Edgar Allan Poe - 60 Gothic Classics

Здесь есть возможность читать онлайн «Edgar Allan Poe - 60 Gothic Classics» — ознакомительный отрывок электронной книги совершенно бесплатно, а после прочтения отрывка купить полную версию. В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: unrecognised, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

60 Gothic Classics: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «60 Gothic Classics»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Musaicum Books presents to you this unique collection, designed and formatted to the highest digital standards and adjusted for readability on all devices.
The Castle of Otranto
Vathek
The Castle of Wolfenbach
Caleb Williams
The Mysteries of Udolpho
The Italian
The Monk
Wieland
Northanger Abbey
Frankenstein
The Orphan of the Rhine
Nightmare Abbey
The Tell-Tale Heart
The Fall of the House of Usher
The Cask of Amontillado
The Masque of the Red Death
The Black Cat
The Murders in the Rue Morgue
The Vampyre
The Legend of Sleepy Hollow
Melmoth the Wanderer
The Private Memoirs and Confessions of a Justified Sinner
The Hunchback of Notre-Dame
The Phantom Ship
St, John's Eve
Viy
The Mysterious Portrait
Jane Eyre
Wuthering Heights
Sweeney Todd, the Demon Barber of Fleet Street
The House of the Seven Gables
Rappaccini's Daughter
The Birth Mark
The Lifted Veil
The Woman in White
Strange Case of Dr Jekyll and Mr Hyde
The Mystery of Edwin Drood
Carmilla
Uncle Silas
The Hound of the Baskervilles
The Picture of Dorian Gray
The Horla
The Forsaken Inn
The Yellow Wallpaper
The Great God Pan
Lilith
The Lost Stradivarius
The Island of Doctor Moreau
The Beetle
The Turn of the Screw
Dracula
The Jewel of Seven Stars (Original 1903 Edition)
The Monkey's Paw
The Necromancers
The Phantom of the Opera
Clarimonde
The Mummy's Foot
The House on the Borderland
The Boats of the Glen Carrig
Wolverden Tower

60 Gothic Classics — читать онлайн ознакомительный отрывок

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «60 Gothic Classics», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

END OF VOLUME II

William Godwin

Table of Contents

Caleb Williams

Or Things As They Are

Table of Contents

Dramatis Personae

Preface

Author's Latest Preface

Preface To The First Edition

Volume The First

Chapter I.

Chapter II.

Chapter III.

Chapter IV.

Chapter V.

Chapter VI.

Chapter VII.

Chapter VIII.

Chapter IX.

Chapter X.

Chapter XI.

Chapter XII.

Volume The Second

Chapter I.

Chapter II.

Chapter III.

Chapter IV.

Chapter V.

Chapter VI.

Chapter VII.

Chapter VIII.

Chapter IX.

Chapter X.

Chapter XI.

Chapter XII.

Chapter XIII.

Chapter XIV.

Volume The Third

Chapter I.

Chapter II.

Chapter III.

Chapter IV.

Chapter V.

Chapter VI.

Chapter VII.

Chapter VIII.

Chapter IX.

Chapter X.

Chapter XI.

Chapter XII.

Chapter XIII.

Chapter XIV.

Chapter XV.

Postscript

Dramatis Personae

Table of Contents

MR. FERDINANDO FALKLAND, a high-spirited and highly cultured gentleman, a country squire in "a remote county of England."

CALEB WILLIAMS, a youth, his secretary, the discoverer of his secret, and the supposed narrator of the consequent events.

MR. COLLINS, Falkland's steward and Caleb's friend.

THOMAS, a servant of Falkland's.

MR. FORESTER, Falkland's brother-in-law.

MR. BARNABAS TYRREL, a brutal and tyrannical squire.

MISS EMILY MELVILLE, his cousin and dependent, whom he cruelly maltreats and does to death.

GRIMES, a brutal rustic, suborned by Tyrrel to abduct Miss Melville.

DR. WILSON; MRS. HAMMOND, friends of Miss Melville.

MR. HAWKINS, farmer; YOUNG HAWKINS, his son, Victims of Tyrrel's brutality, and wrongfully hanged as his murderers.

