GEORGE SHAW - Collected Works

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This Collected Works contains:
An Unsocial Socialist
Androcles and the Lion
Annajanska, the Bolshevik Empress
Arms and the Man
Augustus Does His Bit: A True-to-Life Farce
Back to Methuselah: A Metabiological Pentateuch
Caesar and Cleopatra
Candida
Candida: Ein Mysterium in drei Akten
Captain Brassbound's Conversion
Cashel Byron's Profession
Fanny's First Play
Getting Married
Great Catherine (Whom Glory Still Adores)
Heartbreak House
How He Lied to Her Husband
John Bull's Other Island
Major Barbara
Man and Superman: A Comedy and a Philosophy
Maxims for Revolutionists
Misalliance
Mrs. Warren's Profession
O'Flaherty V.C.: A Recruiting Pamphlet
On the Prospects of Christianity / Bernard Shaw's Preface to Androcles and the Lion
Overruled
Preface to Major Barbara: First Aid to Critics
Press Cuttings
Pygmalion
Revolutionist's Handbook and Pocket Companion
The Admirable Bashville; Or, Constancy Unrewarded / Being the Novel of Cashel Byron's Profession Done into a Stage Play in Three Acts and in Blank Verse, with a Note on Modern Prize Fighting
The Dark Lady of the Sonnets
The Devil's Disciple
The Doctor's Dilemma
The Doctor's Dilemma: Preface on Doctors
The Impossibilities of Anarchism
The Inca of Perusalem: An Almost Historical Comedietta
The Irrational Knot / Being the Second Novel of His Nonage
The Man of Destiny
The Miraculous Revenge
The Perfect Wagnerite: A Commentary on the Niblung's Ring
The Philanderer
The Shewing-up of Blanco Posnet
Treatise on Parents and Children
You Never Can Tell
George Bernard Shaw was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902) and Pygmalion (1912). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.

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MRS LUTESTRING. Or a parlor maid opening the door of the house of the young woman you were in love with?

THE ARCHBISHOP [ making a wry face ] Is that the reality? How these things grow in our imagination! But may I say, Mrs Lutestring, that the transfiguration of a parlor maid to an angel is not more amazing than her transfiguration to the very dignified and able Domestic Minister I am addressing. I recognize the angel in you. Frankly, I do not recognize the parlor maid.

BURGE-LUBIN. Whats a parlor maid?

MRS LUTESTRING. An extinct species. A woman in a black dress and white apron, who opened the house door when people knocked or rang, and was either your tyrant or your slave. I was a parlor maid in the house of one of the Accountant General's remote ancestors. [ To Confucius ] You asked me my age, Mr Chief Secretary, I am two hundred and seventy-four.

BURGE-LUBIN [ gallantly ] You don't look it. You really don't look it.

MRS LUTESTRING [ turning her face gravely towards him ] Look again, Mr President.

BURGE-LUBIN [ looking at her bravely until the smile fades from his face, and he suddenly covers his eyes with his hands ] Yes: you do look it. I am convinced. It's true. Now call up the Lunatic Asylum, Confucius; and tell them to send an ambulance for me.

MRS LUTESTRING [ to the Archbishop ] Why have you given away your secret? our secret?

THE ARCHBISHOP. They found it out. The cinema records betrayed me. But I never dreamt that there were others. Did you?

MRS LUTESTRING. I knew one other. She was a cook. She grew tired, and killed herself.

THE ARCHBISHOP. Dear me! However, her death simplifies the situation, as I have been able to convince these gentlemen that the matter had better go no further.

MRS LUTESTRING. What! When the President knows! It will be all over the place before the end of the week.

BURGE-LUBIN [ injured ] Really, Mrs Lutestring! You speak as if I were a notoriously indiscreet person. Barnabas: have I such a reputation?

BARNABAS [ resignedly ] It cant be helped. It's constitutional.

CONFUCIUS. It is utterly unconstitutional. But, as you say, it cannot be helped.

BURGE-LUBIN [ solemnly ] I deny that a secret of State has ever passed my lips—except perhaps to the Minister of Health, who is discretion personified. People think, because she is a negress—

MRS LUTESTRING. It does not matter much now. Once, it would have mattered a great deal. But my children are all dead.

THE ARCHBISHOP. Yes: the children must have been a terrible difficulty. Fortunately for me, I had none.

MRS LUTESTRING. There was one daughter who was the child of my very heart. Some years after my first drowning I learnt that she had lost her sight. I went to her. She was an old woman of ninety-six, blind. She asked me to sit and talk with her because my voice was like the voice of her dead mother.

BURGE-LUBIN. The complications must be frightful. Really I hardly know whether I do want to live much longer than other people.

