Gustave Flaubert - Gustave Flaubert - Madame Bovary, Salammbô & Sentimental Education (3 Books in One Edition)

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Madame Bovary, written by Gustave Flaubert, was published in 1857 in French. The story focuses on a doctor's wife, Emma Bovary, who has adulterous affairs and lives beyond her means in order to escape the banalities and emptiness of provincial life. Though the basic plot is rather simple, even archetypal, the novel's true art lies in its details and hidden patterns. Salammbô (1862) is a historical novel by Gustave Flaubert. It is set in Carthage during the 3rd century BC, immediately before and during the Mercenary Revolt which took place shortly after the First Punic War. Sentimental Education (1869) is a novel by Gustave Flaubert, and is considered one of the most influential novels of the 19th century. The novel describes the life of a young man living through the revolution of 1848 and the founding of the Second French Empire, and his love for an older woman. The novel's tone is by turns ironic and pessimistic; it occasionally lampoons French society. The main character, Frédéric, often gives himself to romantic flights of fancy.
Gustave Flaubert ( 1821 – 1880) was an influential French writer who is counted among the greatest novelists in Western literature. He is known especially for his first published novel, Madame Bovary (1857), for his Correspondence, and for his scrupulous devotion to his art and style.

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Gustave Flaubert

Gustave Flaubert: Madame Bovary, Salammbô & Sentimental Education

(3 Books in One Edition)

Published by

Books Advanced Digital Solutions HighQuality eBook Formatting - фото 1Books

Advanced Digital Solutions & High-Quality eBook Formatting

musaicumbooks@okpublishing.info2017 OK Publishing ISBN 978-80-272-3362-5

Table of Contents

Madame Bovary Madame Bovary Table of Contents

Part I

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Part II

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Part III

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Salammbô

Chapter I The Feast

Chapter II At Sicca

Chapter III Salammbo

Chapter IV Beneath the Walls of Carthage

Chapter V Tanith

Chapter VI Hanno

Chapter VII Hamilcar Barca

Chapter VIII The Battle of the Macaras

Chapter IX In the Field

Chapter X The Serpent

Chapter XI In the Tent

Chapter XII The Aqueduct

Chapter XIII Moloch

Chapter XIV The Pass of the Hatchet

Chapter XV Matho

Sentimental Education

Chapter I A Promising Pupil

Chapter II Damon And Pythias

Chapter III. Sentiment And Passion

Chapter IV The Inexpressible She!

Chapter V "Love Knoweth No Laws"

Chapter VI Blighted Hopes

Chapter VII Change Of Fortune

Chapter VIII Frederick Entertains

Chapter IX The Friend Of The Family

Chapter X At The Races

Chapter XI A Dinner and a Duel.

Chapter XII Little Louise Grows Up.

Chapter XIII Rosanette as a Lovely Turk.

Chapter XIV The Barricade.

Chapter XV "How Happy Could I Be With Either."

Chapter XVI Unpleasant News from Rosanette.

Chapter XVII A Strange Betrothal.

Chapter XVIII An Auction.

Chapter XIX A Bitter-Sweet Reunion.

Chapter XX "Wait Till You Come to Forty Year."

Footnotes

Madame Bovary

Table of Contents

To Marie-Antoine-Jules Senard

Member of the Paris Bar, Ex-President of the National Assembly, and Former Minister of the Interior

Dear and Illustrious Friend,

Permit me to inscribe your name at the head of this book, and above its dedication; for it is to you, before all, that I owe its publication. Reading over your magnificent defence, my work has acquired for myself, as it were, an unexpected authority.

Accept, then, here, the homage of my gratitude, which, how great soever it is, will never attain the height of your eloquence and your devotion.

Gustave Flaubert

Paris, 12 April 1857

Part I

Chapter One

Table of Contents

We were in class when the head-master came in, followed by a “new fellow,” not wearing the school uniform, and a school servant carrying a large desk. Those who had been asleep woke up, and every one rose as if just surprised at his work.

The head-master made a sign to us to sit down. Then, turning to the class-master, he said to him in a low voice —

“Monsieur Roger, here is a pupil whom I recommend to your care; he’ll be in the second. If his work and conduct are satisfactory, he will go into one of the upper classes, as becomes his age.”

The “new fellow,” standing in the corner behind the door so that he could hardly be seen, was a country lad of about fifteen, and taller than any of us. His hair was cut square on his forehead like a village chorister’s; he looked reliable, but very ill at ease. Although he was not broad-shouldered, his short school jacket of green cloth with black buttons must have been tight about the arm-holes, and showed at the opening of the cuffs red wrists accustomed to being bare. His legs, in blue stockings, looked out from beneath yellow trousers, drawn tight by braces, He wore stout, ill-cleaned, hob-nailed boots.

We began repeating the lesson. He listened with all his ears, as attentive as if at a sermon, not daring even to cross his legs or lean on his elbow; and when at two o’clock the bell rang, the master was obliged to tell him to fall into line with the rest of us.

When we came back to work, we were in the habit of throwing our caps on the ground so as to have our hands more free; we used from the door to toss them under the form, so that they hit against the wall and made a lot of dust: it was “the thing.”

But, whether he had not noticed the trick, or did not dare to attempt it, the “new fellow,” was still holding his cap on his knees even after prayers were over. It was one of those head-gears of composite order, in which we can find traces of the bearskin, shako, billycock hat, sealskin cap, and cotton night-cap; one of those poor things, in fine, whose dumb ugliness has depths of expression, like an imbecile’s face. Oval, stiffened with whalebone, it began with three round knobs; then came in succession lozenges of velvet and rabbit-skin separated by a red band; after that a sort of bag that ended in a cardboard polygon covered with complicated braiding, from which hung, at the end of a long thin cord, small twisted gold threads in the manner of a tassel. The cap was new; its peak shone.

“Rise,” said the master.

He stood up; his cap fell. The whole class began to laugh. He stooped to pick it up. A neighbor knocked it down again with his elbow; he picked it up once more.

“Get rid of your helmet,” said the master, who was a bit of a wag.

There was a burst of laughter from the boys, which so thoroughly put the poor lad out of countenance that he did not know whether to keep his cap in his hand, leave it on the ground, or put it on his head. He sat down again and placed it on his knee.

“Rise,” repeated the master, “and tell me your name.”

The new boy articulated in a stammering voice an unintelligible name.

“Again!”

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