Array The griffin classics - The Collected Works of Honore de Balzac

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THE HUMAN COMEDY
PREFACE
STUDIES OF MANNERS IN THE 19TH CENTURY
Scenes from Private Life
AT THE SIGN OF THE CAT AND RACKET
AT THE SIGN OF THE CAT AND RACKET
THE BALL AT SCEAUX
LETTERS OF TWO BRIDES
THE PURSE
THE PURSE
MODESTE MIGNON
A START IN LIFE
ALBERT SAVARUS
VENDETTA
A SECOND HOME
DOMESTIC PEACE
MADAME FIRMIANI
STUDY OF A WOMAN
THE IMAGINARY MISTRESS
A DAUGHTER OF EVE
THE MESSAGE
THE GRAND BRETECHE
LA GRENADIERE
THE DESERTED WOMAN
HONORINE
BEATRIX
GOBSECK
A WOMAN OF THIRTY
FATHER GORIOT
COLONEL CHABERT
THE ATHEIST'S MASS
THE COMMISSION IN LUNACY
THE MARRIAGE CONTRACT
ANOTHER STUDY OF WOMAN
Scenes from Provincial Life
URSULE MIROUET
EUGENIE GRANDET
The Celibates
PIERRETTE
THE VICAR OF TOURS
THE TWO BROTHERS
Parisians in the Country
THE ILLUSTRIOUS GAUDISSART
THE MUSE OF THE DEPARTMENT
The Jealousies of a Country Town
THE OLD MAID
THE COLLECTION OF ANTIQUITIES
Lost Illusions
TWO POETS
A DISTINGUISHED PROVINCIAL AT PARIS
EVE AND DAVID
Scenes from Parisian Life
The Thirteen
FERRAGUS
THE DUCHESSE DE LANGEAIS
THE GIRL WITH THE GOLDEN EYES
THE FIRM OF NUCINGEN
Scenes from a Courtesan's Life
ESTHER HAPPY: HOW A COURTESAN CAN LOVE
WHAT LOVE COSTS AN OLD MAN
THE END OF EVIL WAYS
VAUTRIN'S LAST AVATAR
SECRETS OF THE PRINCESSE DE CADIGNAN
FACINO CANE
SARRASINE
PIERRE GRASSOU
The Poor Relations
COUSIN BETTY
COUSIN PONS
A MAN OF BUSINESS
A PRINCE OF BOHEMIA
GAUDISSART II
BUREAUCRACY
UNCONSCIOUS COMEDIANS
THE LESSER BOURGEOISIE
The Seamy Side of History
MADAME DE LA CHANTERIE
THE INITIATE
Scenes from Political Life
Scenes from Military Life
Scenes from Country Life
PHILOSOPHICAL STUDIES
ANALYTICAL STUDIES

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Maximilien Longueville, to whom Clara had communicated her not unfounded suspicions as to Emilie’s character, was by turns carried away by the violence of a young man’s passion, and held back by a wish to know and test the woman to whom he would be entrusting his happiness. His love had not hindered him from perceiving in Emilie the prejudices which marred her young nature; but before attempting to counteract them, he wished to be sure that she loved him, for he would no sooner risk the fate of his love than of his life. He had, therefore, persistently kept a silence to which his looks, his behavior, and his smallest actions gave the lie.

On her side, the self-respect natural to a young girl, augmented in Mademoiselle de Fontaine by the monstrous vanity founded on her birth and beauty, kept her from meeting the declaration half-way, which her growing passion sometimes urged her to invite. Thus the lovers had instinctively understood the situation without explaining to each other their secret motives. There are times in life when such vagueness pleases youthful minds. Just because each had postponed speaking too long, they seemed to be playing a cruel game of suspense. He was trying to discover whether he was beloved, by the effort any confession would cost his haughty mistress; she every minute hoped that he would break a too respectful silence.

Emilie, seated on a rustic bench, was reflecting on all that had happened in these three months full of enchantment. Her father’s suspicions were the last that could appeal to her; she even disposed of them at once by two or three of those reflections natural to an inexperienced girl, which, to her, seemed conclusive. Above all, she was convinced that it was impossible that she should deceive herself. All the summer through she had not been able to detect in Maximilien a single gesture, or a single word, which could indicate a vulgar origin or vulgar occupations; nay more, his manner of discussing things revealed a man devoted to the highest interests of the nation. “Besides,” she reflected, “an office clerk, a banker, or a merchant, would not be at leisure to spend a whole season in paying his addresses to me in the midst of woods and fields; wasting his time as freely as a nobleman who has life before him free of all care.”

