this case being England, and the armor being the heritage which the average American colonist had secured in England before he crossed the Atlantic. In contrast, Greek, Roman, French, German, English, and the other less familiar literatures can all be more or less successfully traced back to primitive conditions. Their early life was interwoven with the growth of the language and the progress of a rude civilization, and their earliest products which have come down to us were not results of authorship as we know it to-day. They were either folk poetry, composed perhaps and certainly enjoyed by the people in groups and accompanied by group singing and dancing, – like the psalms and the simpler ballads, – or they were the record of folk tradition, slowly and variously developed through generations and finally collected into a continuous story like the Iliad, the Æneid, the “Song of Roland,” the “Nibelungenlied,” and “Beowulf.” They were composed by word of mouth and not reduced to writing for years or generations, and they were not put into print until centuries after they were current in speech or transcribed by monks and scholars.

The one great story-poem of this sort in American literature is the “Song of Hiawatha,” but this is the story of a conquered and vanishing race; it has nothing basic to do with the Americans of to-day; it is far less related to them than the earlier epics of the older European nations to whom we trace our ancestry. Except for a few place-names even the language of America owes nothing to that of the Indians, for the English tongue is a compound of Greek and Latin and French and German. Our literary beginnings, then, go back to two groups of educated English colonists, or immigrants, and our knowledge of them to conditions in the divided England from which they first came to Jamestown, Virginia, in 1607 and to Plymouth, Massachusetts, in 1620.

The English of the early seventeenth century were an eager, restless, driving people. The splendid reign of Queen Elizabeth was just past. The country was secure from foreign enemies and confident in its strength. Great naval leaders had brought new honors to her name; great explorers had planted her flag on mysterious and new-discovered coasts; a group of dramatists had made the theater as popular as the moving-picture house of to-day; a great architect was adorning London with his churches; poets and novelists, preachers and statesmen, scientists and scholars, were all working vividly and keenly. There was an active enthusiasm for the day’s doings, a kind of living assent to Hamlet’s commentary, on “this goodly frame, the earth, … this most excellent canopy, the air, … this brave o’erhanging firmament, this majestical roof fretted with golden fire”; and to the exclamation that follows: “What a piece of work is a man! how noble in reason! how infinite in faculty! in form and moving, how express and admirable! in action, how like an angel! in apprehension, how like a god! the beauty of the world! the paragon of animals!” And under a strong and tactful monarch the nation had been kept at peace with itself.

Yet in this fallow soil the seeds of controversy had been steadily taking root; and when Elizabeth was followed on the throne by the vain and unregal James I, the crop turned out to be a harvest of dragons’ teeth. Puritan democrats and cavalier Royalists fought with each other over the body of England till it was prostrate and helpless. What followed was the rise of Puritan power, culminating with the execution of Charles II and the establishment of the Commonwealth under the Cromwells from 1649 to 1660, and the peaceful restoration of monarchy at the latter date. It was during the mid-stages of these developments that the first settlements were made in English America. Both factions included large numbers of vigorous individuals of the pioneer type. The Puritans were technically called “dissenters” and “nonconformists” because of their attitude toward the established Church of England; but the Royalists who came over to America were simply nonconformists of another type who preferred doing things out on the frontier to living conventional lives at home.

The Royalists, who settled in the South, came away, like other travelers and explorers of their day, to settle new English territory as a landed aristocracy. They were a mixed lot, but on the whole they were not an irreligious lot. They believed in the established church as they did in the established government, and they persecuted with a good will those who tried to follow other forms of worship than their own. They were, however, chiefly fortune hunters, just as were the men who surged out to California in 1849 or those who went to Alaska fifty years later; they hoped to make their money in the west and to spend it back in the east, and they had little thought of literature, either as a thing to enjoy or as a thing to create. When they wrote they did so to give information about the country, the Indians, and the new conditions of living, or to keep in touch with relatives, legal authorities, or sources of money supply; and always they had in mind the thought of attracting new settlers, for they needed labor more than anything else. They made no attempt at general education, adopting the now-abandoned aristocratic theory that too much knowledge would be a dangerous source of discontent among the working people. Some few individuals wrote accounts and descriptions that are interesting to the modern reader, but these were not representative of the people as a whole. They were Englishmen away from home, living temporarily in Virgin -ia (the province of the virgin queen, Elizabeth), in James -town, in the Carolinas (from the Latin for Charles), in Mary -land, and, even as late as 1722, in George -ia.