GEORGE SHAW - Collected Works

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This Collected Works contains:
An Unsocial Socialist
Androcles and the Lion
Annajanska, the Bolshevik Empress
Arms and the Man
Augustus Does His Bit: A True-to-Life Farce
Back to Methuselah: A Metabiological Pentateuch
Caesar and Cleopatra
Candida
Candida: Ein Mysterium in drei Akten
Captain Brassbound's Conversion
Cashel Byron's Profession
Fanny's First Play
Getting Married
Great Catherine (Whom Glory Still Adores)
Heartbreak House
How He Lied to Her Husband
John Bull's Other Island
Major Barbara
Man and Superman: A Comedy and a Philosophy
Maxims for Revolutionists
Misalliance
Mrs. Warren's Profession
O'Flaherty V.C.: A Recruiting Pamphlet
On the Prospects of Christianity / Bernard Shaw's Preface to Androcles and the Lion
Overruled
Preface to Major Barbara: First Aid to Critics
Press Cuttings
Pygmalion
Revolutionist's Handbook and Pocket Companion
The Admirable Bashville; Or, Constancy Unrewarded / Being the Novel of Cashel Byron's Profession Done into a Stage Play in Three Acts and in Blank Verse, with a Note on Modern Prize Fighting
The Dark Lady of the Sonnets
The Devil's Disciple
The Doctor's Dilemma
The Doctor's Dilemma: Preface on Doctors
The Impossibilities of Anarchism
The Inca of Perusalem: An Almost Historical Comedietta
The Irrational Knot / Being the Second Novel of His Nonage
The Man of Destiny
The Miraculous Revenge
The Perfect Wagnerite: A Commentary on the Niblung's Ring
The Philanderer
The Shewing-up of Blanco Posnet
Treatise on Parents and Children
You Never Can Tell
George Bernard Shaw was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902) and Pygmalion (1912). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.

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As the afternoon wore on, and party after party returned tired and unsuccessful, depression replaced excitement; conversation, no longer tumultuous, was carried on in whispers, and some of the local visitors slipped away to their homes with a growing conviction that something unpleasant had happened, and that it would be as well not to be mixed up in it. Mr. Jansenius, though a few words from his wife had surprised and somewhat calmed him, was still pitiably restless and uneasy.

At last the police arrived. At sight of their uniforms excitement revived; there was a general conviction that something effectual would be done now. But the constables were only mortal, and in a few moments a whisper spread that they were fooled. They doubted everything told them, and expressed their contempt for amateur searching by entering on a fresh investigation, prying with the greatest care into the least probable places. Two of them went off to the chalet to look for Smilash. Then Fairholme, sunburnt, perspiring, and dusty, but still energetic, brought back the exhausted remnant of his party, with a sullen boy, who scowled defiantly at the police, evidently believing that he was about to be delivered into their custody.

Fairholme had been everywhere, and, having seen nothing of the missing pair, had come to the conclusion that they were nowhere. He had asked everybody for information, and had let them know that he meant to have it too, if it was to be had. But it was not to be had. The sole resort of his labor was the evidence of the boy whom he didn’t believe.

“‘Im!” said the inspector, not quite pleased by Fairholme’s zeal, and yet overborne by it. “You’re Wickens’s boy, ain’t you?”

“Yes, I am Wickens’s boy,” said the witness, partly fierce, partly lachrymose, “and I say I seen him, and if anyone sez I didn’t see him, he’s a lie.”

“Come,” said the inspector sharply, “give us none of your cheek, but tell us what you saw, or you’ll have to deal with me afterwards.”

“I don’t care who I deal with,” said the boy, at bay. “I can’t be took for seein’ him, because there’s no lor agin it. I was in the gravel pit in the canal meadow—”

“What business had you there?” said the inspector, interrupting.

“I got leave to be there,” said the boy insolently, but reddening.

“Who gave you leave?” said the inspector, collaring him. “Ah,” he added, as the captive burst into tears, “I told you you’d have to deal with me. Now hold your noise, and remember where you are and who you’re speakin’ to; and perhaps I mayn’t lock you up this time. Tell me what you saw when you were trespassin’ in the meadow.”

“I sor a young ‘omen and a man. And I see her kissin’ him; and the gentleman won’t believe me.”

“You mean you saw him kissing her, more likely.”

