Gilbert Keith Chesterton - 30 Suspense and Thriller Masterpieces

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30 Suspense and Thriller Masterpieces: краткое содержание, описание и аннотация

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Anthologie contenant :
A Royal Prisoner par Marcel Allain
The Thames Valley Catastrophe par Grant Allen
Mr Standfast par John Buchan
Greenmantle par John Buchan
The Island of Sheep par John Buchan
The Three Hostages par John Buchan
The Thirty-Nine Steps par John Buchan
The Efficiency Expert par Edgar Rice Burroughs
The Man Who Was Thursday: a Nightmare par Gilbert Keith Chesterton
The Riddle of the Sands par Erskine Childers
The Woman in White par Wilkie Collins
The Rome Express par Arthur Griffiths
Lysbeth par Henry Rider Haggard
Desperate Remedies par Thomas Hardy
Rupert of Hentzau par Anthony Hope
The Prisoner of Zenda par Anthony Hope
The Apartment Next Door par William Andrew Johnston
The Film of Fear par Frederic Arnold Kummer
The Green God par Frederic Arnold Kummer
The Czar's Spy par William Le Queux
The Pit: A Story of Chicago par Frank Norris
The Double Traitor par Edward Phillips Oppenheim
The Evil Shepherd par Edward Phillips Oppenheim
The Kingdom of the Blind par Edward Phillips Oppenheim
The After House par Mary Roberts Rinehart
The International Spy par Allen Upward
The Bandbox par Louis Joseph Vance
Four Just Men par Edgar Wallace
The Dust of Death: The Story of the Great Plague of the Twentieth Century par Fred Merrick White
The River of Death: A Tale of London In Peril par Fred Merrick White

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"Then you mean to say you have been continually with me. You occupy the next apartment? You enjoy my friendship?"

"Yes, Sire."

The King, in a burst of rage, now held the unfortunate Wulf by the collar and shoving him toward the door, ejected him onto the landing with a prodigious kick.

Frederick-Christian, more puzzled than ever by the turn of events, now turned his attention to his toilette. He was still in scanty attire and went behind his screen to continue dressing. At this moment a soft and charming voice spoke:

"Sire, are you there? It is I … Marie Pascal."

Marie Pascal!

Where had he heard that name before? Slowly Frederick-Christian recalled the silhouette of a young woman … with a fair skin and light hair …

The voice continued:

"I am glad to know that you are better, Sire. Forgive me for troubling you now but since our last meeting things have happened of a very serious nature … hidden enemies want to destroy me … to destroy us… . First of all they accused your Majesty of the murder of Susy d'Orsel, and now after torturing me with questions they have dared to say it was I!… I'm sure they overheard our last conversation and misunderstand our love for each other… ."

Frederick-Christian was growing suspicious. What did this extraordinary visit mean? Did they want to trap him into an unwary admission?

"In the name of our love, say you don't believe me guilty!"

The King hesitated.

"I don't know… . I … "

He stopped short as Marie Pascal with a sudden movement flung down the screen. The King in amaze stood stock still while the young girl looked at him in utter stupefaction, with trembling lips and body shaken by nervous tremors. Then suddenly she turned in terror, screaming:

"Help! Help! The impostor! The murderer!… the King is not the King… . Frederick-Christian has disappeared!… Who is this man?"

The girl's cries brought the Hotel servants quickly to the scene. She continued, pointing to the King:

"Who is this man?… Frederick-Christian has disappeared!… good God, what has happened?"

"Better call the police," suggested some one.

This met with general approval, but proceedings were suddenly interrupted by the arrival of Wulf.

"Have you heard?" several voices asked.

"All I know," replied Wulf in a piteous tone, "is that Frederick-Christian or not, he's got a devilish heavy foot, and when he kicks, he kicks royally."

Chapter 21 HORRIBLE CERTAINTY

"What has happened to that idiot Juve? Here for three days I've been shut up in this beastly prison and no sign of him."

As the days passed, Fandor gradually lost his buoyancy of spirits and became more and more anxious.

"What can Juve be doing?" he repeated for the hundredth time.

The continual obscurity of the place began to weigh him down. This was relieved each day for a few moments by a thin shaft of light. Fandor was quick to account for the phenomenon.

"It happens exactly at noon when the sun is directly overhead," he reasoned, "and finds an entrance through a crack in the bronze."

Many times he climbed to the body of the naiad in the hope of discovering some method of escape, but at length he realized that the thing was impossible.

