Array The griffin classics - The Collected Works of Honore de Balzac

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THE HUMAN COMEDY
PREFACE
STUDIES OF MANNERS IN THE 19TH CENTURY
Scenes from Private Life
AT THE SIGN OF THE CAT AND RACKET
AT THE SIGN OF THE CAT AND RACKET
THE BALL AT SCEAUX
LETTERS OF TWO BRIDES
THE PURSE
THE PURSE
MODESTE MIGNON
A START IN LIFE
ALBERT SAVARUS
VENDETTA
A SECOND HOME
DOMESTIC PEACE
MADAME FIRMIANI
STUDY OF A WOMAN
THE IMAGINARY MISTRESS
A DAUGHTER OF EVE
THE MESSAGE
THE GRAND BRETECHE
LA GRENADIERE
THE DESERTED WOMAN
HONORINE
BEATRIX
GOBSECK
A WOMAN OF THIRTY
FATHER GORIOT
COLONEL CHABERT
THE ATHEIST'S MASS
THE COMMISSION IN LUNACY
THE MARRIAGE CONTRACT
ANOTHER STUDY OF WOMAN
Scenes from Provincial Life
URSULE MIROUET
EUGENIE GRANDET
The Celibates
PIERRETTE
THE VICAR OF TOURS
THE TWO BROTHERS
Parisians in the Country
THE ILLUSTRIOUS GAUDISSART
THE MUSE OF THE DEPARTMENT
The Jealousies of a Country Town
THE OLD MAID
THE COLLECTION OF ANTIQUITIES
Lost Illusions
TWO POETS
A DISTINGUISHED PROVINCIAL AT PARIS
EVE AND DAVID
Scenes from Parisian Life
The Thirteen
FERRAGUS
THE DUCHESSE DE LANGEAIS
THE GIRL WITH THE GOLDEN EYES
THE FIRM OF NUCINGEN
Scenes from a Courtesan's Life
ESTHER HAPPY: HOW A COURTESAN CAN LOVE
WHAT LOVE COSTS AN OLD MAN
THE END OF EVIL WAYS
VAUTRIN'S LAST AVATAR
SECRETS OF THE PRINCESSE DE CADIGNAN
FACINO CANE
SARRASINE
PIERRE GRASSOU
The Poor Relations
COUSIN BETTY
COUSIN PONS
A MAN OF BUSINESS
A PRINCE OF BOHEMIA
GAUDISSART II
BUREAUCRACY
UNCONSCIOUS COMEDIANS
THE LESSER BOURGEOISIE
The Seamy Side of History
MADAME DE LA CHANTERIE
THE INITIATE
Scenes from Political Life
Scenes from Military Life
Scenes from Country Life
PHILOSOPHICAL STUDIES
ANALYTICAL STUDIES

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hurt me too at the very instant it was given, — my life exists by

thy thought only. I know now the purpose of the divine faculty of

music; the angels invented it to utter love. Ah, my Melchior, to

have genius and to have beauty is too much; a man should be made

to choose between them at his birth.

When I think of the treasures of tenderness and affection which

you have given me, and more especially for the last month, I ask

myself if I dream. No, but you hide some mystery; what woman can

yield you up to me and not die? Ah! jealousy has entered my heart

with love, — love in which I could not have believed. How could I

have imagined so mighty a conflagration? And now — strange and

inconceivable revulsion! — I would rather you were ugly.

What follies I committed after I came home! The yellow dahlias

reminded me of your waistcoat, the white roses were my loving

friends; I bowed to them with a look that belonged to you, like

all that is of me. The very color of the gloves, moulded to hands

of a gentleman, your step along the nave, — all, all, is so printed

on my memory that sixty years hence I shall see the veriest

trifles of this day of days, — the color of the atmosphere, the ray

of sunshine that flickered on a certain pillar; I shall hear the

prayer your step interrupted; I shall inhale the incense of the

altar; forever I shall feel above our heads the priestly hands

that blessed us both as you passed by me at the closing

benediction. The good Abbe Marcelin married us then! The

happiness, above that of earth, which I feel in this new world of

unexpected emotions can only be equalled by the joy of telling it

to you, of sending it back to him who poured it into my heart with

the lavishness of the sun itself. No more veils, no more

disguises, my beloved. Come back to me, oh, come back soon. With

joy I now unmask.

You have no doubt heard of the house of Mignon in Havre? Well, I

am, through an irreparable misfortune, its sole heiress. But you

are not to look down upon us, descendant of an Auvergne knight;

the arms of the Mignon de La Bastie will do no dishonor to those

of Canalis. We bear gules, on a bend sable four bezants or;

quarterly four crosses patriarchal or; a cardinal’s hat as crest,

and the fiocchi for supports. Dear, I will be faithful to our

motto: “Una fides, unus Dominus!” — the true faith, and one only

Master.