“No, I don’t. I know wot it is to have a girl kiss you when you don’t want. And I gev a screech to friken ‘em. And he called me and gev me tuppence, and sez, ‘You go to the devil,’ he sez, ‘and don’t tell no one you seen me here, or else,’ he sez, ‘I might be tempted to drownd you,’ he sez, ‘and wot a shock that would be to your parents!’ ‘Oh, yes, very likely,’ I sez, jes’ like that. Then I went away, because he knows Mr. Wickens, and I was afeerd of his telling on me.”

The boy being now subdued, questions were put to him from all sides. But his powers of observation and description went no further. As he was anxious to propitiate his captors, he answered as often as possible in the affirmative. Mr. Jansenius asked him whether the young woman he had seen was a lady, and he said yes. Was the man a laborer? Yes—after a moment’s hesitation. How was she dressed? He hadn’t taken notice. Had she red flowers in her hat? Yes. Had she a green dress? Yes. Were the flowers in her hat yellow? (Agatha’s question.) Yes. Was her dress pink? Yes. Sure it wasn’t black? No answer.

“I told you he was a liar,” said Fairholme contemptuously.

“Well, I expect he’s seen something,” said the inspector, “but what it was, or who it was, is more than I can get out of him.”

There was a pause, and they looked askance upon Wickens’s boy. His account of the kissing made it almost an insult to the Janseniuses to identify with Henrietta the person he had seen. Jane suggested dragging the canal, but was silenced by an indignant “sh-sh-sh,” accompanied by apprehensive and sympathetic glances at the bereaved parents. She was displaced from the focus of attention by the appearance of the two policemen who had been sent to the chalet. Smilash was between them, apparently a prisoner. At a distance, he seemed to have suffered some frightful injury to his head, but when he was brought into the midst of the company it appeared that he had twisted a red handkerchief about his face as if to soothe a toothache. He had a particularly hangdog expression as he stood before the inspector with his head bowed and his countenance averted from Mr. Jansenius, who, attempting to scrutinize his features, could see nothing but a patch of red handkerchief.

One of the policemen described how they had found Smilash in the act of entering his dwelling; how he had refused to give any information or to go to the college, and had defied them to take him there against his will; and how, on their at last proposing to send for the inspector and Mr. Jansenius, he had called them asses, and consented to accompany them. The policeman concluded by declaring that the man was either drunk or designing, as he could not or would not speak sensibly.

“Look here, governor,” began Smilash to the inspector, “I am a common man—no commoner goin’, as you may see for—”

“That’s ‘im,” cried Wickens’s boy, suddenly struck with a sense of his own importance as a witness. “That’s ‘im that the lady kissed, and that gev me tuppence and threatened to drownd me.”

“And with a ‘umble and contrite ‘art do I regret that I did not drownd you, you young rascal,” said Smilash. “It ain’t manners to interrupt a man who, though common, might be your father for years and wisdom.”

“Hold your tongue,” said the inspector to the boy. “Now, Smilash, do you wish to make any statement? Be careful, for whatever you say may be used against you hereafter.”

“If you was to lead me straight away to the scaffold, colonel, I could tell you no more than the truth. If any man can say that he has heard Jeff Smilash tell a lie, let him stand forth.”

“We don’t want to hear about that,” said the inspector. “As you are a stranger in these parts, nobody here knows any bad of you. No more do they know any good of you neither.”

“Colonel,” said Smilash, deeply impressed, “you have a penetrating mind, and you know a bad character at sight. Not to deceive you, I am that given to lying, and laziness, and self-indulgence of all sorts, that the only excuse I can find for myself is that it is the nature of the race so to be; for most men is just as bad as me, and some of ‘em worsen I do not speak pers’nal to you, governor, nor to the honorable gentlemen here assembled. But then you, colonel, are a hinspector of police, which I take to be more than merely human; and as to the gentlemen here, a gentleman ain’t a man—leastways not a common man—the common man bein’ but the slave wot feeds and clothes the gentleman beyond the common.”

“Come,” said the inspector, unable to follow these observations, “you are a clever dodger, but you can’t dodge me. Have you any statement to make with reference to the lady that was last seen in your company?”

“Take a statement about a lady!” said Smilash indignantly. “Far be the thought from my mind!”

“What have you done with her?” said Agatha, impetuously. “Don’t be silly.”

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