GEORGE SHAW - Collected Works

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This Collected Works contains:
An Unsocial Socialist
Androcles and the Lion
Annajanska, the Bolshevik Empress
Arms and the Man
Augustus Does His Bit: A True-to-Life Farce
Back to Methuselah: A Metabiological Pentateuch
Caesar and Cleopatra
Candida
Candida: Ein Mysterium in drei Akten
Captain Brassbound's Conversion
Cashel Byron's Profession
Fanny's First Play
Getting Married
Great Catherine (Whom Glory Still Adores)
Heartbreak House
How He Lied to Her Husband
John Bull's Other Island
Major Barbara
Man and Superman: A Comedy and a Philosophy
Maxims for Revolutionists
Misalliance
Mrs. Warren's Profession
O'Flaherty V.C.: A Recruiting Pamphlet
On the Prospects of Christianity / Bernard Shaw's Preface to Androcles and the Lion
Overruled
Preface to Major Barbara: First Aid to Critics
Press Cuttings
Pygmalion
Revolutionist's Handbook and Pocket Companion
The Admirable Bashville; Or, Constancy Unrewarded / Being the Novel of Cashel Byron's Profession Done into a Stage Play in Three Acts and in Blank Verse, with a Note on Modern Prize Fighting
The Dark Lady of the Sonnets
The Devil's Disciple
The Doctor's Dilemma
The Doctor's Dilemma: Preface on Doctors
The Impossibilities of Anarchism
The Inca of Perusalem: An Almost Historical Comedietta
The Irrational Knot / Being the Second Novel of His Nonage
The Man of Destiny
The Miraculous Revenge
The Perfect Wagnerite: A Commentary on the Niblung's Ring
The Philanderer
The Shewing-up of Blanco Posnet
Treatise on Parents and Children
You Never Can Tell
George Bernard Shaw was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902) and Pygmalion (1912). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.

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“In which case artists will starve, and there will be no more art.”

“Sir,” said Trefusis, excited by the word, “I, as a Socialist, can tell you that starvation is now impossible, except where, as in England, masterless men are forcibly prevented from producing the food they need. And you, as an artist, can tell me that at present great artists invariably do starve, except when they are kept alive by charity, private fortune, or some drudgery which hinders them in the pursuit of their vocation.”

“Oh!” said Erskine. “Then Socialists have some little sympathy with artists after all.”

“I fear,” said Trefusis, repressing himself and speaking quietly again, “that when a Socialist hears of a hundred pounds paid for a drawing which Andrea del Sarto was glad to sell for tenpence, his heart is not wrung with pity for the artist’s imaginary loss as that of a modern capitalist is. Yet that is the only way nowadays of enlisting sympathy for the old masters. Frightful disability, to be out of the reach of the dearest market when you want to sell your drawings! But,” he added, giving himself a shake, and turning round gaily, “I did not come here to talk shop. So—pending the deluge—let us enjoy ourselves after our manner.”

“No,” said Jane. “Please go on about Art. It’s such a relief to hear anyone talking sensibly about it. I hate etching. It makes your eyes sore—at least the acid gets into Sir Charles’s, and the difference between the first and second states is nothing but imagination, except that the last state is worse than the—here’s luncheon!”

They went downstairs then. Trefusis sat between Agatha and Lady Brandon, to whom he addressed all his conversation. They chatted without much interruption from the business of the table; for Jane, despite her amplitude, had a small appetite, and was fearful of growing fat; whilst Trefusis was systematically abstemious. Sir Charles was unusually silent. He was afraid to talk about art, lest he should be contradicted by Trefusis, who, he already felt, cared less and perhaps knew more about it than he. Having previously commented to Agatha on the beauty of the ripening spring, and inquired whether her journey had fatigued her, he had said as much as he could think of at a first meeting. For her part, she was intent on Trefusis, who, though he must know, she thought, that they were all hostile to him except Jane, seemed as confident now as when he had befooled her long ago. That thought set her teeth on edge. She did not doubt the sincerity of her antipathy to him even when she detected herself in the act of protesting inwardly that she was not glad to meet him again, and that she would not speak to him. Gertrude, meanwhile, was giving short answers to Erskine and listening to Trefusis. She had gathered from the domestic squabbles of the last few days that Lady Brandon, against her husband’s will, had invited a notorious demagogue, the rich son of a successful cotton-spinner, to visit the Beeches. She had made up her mind to snub any such man. But on recognizing the long-forgotten Smilash, she had been astonished, and had not known what to do. So, to avoid doing anything improper, she had stood stilly silent and done nothing, as the custom of English ladies in such cases is. Subsequently, his unconscious self-assertion had wrought with her as with the others, and her intention of snubbing him had faded into the limbo of projects abandoned without trial. Erskine alone was free from the influence of the intruder. He wished himself elsewhere; but beside Gertrude the presence or absence of any other person troubled him very little.

