GEORGE SHAW - Collected Works

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This Collected Works contains:
An Unsocial Socialist
Androcles and the Lion
Annajanska, the Bolshevik Empress
Arms and the Man
Augustus Does His Bit: A True-to-Life Farce
Back to Methuselah: A Metabiological Pentateuch
Caesar and Cleopatra
Candida
Candida: Ein Mysterium in drei Akten
Captain Brassbound's Conversion
Cashel Byron's Profession
Fanny's First Play
Getting Married
Great Catherine (Whom Glory Still Adores)
Heartbreak House
How He Lied to Her Husband
John Bull's Other Island
Major Barbara
Man and Superman: A Comedy and a Philosophy
Maxims for Revolutionists
Misalliance
Mrs. Warren's Profession
O'Flaherty V.C.: A Recruiting Pamphlet
On the Prospects of Christianity / Bernard Shaw's Preface to Androcles and the Lion
Overruled
Preface to Major Barbara: First Aid to Critics
Press Cuttings
Pygmalion
Revolutionist's Handbook and Pocket Companion
The Admirable Bashville; Or, Constancy Unrewarded / Being the Novel of Cashel Byron's Profession Done into a Stage Play in Three Acts and in Blank Verse, with a Note on Modern Prize Fighting
The Dark Lady of the Sonnets
The Devil's Disciple
The Doctor's Dilemma
The Doctor's Dilemma: Preface on Doctors
The Impossibilities of Anarchism
The Inca of Perusalem: An Almost Historical Comedietta
The Irrational Knot / Being the Second Novel of His Nonage
The Man of Destiny
The Miraculous Revenge
The Perfect Wagnerite: A Commentary on the Niblung's Ring
The Philanderer
The Shewing-up of Blanco Posnet
Treatise on Parents and Children
You Never Can Tell
George Bernard Shaw was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902) and Pygmalion (1912). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.

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“Just think how dull the house would be without me, Jane!”

“Indeed! It was not dull before you came. Gertrude always behaved like a lady, at least.”

“I am sorry that her example was so utterly lost on you.”

“I won’t bear it,” said Jane with a sob and a plunge upon the sofa that made the lustres of the chandeliers rattle. “I wouldn’t have asked you if I had thought you could be so hateful. I will never ask you again.”

“I will make Sir Charles divorce you for incompatibility of temper and marry me. Then I shall have the place to myself.”

“He can’t divorce me for that, thank goodness. You don’t know what you’re talking about.”

Agatha laughed. “Come,” she said good-humoredly, “don’t be an old ass, Jane. Wash your face before anyone sees it, and remember what I have told you about Sir Charles.”

“It is very hard to be called an ass in one’s own house.”

“It is harder to be treated as one, like your husband. I am going to look for him in the billiard room.”

Jane ran after her, and caught her by the sleeve.

“Agatha,” she pleaded, “promise me that you won’t be mean. Say that you won’t make love to him.”

“I will consider about it,” replied Agatha gravely.

Jane uttered a groan and sank into a chair, which creaked at the shock. Agatha turned on the threshold, and seeing her shaking her head, pressing her eyes, and tapping with her heel in a restrained frenzy, said quickly,

“Here are the Waltons, and the Fitzgeorges, and Mr. Trefusis coming upstairs. How do you do, Mrs. Walton? Lady Brandon will be SO glad to see you. Good-evening, Mr. Fitzgeorge.”

Jane sprang up, wiped her eyes, and, with her hands on her hair, smoothing it, rushed to a mirror. No visitors appearing, she perceived that she was, for perhaps the hundredth time in her life, the victim of an imposture devised by Agatha. She, gratified by the success of her attempt to regain her old ascendancy over Jane—she had made it with misgiving, notwithstanding her apparent confidence—went downstairs to the library, where she found Sir Charles gloomily trying to drown his domestic troubles in art criticism.

“I thought you were in the billiard room,” said Agatha.

“I only peeped in,” he replied; “but as I saw something particular going on, I thought it best to slip away, and I have been alone ever since.”

The something particular which Sir Charles had not wished to interrupt was only a game of billiards.

