Gilbert Keith Chesterton - 30 Suspense and Thriller Masterpieces

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30 Suspense and Thriller Masterpieces: краткое содержание, описание и аннотация

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Anthologie contenant :
A Royal Prisoner par Marcel Allain
The Thames Valley Catastrophe par Grant Allen
Mr Standfast par John Buchan
Greenmantle par John Buchan
The Island of Sheep par John Buchan
The Three Hostages par John Buchan
The Thirty-Nine Steps par John Buchan
The Efficiency Expert par Edgar Rice Burroughs
The Man Who Was Thursday: a Nightmare par Gilbert Keith Chesterton
The Riddle of the Sands par Erskine Childers
The Woman in White par Wilkie Collins
The Rome Express par Arthur Griffiths
Lysbeth par Henry Rider Haggard
Desperate Remedies par Thomas Hardy
Rupert of Hentzau par Anthony Hope
The Prisoner of Zenda par Anthony Hope
The Apartment Next Door par William Andrew Johnston
The Film of Fear par Frederic Arnold Kummer
The Green God par Frederic Arnold Kummer
The Czar's Spy par William Le Queux
The Pit: A Story of Chicago par Frank Norris
The Double Traitor par Edward Phillips Oppenheim
The Evil Shepherd par Edward Phillips Oppenheim
The Kingdom of the Blind par Edward Phillips Oppenheim
The After House par Mary Roberts Rinehart
The International Spy par Allen Upward
The Bandbox par Louis Joseph Vance
Four Just Men par Edgar Wallace
The Dust of Death: The Story of the Great Plague of the Twentieth Century par Fred Merrick White
The River of Death: A Tale of London In Peril par Fred Merrick White

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"What on earth does all this mean?" he exclaimed.

A search of his erstwhile bed now brought to light a sheet torn from a railway time-table, upon which a certain train was underscored in red ink. From another corner of the coffin he brought out a false beard and a pair of yellow spectacles! In a twinkling Juve dressed himself and crossing to the door, pushed it open and looked out.

"The deuce!" he cried, "that's a funereal outlook!"

Before him stretched away on all sides … tombstones! tombstones big and little—some with crosses, others with crowns and flowers.

Juve was in a cemetery, and the strange room in which he found himself was the mortuary chapel. Nothing disturbed the impressive silence of this vast resting place. In the distance a clock struck five, and far off Juve perceived the silhouette of the Glotzbourg Cathedral.

The detective pulled himself together and began to piece out by his well-known habit of induction some solution to this incomprehensible mystery.

"To begin with," he exclaimed, "my being still alive is evidently due to the will of my adversaries. It is possible that the police of Hesse-Weimar may have discovered their mistake, and taken this method of setting me at liberty. Or, it has been given out that I am dead, and they intend to bury this poor fellow in my place… .

"No, that's stupid. I was forgetting it is Fantômas who is supposed to be caught, then are they going to give out that Fantômas is dead?… That seems out of the question… . Besides this man didn't die a natural death, he was killed! I can't make head or tail of it."

Juve paced up and down, rejecting one hypothesis after another. Finally, with a shrug of his shoulders, he cried:

"Bah! I shall know all in good time. Let's get to the most pressing problem. I have been given money, a ticket with the time of departure marked on the time-table, that is as much as to say:

"'My dear Sir, you are to go to the Station and take the 1.22 train, first class, for the frontier, there you will be left to your own devices … but be careful to use the disguise given you.'"

"Well," continued Juve to himself, "I haven't the least desire to thwart my mysterious friends, having no wish to prolong my visit here."

Soon afterward Juve set out toward the town. As he walked the dawn broke on the horizon.

For three hours the Berlin express had been speeding across Hesse-Weimar on its way to Paris. Night was beginning to fall and multi-colored signals showed their points of light as the train sped past way stations.

Juve, plunged in his thoughts, paid no attention to what was passing without. He had picked up a copy of the Hesse-Weimar Gazette before leaving, and in it had read the following:

"The desperate bandit, Fantômas, arrested two days ago in the Royal Palace while in the act of stealing the diamond, has committed suicide by shooting himself through the head with a small revolver he had hidden in his clothes. His body is now lying in the mortuary chapel of the cemetery awaiting the inevitable autopsy."