“How are the Janseniuses?” said Trefusis, suddenly turning to Agatha.

“They are quite well, thank you,” she said in measured tones.

“I met John Jansenius in the city lately. You know Jansenius?” he added parenthetically to Sir Charles. “Cotman’s bank—the last Cotman died out of the firm before we were born. The Chairman of the Transcanadian Railway Company.”

“I know the name. I am seldom in the city.”

“Naturally,” assented Trefusis; “for who would sadden himself by pushing his way through a crowd of such slaves, if he could help it? I mean slaves of Mammon, of course. To run the gauntlet of their faces in Cornhill is enough to discourage a thoughtful man for hours. Well, Jansenius, being high in the court of Mammon, is looking out for a good post in the household for his son. Jansenius, by-the-bye is Miss Wylie’s guardian and the father of my late wife.”

Agatha felt inclined to deny this; but, as it was true, she had to forbear. Resolved to show that the relations between her family and Trefusis were not cordial ones, she asked deliberately, “Did Mr. Jansenius speak to you?”

Gertrude looked up, as if she thought this scarcely ladylike.

“Yes,” said Trefusis. “We are the best friends in the world—as good as possible, at any rate. He wanted me to subscribe to a fund for relieving the poor at the east end of London by assisting them to emigrate.”

“I presume you subscribed liberally,” said Erskine. “It was an opportunity of doing some practical good.”

“I did not,” said Trefusis, grinning at the sarcasm. “This Transcanadian Railway Company, having got a great deal of spare land from the Canadian government for nothing, thought it would be a good idea to settle British workmen on it and screw rent out of them. Plenty of British workmen, supplanted in their employment by machinery, or cheap foreign labor, or one thing or another, were quite willing to go; but as they couldn’t afford to pay their passages to Canada, the Company appealed to the benevolent to pay for them by subscription, as the change would improve their miserable condition. I did not see why I should pay to provide a rich company with tenant farmers, and I told Jansenius so. He remarked that when money and not talk was required, the workmen of England soon found out who were their real friends.”

“I know nothing about these questions,” said Sir Charles, with an air of conclusiveness; “but I see no objection to emigration.” “The fact is,” said Trefusis, “the idea of emigration is a dangerous one for us. Familiarize the workman with it, and some day he may come to see what a capital thing it would be to pack off me, and you, with the peerage, and the whole tribe of unprofitable proprietors such as we are, to St. Helena; making us a handsome present of the island by way of indemnity! We are such a restless, unhappy lot, that I doubt whether it would not prove a good thing for us too. The workmen would lose nothing but the contemplation of our elegant persons, exquisite manners, and refined tastes. They might provide against that loss by picking out a few of us to keep for ornament’s sake. No nation with a sense of beauty would banish Lady Brandon, or Miss Lindsay, or Miss Wylie.”

“Such nonsense!” said Jane.

“You would hardly believe how much I have spent in sending workmen out of the country against my own view of the country’s interest,” continued Trefusis, addressing Erskine. “When I make a convert among the working classes, the first thing he does is to make a speech somewhere declaring his new convictions. His employer immediately discharges him—‘gives him the sack’ is the technical phrase. The sack is the sword of the capitalist, and hunger keeps it sharp for him. His shield is the law, made for the purpose by his own class. Thus equipped, he gives the worst of it to my poor convert, who comes ruined to me for assistance. As I cannot afford to pension him for life, I get rid of him by assisting him to emigrate. Sometimes he prospers and repays me; sometimes I hear no more of him; sometimes he comes back with his habits unsettled. One man whom I sent to America made his fortune, but he was not a social democrat; he was a clerk who had embezzled, and who applied to me for assistance under the impression that I considered it rather meritorious to rob the till of a capitalist.”

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