William Hickling Prescott - The History of the Reign of Ferdinand and Isabella the Catholic (Vol. 1-3)

The profession of letters itself was held in little repute by the higher orders of the nation, who were altogether untinctured with liberal learning. While the nobles of the sister kingdom of Aragon, assembled in their poetic courts, in imitation of their Provençal neighbors, vied with each other in lays of love and chivalry, those of Castile disdained these effeminate pleasures as unworthy of the profession of arms, the only one of any estimation in their eyes. The benignant influence of John was perceptible in softening this ferocious temper. He was himself sufficiently accomplished, for a king; and, notwithstanding his aversion to business, manifested, as has been noticed, a lively relish for intellectual enjoyment. He was fond of books, wrote and spoke Latin with facility, composed verses, and condescended occasionally to correct those of his loving subjects. [13] Whatever might be the value of his criticisms, that of his example cannot be doubted. The courtiers, with the quick scent for their own interest which distinguished the tribe in every country, soon turned their attention to the same polite studies; [14] and thus Castilian poetry received very early the courtly stamp, which continued its prominent characteristic down to the age of its meridian glory.

Among the most eminent of these noble savans , was Henry, marquis of Villena, descended from the royal houses of Castile and Aragon, [15] but more illustrious, as one of his countrymen has observed, by his talents and attainments, than by his birth. His whole life was consecrated to letters, and especially to the study of natural science. I am not aware that any specimen of his poetry, although much lauded by his contemporaries, [16] has come down to us. [17] He translated Dante's "Commedia" into prose, and is said to have given the first example of a version of the AEneid into a modern language. [18] He labored assiduously to introduce a more cultivated taste among his countrymen, and his little treatise on the gaya sciencia , as the divine art was then called, in which he gives an historical and critical view of the poetical Consistory of Barcelona, is the first approximation, however faint, to an Art of Poetry in the Castilian tongue. [19] The exclusiveness with which he devoted himself to science, and especially astronomy, to the utter neglect of his temporal concerns, led the wits of that day to remark, that "he knew much of heaven, and nothing of earth." He paid the usual penalty of such indifference to worldly weal, by seeing himself eventually stripped of his lordly possessions, and reduced, at the close of life, to extreme poverty. [20] His secluded habits brought on him the appalling imputation of necromancy. A scene took place at his death, in 1434, which is sufficiently characteristic of the age, and may possibly have suggested a similar adventure to Cervantes. The king commissioned his son's preceptor, Brother Lope de Barrientos, afterwards bishop of Cuença, to examine the valuable library of the deceased; and the worthy ecclesiastic consigned more than a hundred volumes of it to the flames, as savoring too strongly of the black art. The Bachelor Cibdareal, the confidential physician of John the Second, in a lively letter on this occurrence to the poet John de Mena, remarks, that "some would fain get the reputation of saints, by making others necromancers;" and requests his friend "to allow him to solicit, in his behalf, some of the surviving volumes from the king, that in this way the soul of Brother Lope might be saved from further sin, and the spirit of the defunct marquis consoled by the consciousness, that his books no longer rested on the shelves of the man who had converted him into a conjuror." [21] John de Mena denounces this auto da fe of science in a similar, but graver tone of sarcasm, in his "Laberinto." These liberal sentiments in the Spanish writers of the fifteenth century may put to shame the more bigoted criticism of the seventeenth. [22]

Another of the illustrious wits of this reign was Iñigo Lopez de Mendoza, marquis of Santillana, "the glory and delight of the Castilian nobility," whose celebrity was such, that foreigners, it was said, journeyed to Spain from distant parts of Europe to see him. Although passionately devoted to letters, he did not, like his friend the marquis of Villena, neglect his public or domestic duties for them. On the contrary, he discharged the most important civil and military functions. He made his house an academy, in which the young cavaliers of the court might practise the martial exercises of the age; and he assembled around him at the same time men eminent for genius and science, whom he munificently recompensed, and encouraged by his example. [23] His own taste led him to poetry, of which he has left some elaborate specimens. They are chiefly of a moral and preceptive character; but, although replete with noble sentiment, and finished in a style of literary excellence far more correct than that of the preceding age, they are too much infected with mythology and metaphorical affectations to suit the palate of the present day. He possessed, however, the soul of a poet; and when he abandons himself to his native redondillas , delivers his sentiments with a sweetness and grace inimitable. To him is to be ascribed the glory, such as it is, of having naturalized the Italian sonnet in Castile, which Boscan, many years later, claimed for himself with no small degree of self- congratulation. [24] His epistle on the primitive history of Spanish verse, although containing notices sufficiently curious from the age and the source whence they proceed, has perhaps done more service to letters by the valuable illustrations it has called forth from its learned editor. [25]

This great man, who found so much leisure for the cultivation of letters amidst the busy strife of politics, closed his career at the age of sixty, in 1458. Though a conspicuous actor in the revolutionary scenes of the period, he maintained a character for honor and purity of motive, unimpeached even by his enemies. The king, notwithstanding his devotion to the faction of his son Henry, conferred on him the dignities of count of Real de Manzanares and marquis of Santillana; this being the oldest creation of a marquis in Castile, with the exception of Villena. [26] His eldest son was subsequently made duke of Infantado, by which title his descendants have continued to be distinguished to the present day.

But the most conspicuous, for his poetical talents, of the brilliant circle which graced the court of John the Second, was John de Mena, a native of fair Cordova, "the flower of science and of chivalry," [27] as he fondly styles her. Although born in a middling condition of life, with humble prospects, he was early smitten with a love of letters; and, after passing through the usual course of discipline at Salamanca, he repaired to Rome, where, in the study of those immortal masters whose writings had but recently revealed the full capacities of a modern idiom, he imbibed principles of taste, which gave a direction to his own genius, and, in some degree, to that of his countrymen. On his return to Spain, his literary merit soon attracted general admiration, and introduced him to the patronage of the great, and above all to the friendship of the marquis of Santillana. [28] He was admitted into the private circle of the monarch, who, as his gossiping physician informs us, "used to have Mena's verses lying on his table, as constantly as his prayer-book." The poet repaid the debt of gratitude by administering a due quantity of honeyed rhyme, for which the royal palate seems to have possessed a more than ordinary relish. [29] He continued faithful to his master amidst all the fluctuations of faction, and survived him less than two years. He died in 1456; and his friend, the marquis of Santillana, raised a sumptuous monument over his remains, in commemoration of his virtues and of their mutual affection.