MRS LUTESTRING. You can always kill yourself, as cook did; but that was influenza. Long life is complicated, and even terrible; but it is glorious all the same. I would no more change places with an ordinary woman than with a mayfly that lives only an hour.

THE ARCHBISHOP. What set you thinking of it first?

MRS LUTESTRING. Conrad Barnabas's book. Your wife told me it was more wonderful than Napoleon's Book of Fate and Old Moore's Almanac, which cook and I used to read. I was very ignorant: it did not seem so impossible to me as to an educated woman. Yet I forgot all about it, and married and drudged as a poor man's wife, and brought up children, and looked twenty years older than I really was, until one day, long after my husband died and my children were out in the world working for themselves, I noticed that I looked twenty years younger than I really was. The truth came to me in a flash.

BURGE-LUBIN. An amazing moment. Your feelings must have been beyond description. What was your first thought?

MRS LUTESTRING. Pure terror. I saw that the little money I had laid up would not last, and that I must go out and: work again. They had things called Old Age Pensions then: miserable pittances for worn-out old laborers to die on. I thought I should be found out if I went on drawing it too long. The horror of facing another lifetime of drudgery, of missing my hard-earned rest and losing my poor little savings, drove everything else out of my mind. You people nowadays can have no conception of the dread of poverty that hung over us then, or of the utter tiredness of forty years' unending overwork and striving to make a shilling do the work of a pound.

THE ARCHBISHOP. I wonder you did not kill yourself. I often wonder why the poor in those evil old times did not kill themselves. They did not even kill other people.

MRS LUTESTRING. You never kill yourself, because you always may as well wait until tomorrow. And you have not energy or conviction enough to kill the others. Besides, how can you blame them when you would do as they do if you were in their place?

BURGE-LUBIN. Devilish poor consolation, that.

MRS LUTESTRING. There were other consolations in those days for people like me. We drank preparations of alcohol to relieve the strain of living and give us an artificial happiness.

BURGE-LUBIN {[[ all together, ]} Alcohol!

CONFUCIUS {[ making ] } Pfff...!

BARNABAS {[ wry faces ]] } Disgusting.

MRS LUTESTRING. A little alcohol would improve your temper and manners, and make you much easier to live with, Mr Accountant General.

BURGE-LUBIN [ laughing ] By George, I believe you! Try it, Barnabas.

CONFUCIUS. No. Try tea. It is the more civilized poison of the two.

MRS LUTESTRING. You, Mr President, were born intoxicated with your own well-fed natural exuberance. You cannot imagine what alcohol was to an underfed poor woman. I had carefully arranged my little savings so that I could get drunk, as we called it, once a week; and my only pleasure was looking forward to that poor little debauch. That is what saved me from suicide. I could not bear to miss my next carouse. But when I stopped working, and lived on my pension, the fatigue of my life's drudgery began to wear off, because, you see, I was not really old. I recuperated. I looked younger and younger. And at last I was rested enough to have courage and strength to begin life again. Besides, political changes were making it easier: life was a little better worth living for the nine-tenths of the people who used to be mere drudges. After that, I never turned back or faltered. My only regret now is that I shall die when I am three hundred or thereabouts. There was only one thing that made life hard; and that is gone now.

CONFUCIUS. May we ask what that was?

MRS LUTESTRING. Perhaps you will be offended if I tell you.

BURGE-LUBIN. Offended! My dear lady, do you suppose, after such a stupendous revelation, that anything short of a blow from a sledge-hammer could produce the smallest impression on any of us?

MRS LUTESTRING. Well, you see, it has been so hard on me never to meet a grown-up person. You are all such children. And I never was very fond of children, except that one girl who woke up the mother passion in me. I have been very lonely sometimes.

BURGE-LUBIN [ again gallant ] But surely, Mrs Lutestring, that has been your own fault. If I may say so, a lady of your attractions need never have been lonely.

MRS LUTESTRING. Why?

BURGE-LUBIN. Why! Well—. Well, er—. Well, er er—. Well! [ he gives it up ].

THE ARCHBISHOP. He means that you might have married. Curious, how little they understand our position.

MRS LUTESTRING. I did marry. I married again on my hundred and first birthday. But of course I had to marry an elderly man: a man over sixty. He was a great painter. On his deathbed he said to me 'It has taken me fifty years to learn my trade, and to paint all the foolish pictures a man must paint and get rid of before he comes through them to the great things he ought to paint. And now that my foot is at last on the threshold of the temple I find that it is also the threshold of my tomb.' That man would have been the greatest painter of all time if he could have lived as long as I. I saw him die of old age whilst he was still, as he said himself, a gentleman amateur, like all modern painters.

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