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GEORGE SHAW: Collected Works

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GEORGE SHAW Collected Works

Collected Works: краткое содержание, описание и аннотация

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This Collected Works contains:
An Unsocial Socialist Androcles and the Lion Annajanska, the Bolshevik Empress Arms and the Man Augustus Does His Bit: A True-to-Life Farce Back to Methuselah: A Metabiological Pentateuch Caesar and Cleopatra Candida Candida: Ein Mysterium in drei Akten Captain Brassbound's Conversion Cashel Byron's Profession Fanny's First Play Getting Married Great Catherine (Whom Glory Still Adores) Heartbreak House How He Lied to Her Husband John Bull's Other Island Major Barbara Man and Superman: A Comedy and a Philosophy Maxims for Revolutionists Misalliance Mrs. Warren's Profession O'Flaherty V.C.: A Recruiting Pamphlet On the Prospects of Christianity / Bernard Shaw's Preface to Androcles and the Lion Overruled Preface to Major Barbara: First Aid to Critics Press Cuttings Pygmalion Revolutionist's Handbook and Pocket Companion The Admirable Bashville; Or, Constancy Unrewarded / Being the Novel of Cashel Byron's Profession Done into a Stage Play in Three Acts and in Blank Verse, with a Note on Modern Prize Fighting The Dark Lady of the Sonnets The Devil's Disciple The Doctor's Dilemma The Doctor's Dilemma: Preface on Doctors The Impossibilities of Anarchism The Inca of Perusalem: An Almost Historical Comedietta The Irrational Knot / Being the Second Novel of His Nonage The Man of Destiny The Miraculous Revenge The Perfect Wagnerite: A Commentary on the Niblung's Ring The Philanderer The Shewing-up of Blanco Posnet Treatise on Parents and Children You Never Can Tell
George Bernard Shaw was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902) and Pygmalion (1912). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.

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DESIRABLE LIMITATIONS OF LOCAL CONTROL

SUMMARY

PREFACE RESUMED

MR. GEORGE ALEXANDER'S PROTEST

ELIZA AND HER BATH

A KING'S PROCTOR

COUNSEL'S OPINION

WANTED: A NEW MAGNA CHARTA

PROPOSED: A NEW STAR CHAMBER

POSSIBILITIES OF THE PROPOSAL

STAR CHAMBER SENTIMENTALITY

ANYTHING FOR A QUIET LIFE

SHALL THE EXAMINER OF PLAYS STARVE?

LORD GORELL'S AWAKENING

JUDGES: THEIR PROFESSIONAL LIMITATIONS

CONCLUSION

THE SHEWING-UP OF BLANCO POSNET

A TREATISE ON PARENTS AND CHILDREN

PARENTS AND CHILDREN

The Child is Father to the Man

What is a Child?

The Sin of Nadab and Abihu

The Manufacture of Monsters

Small and Large Families

Children as Nuisances

Child Fanciers

Childhood as a State of Sin

School

My Scholastic Acquirements

Schoolmasters of Genius

What We Do Not Teach, and Why

Taboo in Schools

Alleged Novelties in Modern Schools

What is to be Done?

Children's Rights and Duties

Should Children Earn their Living?

Children's Happiness

The Horror of the Perpetual Holiday

University Schoolboyishness

The New Laziness

The Infinite School Task

The Rewards and Risks of Knowledge

English Physical Hardihood and Spiritual Cowardice

The Risks of Ignorance and Weakness

The Common Sense of Toleration

The Sin of Athanasius

The Experiment Experimenting

Why We Loathe Learning and Love Sport

Antichrist

Under the Whip

Technical Instruction

Docility and Dependence

The Abuse of Docility

The Schoolboy and the Homeboy

The Comings of Age of Children

The Conflict of Wills

The Demagogue's Opportunity

Our Quarrelsomeness

We Must Reform Society before we can Reform Ourselves

The Pursuit of Manners

Not too much Wind on the Heath, Brother

Wanted: a Child's Magna Charta

The Pursuit of Learning

Children and Game: a Proposal

The Parents' Intolerable Burden

Mobilization

Children's Rights and Parents' Wrongs

How Little We Know About Our Parents

Our Abandoned Mothers

Family Affection

The Fate of the Family

Family Mourning

Art Teaching

The Impossibility of Secular Education

Natural Selection as a Religion

Moral Instruction Leagues

The Bible

Artist Idolatry

"The Machine"

The Provocation to Anarchism

Imagination

Government by Bullies

YOU NEVER CAN TELL

ACT I

ACT II

ACT III

ACT IV

George Bernard Shaw

Collected Works

ATHENEMEDIA

AN UNSOCIAL SOCIALIST

CHAPTER I

In the dusk of an October evening, a sensible looking woman of forty came out through an oaken door to a broad landing on the first floor of an old English country-house. A braid of her hair had fallen forward as if she had been stooping over book or pen; and she stood for a moment to smooth it, and to gaze contemplatively—not in the least sentimentally—through the tall, narrow window. The sun was setting, but its glories were at the other side of the house; for this window looked eastward, where the landscape of sheepwalks and pasture land was sobering at the approach of darkness.