She had given herself up to meditations far more interesting to her than these preliminary thoughts, when a slight rustling in the leaves announced to her than Maximilien had been watching her for a minute, not probably without admiration.

“Do you know that it is very wrong to take a young girl thus unawares?” she asked him, smiling.

“Especially when they are busy with their secrets,” replied Maximilien archly.

“Why should I not have my secrets? You certainly have yours.”

“Then you really were thinking of your secrets?” he went on, laughing.

“No, I was thinking of yours. My own, I know.”

“But perhaps my secrets are yours, and yours mine,” cried the young man, softly seizing Mademoiselle de Fontaine’s hand and drawing it through his arm.

After walking a few steps they found themselves under a clump of trees which the hues of the sinking sun wrapped in a haze of red and brown. This touch of natural magic lent a certain solemnity to the moment. The young man’s free and eager action, and, above all, the throbbing of his surging heart, whose hurried beating spoke to Emilie’s arm, stirred her to an emotion that was all the more disturbing because it was produced by the simplest and most innocent circumstances. The restraint under which the young girls of the upper class live gives incredible force to any explosion of feeling, and to meet an impassioned lover is one of the greatest dangers they can encounter. Never had Emilie and Maximilien allowed their eyes to say so much that they dared never speak. Carried a way by this intoxication, they easily forgot the petty stipulations of pride, and the cold hesitancies of suspicion. At first, indeed, they could only express themselves by a pressure of hands which interpreted their happy thoughts.

After slowing pacing a few steps in long silence, Mademoiselle de Fontaine spoke. “Monsieur, I have a question to ask you,” she said trembling, and in an agitated voice. “But, remember, I beg, that it is in a manner compulsory on me, from the rather singular position I am in with regard to my family.”

A pause, terrible to Emilie, followed these sentences, which she had almost stammered out. During the minute while it lasted, the girl, haughty as she was, dared not meet the flashing eye of the man she loved, for she was secretly conscious of the meanness of the next words she added: “Are you of noble birth?”

As soon as the words were spoken she wished herself at the bottom of a lake.

“Mademoiselle,” Longueville gravely replied, and his face assumed a sort of stern dignity, “I promise to answer you truly as soon as you shall have answered in all sincerity a question I will put to you!” — He released her arm, and the girl suddenly felt alone in the world, as he said: “What is your object in questioning me as to my birth?”

She stood motionless, cold, and speechless.

“Mademoiselle,” Maximilien went on, “let us go no further if we do not understand each other. I love you,” he said, in a voice of deep emotion. “Well, then,” he added, as he heard the joyful exclamation she could not suppress, “why ask me if I am of noble birth?”

“Could he speak so if he were not?” cried a voice within her, which Emilie believed came from the depths of her heart. She gracefully raised her head, seemed to find new life in the young man’s gaze, and held out her hand as if to renew the alliance.

“You thought I cared very much for dignities?” said she with keen archness.

“I have no titles to offer my wife,” he replied, in a half-sportive, half-serious tone. “But if I choose one of high rank, and among women whom a wealthy home has accustomed to the luxury and pleasures of a fine fortune, I know what such a choice requires of me. Love gives everything,” he added lightly, “but only to lovers. Once married, they need something more than the vault of heaven and the carpet of a meadow.”

“He is rich,” she reflected. “As to titles, perhaps he only wants to try me. He has been told that I am mad about titles, and bent on marrying none but a peer’s son. My priggish sisters have played me that trick.” — ”I assure you, monsieur,” she said aloud, “that I have had very extravagant ideas about life and the world; but now,” she added pointedly, looking at him in a perfectly distracting way, “I know where true riches are to be found for a wife.”

“I must believe that you are speaking from the depths of your heart,” he said, with gentle gravity. “But this winter, my dear Emilie, in less than two months perhaps, I may be proud of what I shall have to offer you if you care for the pleasures of wealth. This is the only secret I shall keep locked here,” and he laid his hand on his heart, “for on its success my happiness depends. I dare not say ours.”

“Yes, yes, ours!”

Exchanging such sweet nothings, they slowly made their way back to rejoin the company. Mademoiselle de Fontaine had never found her lover more amiable or wittier: his light figure, his engaging manners, seemed to her more charming than ever, since the conversation which had made her to some extent the possessor of a heart worthy to be the envy of every woman. They sang an Italian duet with so much expression that the audience applauded enthusiastically. Their adieux were in a conventional tone, which concealed their happiness. In short, this day had been to Emilie like a chain binding her more closely than ever to the Stranger’s fate. The strength and dignity he had displayed in the scene when they had confessed their feelings had perhaps impressed Mademoiselle de Fontaine with the respect without which there is no true love.

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