Sir Thomas More - Utopia

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What we can learn from a Renaissance nowhere  In 1516, a book was published in Latin with the enigmatic Greek-derived word as its title. Utopia—which could mean either “good-place” or “no-place”—gives a traveler’s account of a newly discovered island somewhere in the New World where the inhabitants enjoy a social order based purely on natural reason and justice. As the traveler describes the harmony, prosperity, and equality found there, a dramatic contrast is drawn between the ideal community he portrays and the poverty, crime, and often frightening political conditions of 16th century Europe. Written by Sir Thomas More (1477–1535)—then a rising intellectual star of the Renaissance and ultimately the advisor and friend of Henry VIII who was executed for his devoutly Catholic opposition to the king—Utopia is as complex as its author. 
In the form of a Platonic dialogue, 
 explores topics such as money, property, crime, education, religious tolerance, euthanasia, and feminism. Claimed as a paean to communism (Lenin had More’s name inscribed on a statue in Moscow) as often as it has been seen as a defense of traditional medieval values, 
 began the lineage of utopian thinkers who use storytelling to explore new possibilities for human society—and remains as relevant today as when it was written in Antwerp 500 years ago.
Explore the issues like feminism, euthanasia, and equality through Renaissance eyes Early communist tract or a defense of medieval values? You decide. Peer inside the enigmatic mind of the man who dared stand up to Henry VIII Appreciate the postmodern possibilities of Platonic dialogue Part of the bestselling Capstone Classics series edited by Tom Butler-Bowdon, this edition features an introduction from writer, economist, and historian Niall Kishtainy.

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Table of Contents

1 COVER

2 TITLE PAGE UTOPIA The Influential Classic THOMAS MORE

3 COPYRIGHT

4 AN INTRODUCTION THE WRITING OF UTOPIA THE ISLAND OF UTOPIA UTOPIA AND THE REAL WORLD MORE'S CAREER DILEMMA A UTOPIAN IN TUDOR ENGLAND MORE'S INTENTION IN UTOPIA INTERPRETING UTOPIA UNCOVERING MORE THE MAN THE LEGACY OF UTOPIA REFERENCES

5 ABOUT NIALL KISHTAINY

6 I LETTER: THOMAS MORE TO PETER GILES

7 II LETTER: PETER GILES TO JEROME DE BUSLEYDEN

8 III LETTER: THOMAS MORE TO PETER GILES

9 IV “UTOPIA” NOTE

10 V BOOK ONE

11 VI BOOK TWO OF THEIR TOWNS, PARTICULARLY AMAUROT OF THEIR MAGISTRATES OF THEIR TRADES, AND MANNER OF LIFE OF THEIR SOCIAL RELATIONS OF THE TRAVEL OF THE UTOPIANS OF THEIR WEALTH OF THEIR LEARNING AND PHILOSOPHIES OF THEIR LEARNING OF THEIR SLAVES OF THEIR DEATHS OF THEIR MARRIAGES OF THEIR LAWS AND PUNISHMENTS OF THEIR FOREIGN POLICIES OF THEIR MILITARY DISCIPLINE OF THE RELIGIONS OF THE UTOPIANS OF THEIR COMMONWEALTH

12 END USER LICENSE AGREEMENT

Guide

1 Cover Page

2 Table of Contents

3 Begin Reading

4 WILEY END USER LICENSE AGREEMENT

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by Wallace Wattles (ISBN: 978‐0‐857‐08008‐0)

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by Karl Marx and Friedrich Engels (ISBN: 978–0–857–08876–5)

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UTOPIA

The Influential Classic

THOMAS MORE

With an Introduction by

NIALL KISHTAINY

This edition first published 2021 Introduction copyright Niall Kishtainy 2021 - фото 1

This edition first published 2021

Introduction copyright © Niall Kishtainy 2021

This Capstone Classics edition of Thomas More's Utopia is based on the Gilbert Burnet translation.

The Gutenberg Project: http://www.gutenberg.org/cache/epub/2130/pg2130.txt.

The Gutenberg version is drawn from Sir Thomas More's Utopia. Burnet's Translation . Edited by Henry Morley. London, Cassell & Company, 1889.

The prefatory letters and other materials are sourced from Open Utopia, edited by Stephen Duncombe, under a creative commons licence: https://theopenutopia.org/home/.

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The right of the author to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher.

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