Perhaps, my friend, you will find some irony in my name, after all

that I have done, and all that I herein avow. I am named Modeste.

Therefore I have not deceived you by signing “O. d’Este M.”

Neither have I misled you about our fortune; it will amount, I

believe, to the sum which rendered you so virtuous. I know that to

you money is a consideration of small importance; therefore I

speak of it without reserve. Let me tell you how happy it makes me

to give freedom of action to our happiness, — to be able to say,

when the fancy for travel takes us, “Come, let us go in a

comfortable carriage, sitting side by side, without a thought of

money” — happy, in short, to tell the king, “I have the fortune

which you require in your peers.” Thus Modeste Mignon can be of

service to you, and her gold will have the noblest of uses.

As to your servant herself, — you did see her once, at her window.

Yes, “the fairest daughter of Eve the fair” was indeed your

unknown damozel; but how little the Modeste of to-day resembles

her of that long past era! That one was in her shroud, this one

— have I made you know it? — has received from you the life of life.

Love, pure, and sanctioned, the love my father, now returning

rich and prosperous, will authorize, has raised me with its

powerful yet childlike hand from the grave in which I slept. You

have wakened me as the sun wakens the flowers. The eyes of your

beloved are no longer those of the little Modeste so daring in her

ignorance, — no, they are dimmed with the sight of happiness, and

the lids close over them. To-day I tremble lest I can never

deserve my fate. The king has come in his glory; my lord has now a

subject who asks pardon for the liberties she has taken, like the

gambler with loaded dice after cheating Monsieur de Grammont.

My cherished poet! I will be thy Mignon — happier far than the

Mignon of Goethe, for thou wilt leave me in mine own land, — in thy

heart. Just as I write this pledge of our betrothal a nightingale

in the Vilquin park answers for thee. Ah, tell me quick that his

note, so pure, so clear, so full, which fills my heart with joy

and love like an Annunciation, does not lie to me.

My father will pass through Paris on his way from Marseilles; the

house of Mongenod, with whom he corresponds, will know his

address. Go to him, my Melchior, tell him that you love me; but do

not try to tell him how I love you, — let that be forever between

ourselves and God. I, my dear one, am about to tell everything to

my mother. Her heart will justify my conduct; she will rejoice in

our secret poem, so romantic, human and divine in one.

You have the confession of the daughter; you must now obtain the

consent of the Comte de La Bastie, father of your

Modeste.

P.S. — Above all, do not come to Havre without having first

obtained my father’s consent. If you love me you will not fail to

find him on his way through Paris.

“What are you doing, up at this hour, Mademoiselle Modeste?” said the voice of Dumay at her door.

“Writing to my father,” she answered; “did you not tell me you should start in the morning?”

Dumay had nothing to say to that, and he went to bed, while Modeste wrote another long letter, this time to her father.

On the morrow, Francois Cochet, terrified at seeing the Havre postmark on the envelope which Ernest had mailed the night before, brought her young mistress the following letter and took away the one which Modeste had written: —

To Mademoiselle O. d’Este M., — My heart tells me that you were the

woman so carefully veiled and disguised, and seated between

Monsieur and Madame Latournelle, who have but one child, a son.

Ah, my love, if you have only a modest station, without

distinction, without importance, without money even, you do not

know how happy that would make me. You ought to understand me by

this time; why will you not tell me the truth? I am no poet,

— except in heart, through love, through you. Oh! what power of

affection there is in me to keep me here in this hotel, instead of

mounting to Ingouville which I can see from my windows. Will you

ever love me as I love you? To leave Havre in such uncertainty! Am

I not punished for loving you as if I had committed a crime? But I

obey you blindly. Let me have a letter quickly, for if you have

been mysterious, I have returned you mystery for mystery, and I

must at last throw off my disguise, show you the poet that I am,

and abdicate my borrowed glory.

This letter made Modeste terribly uneasy. She could not get back the one which Francoise had carried away before she came to the last words, whose meaning she now sought by reading them again and again; but she went to her own room and wrote an answer in which she demanded an immediate explanation.

CHAPTER XIV. MATTERS GROWN COMPLICATED

During these little events other little events were going on in Havre, which caused Modeste to forget her present uneasiness. Dumay went down to Havre early in the morning, and soon discovered that no architect had been in town the day before. Furious at Butscha’s lie, which revealed a conspiracy of which he was resolved to know the meaning, he rushed from the mayor’s office to his friend Latournelle.

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