Edgar Allan Poe - 60 Gothic Classics

Здесь есть возможность читать онлайн «Edgar Allan Poe - 60 Gothic Classics» — ознакомительный отрывок электронной книги совершенно бесплатно, а после прочтения отрывка купить полную версию. В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: unrecognised, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

60 Gothic Classics: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «60 Gothic Classics»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Musaicum Books presents to you this unique collection, designed and formatted to the highest digital standards and adjusted for readability on all devices.
The Castle of Otranto
Vathek
The Castle of Wolfenbach
Caleb Williams
The Mysteries of Udolpho
The Italian
The Monk
Wieland
Northanger Abbey
Frankenstein
The Orphan of the Rhine
Nightmare Abbey
The Tell-Tale Heart
The Fall of the House of Usher
The Cask of Amontillado
The Masque of the Red Death
The Black Cat
The Murders in the Rue Morgue
The Vampyre
The Legend of Sleepy Hollow
Melmoth the Wanderer
The Private Memoirs and Confessions of a Justified Sinner
The Hunchback of Notre-Dame
The Phantom Ship
St, John's Eve
Viy
The Mysterious Portrait
Jane Eyre
Wuthering Heights
Sweeney Todd, the Demon Barber of Fleet Street
The House of the Seven Gables
Rappaccini's Daughter
The Birth Mark
The Lifted Veil
The Woman in White
Strange Case of Dr Jekyll and Mr Hyde
The Mystery of Edwin Drood
Carmilla
Uncle Silas
The Hound of the Baskervilles
The Picture of Dorian Gray
The Horla
The Forsaken Inn
The Yellow Wallpaper
The Great God Pan
Lilith
The Lost Stradivarius
The Island of Doctor Moreau
The Beetle
The Turn of the Screw
Dracula
The Jewel of Seven Stars (Original 1903 Edition)
The Monkey's Paw
The Necromancers
The Phantom of the Opera
Clarimonde
The Mummy's Foot
The House on the Borderland
The Boats of the Glen Carrig
Wolverden Tower

60 Gothic Classics — читать онлайн ознакомительный отрывок

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «60 Gothic Classics», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

"Ah, sir! it is a fine thing for us to sit here and compose his panegyric. But shall I forget what a vast expense was bestowed in erecting the monument of his fame? Was not he the common disturber of mankind? Did not he over-run nations that would never have heard of him but for his devastations? How many hundred thousands of lives did he sacrifice in his career? What must I think of his cruelties; a whole tribe massacred for a crime committed by their ancestors one hundred and fifty years before; fifty thousand sold into slavery; two thousand crucified for their gallant defence of their country? Man is surely a strange sort of creature, who never praises any one more heartily than him who has spread destruction and ruin over the face of nations!"

"The way of thinking you express, Williams, is natural enough, and I cannot blame you for it. But let me hope that you will become more liberal. The death of a hundred thousand men is at first sight very shocking; but what in reality are a hundred thousand such men, more than a hundred thousand sheep? It is mind, Williams, the generation of knowledge and virtue, that we ought to love. This was the project of Alexander; he set out in a great undertaking to civilise mankind; he delivered the vast continent of Asia from the stupidity and degradation of the Persian monarchy: and, though he was cut off in the midst of his career, we may easily perceive the vast effects of his project. Grecian literature and cultivation, the Seleucidae, the Antiochuses, and the Ptolemies followed, in nations which before had been sunk to the condition of brutes. Alexander was the builder, as notoriously as the destroyer, of cities."

"And yet, sir, I am afraid that the pike and the battle-axe are not the right instruments for making men wise. Suppose it were admitted that the lives of men were to be sacrificed without remorse if a paramount good were to result, it seems to me as if murder and massacre were but a very left-handed way of producing civilisation and love. But pray, do not you think this great hero was a sort of a madman? What now will you say to his firing the palace of Persepolis, his weeping for other worlds to conquer, and his marching his whole army over the burning sands of Libya, merely to visit a temple, and persuade mankind that he was the son of Jupiter Ammon?"

"Alexander, my boy, has been much misunderstood. Mankind have revenged themselves upon him by misrepresentation, for having so far eclipsed the rest of his species. It was necessary to the realising his project, that he should pass for a god. It was the only way by which he could get a firm hold upon the veneration of the stupid and bigoted Persians. It was this, and not a mad vanity, that was the source of his proceeding. And how much had he to struggle with in this respect, in the unapprehending obstinacy of some of his Macedonians?"

