GEORGE SHAW - Collected Works

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This Collected Works contains:
An Unsocial Socialist
Androcles and the Lion
Annajanska, the Bolshevik Empress
Arms and the Man
Augustus Does His Bit: A True-to-Life Farce
Back to Methuselah: A Metabiological Pentateuch
Caesar and Cleopatra
Candida
Candida: Ein Mysterium in drei Akten
Captain Brassbound's Conversion
Cashel Byron's Profession
Fanny's First Play
Getting Married
Great Catherine (Whom Glory Still Adores)
Heartbreak House
How He Lied to Her Husband
John Bull's Other Island
Major Barbara
Man and Superman: A Comedy and a Philosophy
Maxims for Revolutionists
Misalliance
Mrs. Warren's Profession
O'Flaherty V.C.: A Recruiting Pamphlet
On the Prospects of Christianity / Bernard Shaw's Preface to Androcles and the Lion
Overruled
Preface to Major Barbara: First Aid to Critics
Press Cuttings
Pygmalion
Revolutionist's Handbook and Pocket Companion
The Admirable Bashville; Or, Constancy Unrewarded / Being the Novel of Cashel Byron's Profession Done into a Stage Play in Three Acts and in Blank Verse, with a Note on Modern Prize Fighting
The Dark Lady of the Sonnets
The Devil's Disciple
The Doctor's Dilemma
The Doctor's Dilemma: Preface on Doctors
The Impossibilities of Anarchism
The Inca of Perusalem: An Almost Historical Comedietta
The Irrational Knot / Being the Second Novel of His Nonage
The Man of Destiny
The Miraculous Revenge
The Perfect Wagnerite: A Commentary on the Niblung's Ring
The Philanderer
The Shewing-up of Blanco Posnet
Treatise on Parents and Children
You Never Can Tell
George Bernard Shaw was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902) and Pygmalion (1912). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.

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Sir Charles brightened on being reminded of Donovan Brown. “I shall esteem an introduction to him a great honor,” he said. “I had no idea that he was a friend of yours.”

“I was a very practical young Socialist when I first met him,” said Trefusis. “When Brown was an unknown and wretchedly poor man, my mother, at the petition of a friend of his, charitably bought one of his pictures for thirty pounds, which he was very glad to get. Years afterwards, when my mother was dead, and Brown famous, I was offered eight hundred pounds for this picture, which was, by-the-bye, a very bad one in my opinion. Now, after making the usual unjust allowance for interest on thirty pounds for twelve years or so that had elapsed, the sale of the picture would have brought me in a profit of over seven hundred and fifty pounds, an unearned increment to which I had no righteous claim. My solicitor, to whom I mentioned the matter, was of opinion that I might justifiably pocket the seven hundred and fifty pounds as reward for my mother’s benevolence in buying a presumably worthless picture from an obscure painter. But he failed to convince me that I ought to be paid for my mother’s virtues, though we agreed that neither I nor my mother had received any return in the shape of pleasure in contemplating the work, which had deteriorated considerably by the fading of the colors since its purchase. At last I went to Brown’s studio with the picture, and told him that it was worth nothing to me, as I thought it a particularly bad one, and that he might have it back again for fifteen pounds, half the first price. He at once told me that I could get from any dealer more for it than he could afford to give me; but he told me too that I had no right to make a profit out of his work, and that he would give me the original price of thirty pounds. I took it, and then sent him the man who had offered me the eight hundred. To my discomfiture Brown refused to sell it on any terms, because he considered it unworthy of his reputation. The man bid up to fifteen hundred, but Brown held out; and I found that instead of putting seven hundred and seventy pounds into his pocket I had taken thirty out of it. I accordingly offered to return the thirty pieces. Brown, taking the offer as an insult, declined all further communication with me. I then insisted on the matter being submitted to arbitration, and demanded fifteen hundred pounds as the full exchange value of the picture. All the arbitrators agreed that this was monstrous, whereupon I contended that if they denied my right to the value in exchange, they must admit my right to the value in use. They assented to this after putting off their decision for a fortnight in order to read Adam Smith and discover what on earth I meant by my values in use and exchange. I now showed that the picture had no value in use to me, as I disliked it, and that therefore I was entitled to nothing, and that Brown must take back the thirty pounds. They were glad to concede this also to me, as they were all artist friends of Brown, and wished him not to lose money by the transaction, though they of course privately thought that the picture was, as I described it, a bad one. After that Brown and I became very good friends. He tolerated my advances, at first lest it should seem that he was annoyed by my disparagement of his work. Subsequently he fell into my views much as you have done.”