The lady, like one to whom silence and quiet were luxuries, lingered on the landing for some time. Then she turned towards another door, on which was inscribed, in white letters, Class Room No. 6. Arrested by a whispering above, she paused in the doorway, and looked up the stairs along a broad smooth handrail that swept round in an unbroken curve at each landing, forming an inclined plane from the top to the bottom of the house.

A young voice, apparently mimicking someone, now came from above, saying,

“We will take the Etudes de la Velocite next, if you please, ladies.”

Immediately a girl in a holland dress shot down through space; whirled round the curve with a fearless centrifugal toss of her ankle; and vanished into the darkness beneath. She was followed by a stately girl in green, intently holding her breath as she flew; and also by a large young woman in black, with her lower lip grasped between her teeth, and her fine brown eyes protruding with excitement. Her passage created a miniature tempest which disarranged anew the hair of the lady on the landing, who waited in breathless alarm until two light shocks and a thump announced that the aerial voyagers had landed safely in the hall.

“Oh law!” exclaimed the voice that had spoken before. “Here’s Susan.”

“It’s a mercy your neck ain’t broken,” replied some palpitating female. “I’ll tell of you this time, Miss Wylie; indeed I will. And you, too, Miss Carpenter: I wonder at you not to have more sense at your age and with your size! Miss Wilson can’t help hearing when you come down with a thump like that. You shake the whole house.”

“Oh bother!” said Miss Wylie. “The Lady Abbess takes good care to shut out all the noise we make. Let us—”

“Girls,” said the lady above, calling down quietly, but with ominous distinctness.

Silence and utter confusion ensued. Then came a reply, in a tone of honeyed sweetness, from Miss Wylie:

“Did you call us, DEAR Miss Wilson?”

“Yes. Come up here, if you please, all three.”

There was some hesitation among them, each offering the other precedence. At last they went up slowly, in the order, though not at all in the manner, of their flying descent; followed Miss Wilson into the class-room; and stood in a row before her, illumined through three western windows with a glow of ruddy orange light. Miss Carpenter, the largest of the three, was red and confused. Her arms hung by her sides, her fingers twisting the folds of her dress. Miss Gertrude Lindsay, in pale sea-green, had a small head, delicate complexion, and pearly teeth. She stood erect, with an expression of cold distaste for reproof of any sort. The holland dress of the third offender had changed from yellow to white as she passed from the gray eastern twilight on the staircase into the warm western glow in the room. Her face had a bright olive tone, and seemed to have a golden mica in its composition. Her eyes and hair were hazel-nut color; and her teeth, the upper row of which she displayed freely, were like fine Portland stone, and sloped outward enough to have spoilt her mouth, had they not been supported by a rich under lip, and a finely curved, impudent chin. Her half cajoling, half mocking air, and her ready smile, were difficult to confront with severity; and Miss Wilson knew it; for she would not look at her even when attracted by a convulsive start and an angry side glance from Miss Lindsay, who had just been indented between the ribs by a finger tip.

“You are aware that you have broken the rules,” said Miss Wilson quietly.

“We didn’t intend to. We really did not,” said the girl in holland, coaxingly.

“Pray what was your intention then, Miss Wylie?”

Miss Wylie unexpectedly treated this as a smart repartee instead of a rebuke. She sent up a strange little scream, which exploded in a cascade of laughter.

“Pray be silent, Agatha,” said Miss Wilson severely. Agatha looked contrite. Miss Wilson turned hastily to the eldest of the three, and continued:

“I am especially surprised at you, Miss Carpenter. Since you have no desire to keep faith with me by upholding the rules, of which you are quite old enough to understand the necessity, I shall not trouble you with reproaches, or appeals to which I am now convinced that you would not respond,” (here Miss Carpenter, with an inarticulate protest, burst into tears); “but you should at least think of the danger into which your juniors are led by your childishness. How should you feel if Agatha had broken her neck?”

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