This information but confirmed Juve in the hypothesis he had formed. But there still remained a point to be cleared up. Undoubtedly the public were being duped … but who was duping them, and why? If Juve was thought to be Fantômas, they wouldn't have let him escape and put a dead man in his place. On the other hand, if they knew that Juve was not Fantômas, why the devil had this suicide story been invented?

A new idea suddenly flashed through Juve's mind.

"Suppose that not only the people of Hesse-Weimar but also the Government have been fooled!"

A glimpse caught of Prince Gudulfin descending from the private car at the Hesse-Weimar station, was sufficient to start this train of thought. By association of ideas the sight of the Prince brought to Juve's mind the figure of the Grand Duchess Alexandra, who was no other than Lady Beltham. And Lady Beltham suggested Fantômas, whom Juve was inclined to credit not only with his arrest but also with his liberation.

When the train pulled into the Frontier Station Juve, still wearing his false beard and whiskers, jumped down and hurried to the ticket office to buy his transportation to Paris. As he was returning, he happened to glance at the private car attached to the train at Glotzbourg, when, in spite of his self-control, he could not repress a cry of triumph.

One of the window curtains was suddenly raised and then immediately lowered again, but Juve had time to recognize a face. It was that of the Grand Duchess Alexandra … otherwise Lady Beltham. The train whistled.

Juve had only just time to regain his compartment. He began pacing up and down the corridor, rubbing his hands, almost jumping for joy. At last the mystery was cleared. He understood what had been going on. Lady Beltham had fainted when Juve was arrested. Why?

Evidently, because she had accepted the general opinion that he was Fantômas. After coming to herself and learning that the monster was in prison, she had made up her mind to effect his escape cost what it might.

But how was she to set about it?

Doubtless Lady Beltham, in her capacity of Grand Duchess, had many devoted friends, and it was evidently with their aid that the evasion had been brought about. And Lady Beltham, herself a dupe, still imagined it was her lover she had saved; when in reality she had set at liberty his most determined enemy.

As the air now began to grow chilly, Juve returned to his compartment and picked up his overcoat. He was about to put it on, when he stopped in amazement.

On the lining was pinned a paper with the following words scribbled in pencil:

"America Hotel, Paris."

For a long time Juve, with bent brows, read and reread these words. They could only have been brought here by Lady Beltham herself while Juve was away getting his ticket. What did this mysterious address portend?

If Lady Beltham believed she was communicating with Fantômas, she certainly would have no need to write to him; she would know well enough where to find him.

Furthermore, why didn't she simply walk through the several intervening cars and talk to him? What could be the motive powerful enough to prevent the mistress rejoining her lover? Upon second thoughts Juve doubted the hypothesis that Lady Beltham had intended to instigate the release of Fantômas. Might she not have become weary of the yoke which joined her to this monster and be really repentant of her crimes? It would not be the first time she had tasted remorse—and, instead of saving Fantômas, was aware that Juve had been set at liberty.

"Yes," echoed Juve, "this second hypothesis is evidently the right one and Lady Beltham has ranged herself upon the side of law."

The detective, with a defiant glance at the deepening evening shadows, proclaimed grandiloquently:

"So be it, Lady Beltham, it shall not be said that a gallant man repays you with ingratitude, and if you care to have it so we will say in unison:

"Between us three, Fantômas!"

The train thundered through the night. It was only at seven in the morning that the suburbs of Paris showed through an uncertain fog.

Saint Denis, the fortifications, and then the train slowed up and stopped under the great glass dome of the Gare du Nord. Juve, waking with a start, hastily sprang out and made his way to the private car in the hope of seeing Lady Beltham. But the Lady had already disappeared… . Juve caught up with her just in time to see her enter an automobile which instantly got under way. He managed to catch the number of the car, but could not find a taxi rapid enough to make the attempt of overtaking her.

"Oh, well," he exclaimed, "I know how to find her."

A sudden thought struck him:

"The delay accorded me by M. Annion expires to-day, and the arrest of the false Frederick-Christian is about due. I don't suppose Fandor has taken any steps, but I'd better find out what is happening."

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