William Hickling Prescott - The History of the Reign of Ferdinand and Isabella the Catholic (Vol. 1-3)

John de Mena is affirmed by some of the national critics to have given a new aspect to Castilian poetry. [30] His great work was his "Laberinto," the outlines of whose plan may faintly remind us of that portion of the "Divina Commedia" where Dante resigns himself to the guidance of Beatrice. In like manner the Spanish poet, under the escort of a beautiful personification of Providence, witnesses the apparition of the most eminent individuals, whether of history or fable; and, as they revolve on the wheel of destiny, they give occasion to some animated portraiture, and much dull, pedantic disquisition. In these delineations we now and then meet with a touch of his pencil, which, from its simplicity and vigor, may be called truly Dantesque . Indeed, the Castilian Muse never before ventured on so bold a flight; and, notwithstanding the deformity of the general plan, the obsolete barbarisms of the phraseology, its quaintness and pedantry, notwithstanding the cantering dactylic measure in which it is composed, and which to the ear of a foreigner can scarcely be made tolerable, the work abounds in conceptions, nay in whole episodes, of such mingled energy and beauty, as indicate genius of the highest order. In some of his smaller pieces his style assumes a graceful flexibility, too generally denied to his more strained and elaborate efforts. [31]

It will not be necessary to bring under review the minor luminaries of this period. Alfonso de Baena, a converted Jew, secretary of John the Second, compiled the fugitive pieces of more than fifty of these ancient troubadours into a cancionero , "for the disport and divertisement of his highness the king, when he should find himself too sorely oppressed with cares of state," a case we may imagine of no rare occurrence. The original manuscript of Baena, transcribed in beautiful characters of the fifteenth century, lies, or did lie until very lately, unheeded in the cemetery of the Escurial, with the dust of many a better worthy. [32] The extracts selected from it by Castro, although occasionally exhibiting some fluent graces with considerable variety of versification, convey, on the whole, no very high idea of taste or poetic talent. [33].

Indeed, this epoch, as before remarked, was not so much distinguished by uncommon displays of genius, as by its general intellectual movement and the enthusiasm kindled for liberal studies. Thus we find the corporation of Seville granting a hundred doblas of gold as the guerdon of a poet who had celebrated in some score of verses the glories of their native city; and appropriating the same sum as an annual premium for a similar performance. [34] It is not often that the productions of a poet laureate have been more liberally recompensed even by royal bounty. But the gifted spirits of that day mistook the road to immortality. Disdaining the untutored simplicity of their predecessors, they sought to rise above them by an ostentation of learning, as well as by a more classical idiom. In the latter particular they succeeded. They much improved the external forms of poetry, and their compositions exhibit a high degree of literary finish, compared with all that preceded them. But their happiest sentiments are frequently involved in such a cloud of metaphor, as to become nearly unintelligible; while they invoke the pagan deities with a shameless prodigality that would scandalize even a French lyric. This cheap display of school-boy erudition, however it may have appalled their own age, has been a principal cause of their comparative oblivion with posterity. How far superior is one touch of nature, as the "Finojosa" or "Querella de Amor," for example, of the marquis of Santillana, to all this farrago of metaphor and mythology!

The impulse, given to Castilian poetry, extended to other departments of elegant literature. Epistolary and historical composition were cultivated with considerable success. The latter, especially, might admit of advantageous comparison with that of any other country in Europe at the same period; [35] and it is remarkable, that, after such early promise, the modern Spaniards have not been more successful in perfecting a classical prose style.

Enough has been said to give an idea of the state of mental improvement in Castile under John the Second. The Muses, who had found a shelter in his court from the anarchy which reigned abroad, soon fled from its polluted precincts under the reign of his successor Henry the Fourth, whose sordid appetites were incapable of being elevated above the objects of the senses. If we have dwelt somewhat long on a more pleasing picture, it is because our road is now to lead us across a dreary waste exhibiting scarcely a vestige of civilization.

While a small portion of the higher orders of the nation was thus endeavoring to forget the public calamities in the tranquillizing pursuit of letters, and a much larger portion in the indulgence of pleasure, [36] the popular aversion for the minister Luna had been gradually infusing itself into the royal bosom. His too obvious assumption of superiority, even over the monarch who had raised him from the dust, was probably the real though secret cause of this disgust. But the habitual ascendency of the favorite over his master prevented the latter from disclosing this feeling until it was heightened by an occurrence which sets in a strong light the imbecility of the one and the presumption of the other. John, on the death of his wife, Maria of Aragon, had formed the design of connecting himself with a daughter of the king of France. But the constable, in the mean time, without even the privity of his master, entered into negotiations for his marriage with the princess Isabella, granddaughter of John the First of Portugal; and the monarch, with an unprecedented degree of complaisance, acquiesced in an arrangement professedly repugnant to his own inclinations. [37] By one of those dispensations of Providence, however, which often confound the plans of the wisest, as of the weakest, the column, which the minister had so artfully raised for his support, served only to crush him.

The new queen, disgusted with his haughty bearing, and probably not much gratified with the subordinate situation to which he had reduced her husband, entered heartily into the feelings of the latter, and indeed contrived to extinguish whatever spark of latent affection for his ancient favorite lurked within his breast. John, yet fearing the overgrown power of the constable too much to encounter him openly, condescended to adopt the dastardly policy of Tiberius on a similar occasion, by caressing the man whom he designed to ruin, and he eventually obtained possession of his person, only by a violation of the royal safe-conduct. The constable's trial was referred to a commission of jurists and privy counsellors, who, after a summary and informal investigation, pronounced on him the sentence of death on a specification of charges either general and indeterminate, or of the most trivial import. "If the king," says Garibay, "had dispensed similar justice to all his nobles, who equally deserved it in those turbulent times, he would have had but few to reign over." [38]

The constable had supported his disgrace, from the first, with an equanimity not to have been expected from his elation in prosperity; and he now received the tidings of his fate with a similar fortitude. As he rode along the streets to the place of execution, clad in the sable livery of an ordinary criminal, and deserted by those who had been reared by his bounty, the populace, who before called so loudly for his disgrace, struck with this astonishing reverse of his brilliant fortunes, were melted into tears. [39] They called to mind the numerous instances of his magnanimity. They reflected, that the ambitious schemes of his rivals had been not a whit less selfish, though less successful, than his own; and that, if his cupidity appeared insatiable, he had dispensed the fruits of it in acts of princely munificence. He himself maintained a serene and even cheerful aspect. Meeting one of the domestics of Prince Henry, he bade him request the prince "to reward the attachment of his servants with a different guerdon from what his master had assigned to him." As he ascended the scaffold, he surveyed the apparatus of death with composure, and calmly submitted himself to the stroke of the executioner, who, in the savage style of the executions of that day, plunged his knife into the throat of his victim, and deliberately severed his head from his body. A basin, for the reception of alms to defray the expenses of his interment, was placed at one extremity of the scaffold; and his mutilated remains, after having been exposed for several days to the gaze of the populace, were removed, by the brethren of a charitable order, to a place called the hermitage of St. Andrew, appropriated as the cemetery for malefactors. [40]