Gustave Flaubert - Gustave Flaubert - Madame Bovary, Salammbô & Sentimental Education (3 Books in One Edition)

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Madame Bovary, written by Gustave Flaubert, was published in 1857 in French. The story focuses on a doctor's wife, Emma Bovary, who has adulterous affairs and lives beyond her means in order to escape the banalities and emptiness of provincial life. Though the basic plot is rather simple, even archetypal, the novel's true art lies in its details and hidden patterns. Salammbô (1862) is a historical novel by Gustave Flaubert. It is set in Carthage during the 3rd century BC, immediately before and during the Mercenary Revolt which took place shortly after the First Punic War. Sentimental Education (1869) is a novel by Gustave Flaubert, and is considered one of the most influential novels of the 19th century. The novel describes the life of a young man living through the revolution of 1848 and the founding of the Second French Empire, and his love for an older woman. The novel's tone is by turns ironic and pessimistic; it occasionally lampoons French society. The main character, Frédéric, often gives himself to romantic flights of fancy.
Gustave Flaubert ( 1821 – 1880) was an influential French writer who is counted among the greatest novelists in Western literature. He is known especially for his first published novel, Madame Bovary (1857), for his Correspondence, and for his scrupulous devotion to his art and style.

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At three o’clock the cotillion began. Emma did not know how to waltz. Everyone was waltzing, Mademoiselle d’Andervilliers herself and the Marquis; only the guests staying at the castle were still there, about a dozen persons.

One of the waltzers, however, who was familiarly called Viscount, and whose low cut waistcoat seemed moulded to his chest, came a second time to ask Madame Bovary to dance, assuring her that he would guide her, and that she would get through it very well.

They began slowly, then went more rapidly. They turned; all around them was turning — the lamps, the furniture, the wainscoting, the floor, like a disc on a pivot. On passing near the doors the bottom of Emma’s dress caught against his trousers.

Their legs commingled; he looked down at her; she raised her eyes to his. A torpor seized her; she stopped. They started again, and with a more rapid movement; the Viscount, dragging her along disappeared with her to the end of the gallery, where panting, she almost fell, and for a moment rested her head upon his breast. And then, still turning, but more slowly, he guided her back to her seat. She leaned back against the wall and covered her eyes with her hands.

When she opened them again, in the middle of the drawing room three waltzers were kneeling before a lady sitting on a stool.

She chose the Viscount, and the violin struck up once more.

Everyone looked at them. They passed and re-passed, she with rigid body, her chin bent down, and he always in the same pose, his figure curved, his elbow rounded, his chin thrown forward. That woman knew how to waltz! They kept up a long time, and tired out all the others.

Then they talked a few moments longer, and after the goodnights, or rather good mornings, the guests of the chateau retired to bed.

Charles dragged himself up by the balusters. His “knees were going up into his body.” He had spent five consecutive hours standing bolt upright at the card tables, watching them play whist, without understanding anything about it, and it was with a deep sigh of relief that he pulled off his boots.

Emma threw a shawl over her shoulders, opened the window, and leant out.

The night was dark; some drops of rain were falling. She breathed in the damp wind that refreshed her eyelids. The music of the ball was still murmuring in her ears. And she tried to keep herself awake in order to prolong the illusion that this luxurious life that she would soon have to give up.

Day began to break. She looked long at the windows of the chateau, trying to guess which were the rooms of all those she had noticed the evening before. She would fain have known their lives, have penetrated, blended with them. But she was shivering with cold. She undressed, and cowered down between the sheets against Charles, who was asleep.

There were a great many people to luncheon. The repast lasted ten minutes; no liqueurs were served, which astonished the doctor.

Next, Mademoiselle d’Andervilliers collected some pieces of roll in a small basket to take them to the swans on the ornamental waters, and they went to walk in the hot-houses, where strange plants, bristling with hairs, rose in pyramids under hanging vases, whence, as from over-filled nests of serpents, fell long green cords interlacing. The orangery, which was at the other end, led by a covered way to the outhouses of the chateau. The Marquis, to amuse the young woman, took her to see the stables.

Above the basket-shaped racks porcelain slabs bore the names of the horses in black letters. Each animal in its stall whisked its tail when anyone went near and said “Tchk! tchk!” The boards of the harness room shone like the flooring of a drawing room. The carriage harness was piled up in the middle against two twisted columns, and the bits, the whips, the spurs, the curbs, were ranged in a line all along the wall.

Charles, meanwhile, went to ask a groom to put his horse to. The dog-cart was brought to the foot of the steps, and, all the parcels being crammed in, the Bovarys paid their respects to the Marquis and Marchioness and set out again for Tostes.

Emma watched the turning wheels in silence. Charles, on the extreme edge of the seat, held the reins with his two arms wide apart, and the little horse ambled along in the shafts that were too big for him. The loose reins hanging over his crupper were wet with foam, and the box fastened on behind the chaise gave great regular bumps against it.

They were on the heights of Thibourville when suddenly some horsemen with cigars between their lips passed laughing. Emma thought she recognized the Viscount, turned back, and caught on the horizon only the movement of the heads rising or falling with the unequal cadence of the trot or gallop.

A mile farther on they had to stop to mend with some string the traces that had broken.

But Charles, giving a last look to the harness, saw something on the ground between his horse’s legs, and he picked up a cigar-case with a green silk border and beblazoned in the centre like the door of a carriage.

“There are even two cigars in it,” said he; “they’ll do for this evening after dinner.”

“Why, do you smoke?” she asked.

“Sometimes, when I get a chance.”

He put his find in his pocket and whipped up the nag.

When they reached home the dinner was not ready. Madame lost her temper. Nastasie answered rudely.

“Leave the room!” said Emma. “You are forgetting yourself. I give you warning.”

For dinner there was onion soup and a piece of veal with sorrel.

Charles, seated opposite Emma, rubbed his hands gleefully.

“How good it is to be at home again!”

Nastasie could be heard crying. He was rather fond of the poor girl. She had formerly, during the wearisome time of his widowhood, kept him company many an evening. She had been his first patient, his oldest acquaintance in the place.

“Have you given her warning for good?” he asked at last.

“Yes. Who is to prevent me?” she replied.

Then they warmed themselves in the kitchen while their room was being made ready. Charles began to smoke. He smoked with lips protruding, spitting every moment, recoiling at every puff.

“You’ll make yourself ill,” she said scornfully.

He put down his cigar and ran to swallow a glass of cold water at the pump. Emma seizing hold of the cigar case threw it quickly to the back of the cupboard.

The next day was a long one. She walked about her little garden, up and down the same walks, stopping before the beds, before the espalier, before the plaster curate, looking with amazement at all these things of once-on-a-time that she knew so well. How far off the ball seemed already! What was it that thus set so far asunder the morning of the day before yesterday and the evening of to-day? Her journey to Vaubyessard had made a hole in her life, like one of those great crevices that a storm will sometimes make in one night in mountains. Still she was resigned. She devoutly put away in her drawers her beautiful dress, down to the satin shoes whose soles were yellowed with the slippery wax of the dancing floor. Her heart was like these. In its friction against wealth something had come over it that could not be effaced.

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