“That is very interesting,” said Sir Charles. “What a noble thing—refusing fifteen hundred pounds! He could ill afford it, probably.”

“Heroic—according to nineteenth century notions of heroism. Voluntarily to throw away a chance of making money! that is the ne plus ultra of martyrdom. Brown’s wife was extremely angry with him for doing it.”

“It is an interesting story—or might be made so,” said Erskine. “But you make my head spin with your confounded exchange values and stuff. Everything is a question of figures with you.”

“That comes of my not being a poet,” said Trefusis. “But we Socialists need to study the romantic side of our movement to interest women in it. If you want to make a cause grow, instruct every woman you meet in it. She is or will one day be a wife, and will contradict her husband with scraps of your arguments. A squabble will follow. The son will listen, and will be set thinking if he be capable of thought. And so the mind of the people gets leavened. I have converted many young women. Most of them know no more of the economic theory of Socialism than they know of Chaldee; but they no longer fear or condemn its name. Oh, I assure you that much can be done in that way by men who are not afraid of women, and who are not in too great a hurry to see the harvest they have sown for.”

“Take care. Some of your lady proselytes may get the better of you some day. The future husband to be contradicted may be Sidney Trefusis. Ha! ha! ha!” Sir Charles had emptied a second large goblet of wine, and was a little flushed and boisterous.

“No,” said Trefusis, “I have had enough of love myself, and am not likely to inspire it. Women do not care for men to whom, as Erskine says, everything is a question of figures. I used to flirt with women; now I lecture them, and abhor a man-flirt worse than I do a woman one. Some more wine? Oh, you must not waste the remainder of this bottle.”

“I think we had better go, Brandon,” said Erskine, his mistrust of Trefusis growing. “We promised to be back before two.”

“So you shall,” said Trefusis. “It is not yet a quarter past one. By-the-bye, I have not shown you Donovan Brown’s pet instrument for the regeneration of society. Here it is. A monster petition praying that the holding back from the laborer of any portion of the net value produced by his labor be declared a felony. That is all.”

Erskine nudged Sir Charles, who said hastily, “Thank you, but I had rather not sign anything.”

“A baronet sign such a petition!” exclaimed Trefusis. “I did not think of asking you. I only show it to you as an interesting historical document, containing the autographs of a few artists and poets. There is Donovan Brown’s for example. It was he who suggested the petition, which is not likely to do much good, as the thing cannot be done in any such fashion However, I have promised Brown to get as many signatures as I can; so you may as well sign it, Erskine. It says nothing in blank verse about the holiness of slaying a tyrant, but it is a step in the right direction. You will not stick at such a trifle—unless the reviews have frightened you. Come, your name and address.”

Erskine shook his head.

“Do you then only commit yourself to revolutionary sentiments when there is a chance of winning fame as a poet by them?”

“I will not sign, simply because I do not choose to,” said Erskine warmly.

“My dear fellow,” said Trefusis, almost affectionately, “if a man has a conscience he can have no choice in matters of conviction. I have read somewhere in your book that the man who will not shed his blood for the liberty of his brothers is a coward and a slave. Will you not shed a drop of ink—my ink, too—for the right of your brothers to the work of their hands? I at first sight did not care to sign this petition, because I would as soon petition a tiger to share his prey with me as our rulers to relax their grip of the stolen labor they live on. But Donovan Brown said to me, ‘You have no choice. Either you believe that the laborer should have the fruit of his labor or you do not. If you do, put your conviction on record, even if it should be as useless as Pilate’s washing his hands.’ So I signed.”

“Donovan Brown was right,” said Sir Charles. “I will sign.” And he did so with a flourish.

“Brown will be delighted,” said Trefusis. “I will write to him to-day that I have got another good signature for him.”

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