He was seated one night deep in thought, puzzling his brains for the reason of Juve's defection, when a voice suddenly broke the silence.

"Can you hear me?"

Fandor bounded to his feet.

"Yes, I hear you."

"You must be getting uneasy?"

"Uneasy! I'm going mad! What a long time you've been!"

"That's true, I am a little late, but it hasn't been very easy."

Now that Fandor's mind was set at rest about his deliverance, he grew curious to know the results of the detective's investigation.

"Well, you were successful?"

"Yes, quite successful."

"Do they know in Glotzbourg?"

"They must have some suspicion by now."

"When did you get back?"

"This morning."

"Only this morning! And did you get my letter?"

"Your what, Sire?… I don't catch."

"I say you must have got my letter, since you are here, and now please get me out of this hole as quickly as possible … it's awful being shut up here … you can't imagine how I long for a breath of fresh air."

"Yes, yes, I understand, but I'm wondering how I'm to get you out."

"What's that?"

"Have you thought over a way we can effect the exchange?"

"But, my dear fellow, you must know what to do. I gave you full particulars in my letter."

"In your letter?"

"Yes… . I even enclosed a diagram."

There was a pause, the voice then asked:

"Will you pass me up this letter by … "

Fandor interrupted:

"Why, it's quite simple! Find the third naiad, counting from the one nearest the bridge."

Suddenly the voice explained:

"Look here, Sire, we are talking at cross purposes. I am asking you where we can exchange the diamond."

"The diamond?"

"Yes! Your diamond."

Fandor's face grew pale.

"My diamond!"

"The diamond I went to Glotzbourg to get … what's the matter with you, Sire? Don't you remember?… And what's all this about a letter?"

"Why, Juve! I'm talking of the letter I left at your apartment in which I explained how you may reach me!"

"Juve! Juve! Oho!"

A burst of strident laughter, infernal and diabolical, reached Fandor, who now guessed the horrible truth.

"If it isn't Juve who is speaking, who is it?" he cried. "For the love of God, who are you?"

"The person speaking to you … is Fantômas."

"Fantômas!"

Staggering, terrified, Fandor screamed:

"Fantômas! Fantômas!… It can't be possible! Fantômas has been arrested! Fantômas is in the hands of Juve!"

"Fantômas arrested?… Fantômas can't be arrested! He will never be caught! He is above and beyond every attack, every menace! Fantômas is Death, Eternal Death, Pitiless Death, King Death! Good-bye!"

A long silence followed. Fandor was stunned by the awful reality. He experienced all the sensations of a man buried alive, condemned to death with torture. And then another thought flashed through his mind:

"The papers spoke of Fantômas's arrest. But if Fantômas is at liberty, it must mean that Juve has been beaten! Juve went to Glotzbourg to arrest him. A man has been arrested under the name of Fantômas. That man must be Juve himself!"

And his letter! The first thing Fantômas would do would be to go to Juve's apartment and destroy it.

"He has got me," he exclaimed. "He can choose his own time to kill me. He can send down asphyxiating gas or a deluge of water through the connecting tube, or he can just leave me here to die slowly of hunger and thirst."

The journalist began pacing up and down his prison. He tried to recover his calm and argue the case out:

"Here I am in perfect health, clear in my mind and able to struggle to the bitter end. I have enough food and water to last me about nine or ten days. In my pocket I have my revolver, so that I can blow my brains out if it comes to the worst. But I won't. I'll fight! I'll fight until I drop!"

Chapter 22 BETWEEN US THREE—FANTÔMAS!

For the second time, the Grand Duchess Alexandra solemnly repeated to the Queen:

"I have the honor to take leave of your Majesty, and I dare to hope that I may hear news of your Majesty when I reach my journey's end. I shall be away a long while from the court of Hesse-Weimar and from its august Sovereign for whom I profess the deepest respect."

The interview between the Queen and the woman she deemed her mortal enemy took place about eleven o'clock, two days after the famous ball in the midst of which the detective Juve had so unfortunately been mistaken for Fantômas, and thrown into a gloomy dungeon where he had since been kept in solitary confinement. Opinion at Hesse-Weimar was divided between the theory that the thief had succeeded in hiding the famous diamond before he was caught, and the theory that when he discovered its hiding place, he had found an empty jewel case. Naturally, the identity of the Grand Duchess with the famous Lady Beltham, [3]established by Juve, was unknown in Hesse-Weimar, nor did anyone suspect that her sudden departure was in any way connected with the arrest of the pseudo Fantômas.

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