It was the first opportunity Erskine had ever enjoyed of speaking to Gertrude at leisure and alone. Yet their conversation had never been so commonplace. She, liking the game, played very well and chatted indifferently; he played badly, and broached trivial topics in spite of himself. After an hour-and-a-half’s play, Gertrude had announced that this game must be their last. He thought desperately that if he were to miss many more strokes the game must presently end, and an opportunity which might never recur pass beyond recall. He determined to tell her without preface that he adored her, but when he opened his lips a question came forth of its own accord relating to the Persian way of playing billiards. Gertrude had never been in Persia, but had seen some Eastern billiard cues in the India museum. Were not the Hindoos wonderful people for filigree work, and carpets, and such things? Did he not think the crookedness of their carpet patterns a blemish? Some people pretended to admire them, but was not that all nonsense? Was not the modern polished floor, with a rug in the middle, much superior to the old carpet fitted into the corners of the room? Yes. Enormously superior. Immensely—

“Why, what are you thinking of to-day, Mr. Erskine? You have played with my ball.”

“I am thinking of you.”

“What did you say?” said Gertrude, not catching the serious turn he had given to the conversation, and poising her cue for a stroke. “Oh! I am as bad as you; that was the worst stroke I ever made, I think. I beg your pardon; you said something just now.”

“I forget. Nothing of any consequence.” And he groaned at his own cowardice.

“Suppose we stop,” she said. “There is no use in finishing the game if our hands are out. I am rather tired of it.”

“Certainly—if you wish it.”

“I will finish if you like.”

“Not at all. What pleases you, pleases me.”

Gertrude made him a little bow, and idly knocked the balls about with her cue. Erskine’s eyes wandered, and his lip moved irresolutely. He had settled with himself that his declaration should be a frank one—heart to heart. He had pictured himself in the act of taking her hand delicately, and saying, “Gertrude, I love you. May I tell you so again?” But this scheme did not now seem practicable.

“Miss Lindsay.”

Gertrude, bending over the table, looked up in alarm.

“The present is as good an opportunity as I will—as I shall—as I will.”

“Shall,” said Gertrude.

“I beg your pardon?”

“SHALL,” repeated Gertrude. “Did you ever study the doctrine of necessity?”

“The doctrine of necessity?” he said, bewildered.

Gertrude went to the other side of the table in pursuit of a ball. She now guessed what was coming, and was willing that it should come; not because she intended to accept, but because, like other young ladies experienced in such scenes, she counted the proposals of marriage she received as a Red Indian counts the scalps he takes.

“We have had a very pleasant time of it here,” he said, giving up as inexplicable the relevance of the doctrine of necessity. “At least, I have.”

“Well,” said Gertrude, quick to resent a fancied allusion to her private discontent, “so have I.”

“I am glad of that—more so than I can convey by words.”

“Is it any business of yours?” she said, following the disagreeable vein he had unconsciously struck upon, and suspecting pity in his efforts to be sympathetic.

“I wish I dared hope so. The happiness of my visit has been due to you entirely.”

“Indeed,” said Gertrude, wincing as all the hard things Trefusis had told her of herself came into her mind at the heels of Erskine’s unfortunate allusion to her power of enjoying herself.

“I hope I am not paining you,” he said earnestly.

“I don’t know what you are talking about,” she said, standing erect with sudden impatience. “You seem to think that it is very easy to pain me.”

“No,” he said timidly, puzzled by the effect he had produced. “I fear you misunderstand me. I am very awkward. Perhaps I had better say no more.” Gertrude, by turning away to put up her cue, signified that that was a point for him to consider; she not intending to trouble herself about it. When she faced him again, he was motionless and dejected, with a wistful expression like that of a dog that has proffered a caress and received a kick. Remorse, and a vague sense that there was something base in her attitude towards him, overcame her. She looked at him for an instant and left the room.

The look excited him. He did not understand it, nor attempt to understand it; but it was a look that he had never before seen in her face or in that of any other woman. It struck him as a momentary revelation of what he had written of in “The Patriot Martyrs” as

“The glorious mystery of a woman’s heart,”

and it made him feel unfit for ordinary social intercourse. He hastened from the house, walked swiftly down the avenue to the lodge, where he kept his bicycle, left word there that he was going for an excursion and should probably not return in time for dinner, mounted, and sped away recklessly along the Riverside Road. In less than two minutes he passed the gate of Sallust’s House, where he nearly ran over an old woman laden with a basket of coals, who put down her burthen to scream curses after him. Warned by this that his headlong pace was dangerous, he slackened it a little, and presently saw Trefusis lying prone on the river bank, with his cheeks propped on his elbows, reading intently. Erskine, who had presented him, a few days before, with a copy of “The Patriot Martyrs and other Poems,” tried to catch a glimpse of the book over which Trefusis was so serious. It was a Blue Book, full of figures. Erskine rode on in disgust, consoling himself with the recollection of Gertrude’s face.

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