"Why then, sir, at last Alexander did but employ means that all politicians profess to use, as well as he. He dragooned men into wisdom, and cheated them into the pursuit of their own happiness. But what is worse, sir, this Alexander, in the paroxysm of his headlong rage, spared neither friend nor foe. You will not pretend to justify the excesses of his ungovernable passion. It is impossible, sure, that a word can be said for a man whom a momentary provocation can hurry into the commission of murders—"

The instant I had uttered these words, I felt what it was that I had done. There was a magnetical sympathy between me and my patron, so that their effect was not sooner produced upon him, than my own mind reproached me with the inhumanity of the allusion. Our confusion was mutual. The blood forsook at once the transparent complexion of Mr. Falkland, and then rushed back again with rapidity and fierceness. I dared not utter a word, lest I should commit a new error, worse than that into which I had just fallen. After a short, but severe, struggle to continue the conversation, Mr. Falkland began with trepidation, but afterwards became calmer:—

"You are not candid—Alexander—You must learn more clemency—Alexander, I say, does not deserve this rigour. Do you remember his tears, his remorse, his determined abstinence from food, which he could scarcely be persuaded to relinquish? Did not that prove acute feeling and a rooted principle of equity?—Well, well, Alexander was a true and judicious lover of mankind, and his real merits have been little comprehended."

I know not how to make the state of my mind at that moment accurately understood. When one idea has got possession of the soul, it is scarcely possible to keep it from finding its way to the lips. Error, once committed, has a fascinating power, like that ascribed to the eyes of the rattlesnake, to draw us into a second error. It deprives us of that proud confidence in our own strength, to which we are indebted for so much of our virtue. Curiosity is a restless propensity, and often does but hurry us forward the more irresistibly, the greater is the danger that attends its indulgence.

"Clitus," said I, "was a man of very coarse and provoking manners, was he not?"

Mr. Falkland felt the full force of this appeal. He gave me a penetrating look, as if he would see my very soul. His eyes were then in an instant withdrawn. I could perceive him seized with a convulsive shuddering which, though strongly counteracted, and therefore scarcely visible, had I know not what of terrible in it. He left his employment, strode about the room in anger, his visage gradually assumed an expression as of supernatural barbarity, he quitted the apartment abruptly, and flung the door with a violence that seemed to shake the house.

"Is this," said I, "the fruit of conscious guilt, or of the disgust that a man of honour conceives at guilt undeservedly imputed?"

Chapter II.

Table of Contents

The reader will feel how rapidly I was advancing to the brink of the precipice. I had a confused apprehension of what I was doing, but I could not stop myself. "Is it possible," said I, "that Mr. Falkland, who is thus overwhelmed with a sense of the unmerited dishonour that has been fastened upon him in the face of the world, will long endure the presence of a raw and unfriended youth, who is perpetually bringing back that dishonour to his recollection, and who seems himself the most forward to entertain the accusation?"

I felt indeed that Mr. Falkland would not hastily incline to dismiss me, for the same reason that restrained him from many other actions, which might seem to savour of a too tender and ambiguous sensibility. But this reflection was little adapted to comfort me. That he should cherish in his heart a growing hatred against me, and that he should think himself obliged to retain me a continual thorn in his side, was an idea by no means of favourable augury to my future peace.

It was some time after this that, in clearing out a case of drawers, I found a paper that, by some accident, had slipped behind one of the drawers, and been overlooked. At another time perhaps my curiosity might have given way to the laws of decorum, and I should have restored it unopened to my master, its owner. But my eagerness for information had been too much stimulated by the preceding incidents, to allow me at present to neglect any occasion of obtaining it. The paper proved to be a letter written by the elder Hawkins, and from its contents seemed to have been penned when he had first been upon the point of absconding from the persecutions of Mr. Tyrrel. It was as follows:—

"Honourable Sir,

"I have waited some time in daily hope of your honour's return into these parts. Old Warnes and his dame, who are left to take care of your house, tell me they cannot say when that will be, nor justly in what part of England you are at present. For my share, misfortune comes so thick upon me, that I must determine upon something (that is for certain), and out of hand. Our squire, who I must own at first used me kindly enough, though I am afraid that was partly out of spite to squire Underwood, has since determined to be the ruin of me. Sir, I have been no craven; I fought it up stoutly; for after all, you know, God bless your honour! it is but a man to a man; but he has been too much for me.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «60 Gothic Classics»

Представляем Вашему вниманию похожие книги на «60 Gothic Classics» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «60 Gothic Classics»

Обсуждение, отзывы о книге «60 Gothic Classics» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x