GINES, a robber and thief-taker, instrument of Falkland's vengeance upon Caleb.

MR. RAYMOND, an "Arcadian" captain of robbers.

LARKINS, one of his band.

AN OLD HAG, housekeeper to the robbers.

A GAOLER.

MISS PEGGY, the gaoler's daughter.

MRS. MARNEY, a poor gentlewoman, Caleb's friend in distress.

MR. SPURREL, a friend who informs on Caleb.

MRS. DENISON, a cultivated lady with whom Caleb is for a while on friendly terms.

Preface

Table of Contents

By The Author.

The following narrative is intended to answer a purpose more general and important than immediately appears upon the face of it. The question now afloat in the world respecting THINGS AS THEY ARE is the most interesting that can be presented to the human mind. While one party pleads for reformation and change, the other extols in the warmest terms the existing constitution of society. It seemed as if something would be gained for the decision of this question if that constitution were faithfully developed in its practical effects. What is now presented to the public is no refined and abstract speculation; it is a study and delineation of things passing in the moral world. It is but of late that the inestimable importance of political principles has been adequately apprehended. It is now known to philosophers that the spirit and character of the Government intrudes itself into every rank of society. But this is a truth highly worthy to be communicated to persons whom books of philosophy and science are never likely to reach. Accordingly, it was proposed, in the invention of the following work, to comprehend, as far as the progressive nature of a single story would allow, a general review of the modes of domestic and unrecorded despotism by which man becomes the destroyer of man. If the author shall have taught a valuable lesson, without subtracting from the interest and passion by which a performance of this sort ought to be characterised, he will have reason to congratulate himself upon the vehicle he has chosen.

May 12, 1794.

This preface was withdrawn in the original edition, in compliance with the alarms of booksellers. "Caleb Williams" made his first appearance in the world in the same month in which the sanguinary plot broke out against the liberties of Englishmen, which was happily terminated by the acquittal of its first intended victims in the close of that year. Terror was the order of the day; and it was feared that even the humble novelist might be shown to be constructively a traitor.

October 29, 1795.

Author's Latest Preface

Table of Contents

LONDON, November 20, 1832.

"CALEB WILLIAMS" has always been regarded by the public with an unusual degree of favour. The proprietor of "THE STANDARD NOVELS" has therefore imagined that even an account of the concoction and mode of writing of the work would be viewed with some interest.

I finished the "Enquiry concerning Political Justice," the first work which may be considered as written by me in a certain degree in the maturity of my intellectual powers, and bearing my name, early in January, 1793; and about the middle of the following month the book was published. It was my fortune at that time to be obliged to consider my pen as the sole instrument for supplying my current expenses. By the liberality of my bookseller, Mr. George Robinson, of Paternoster Row, I was enabled then, and for nearly ten years before, to meet these expenses, while writing different things of obscure note, the names of which, though innocent and in some degree useful, I am rather inclined to suppress. In May, 1791, I projected this, my favourite work, and from that time gave up every other occupation that might interfere with it. My agreement with Robinson was that he was to supply my wants at a specified rate while the book was in the train of composition. Finally, I was very little beforehand with the world on the day of its publication, and was therefore obliged to look round and consider to what species of industry I should next devote myself.

I had always felt in myself some vocation towards the composition of a narrative of fictitious adventure; and among the things of obscure note which I have above referred to were two or three pieces of this nature. It is not therefore extraordinary that some project of the sort should have suggested itself on the present occasion.

But I stood now in a very different situation from that in which I had been placed at a former period. In past years, and even almost from boyhood, I was perpetually prone to exclaim with Cowley:

"What shall I do to be for ever known,

And make the age to come my own?"

But I had endeavoured for ten years, and was as far from approaching my object as ever. Everything I wrote fell dead-born from the press. Very often I was disposed to quit the enterprise in despair. But still I felt ever and anon impelled to repeat my effort.

At length I conceived the plan of Political Justice. I was convinced that my object of building to myself a name would never be attained by merely repeating and refining a little upon what other men had said, even though I should imagine that I delivered things of this sort with a more than usual point and elegance. The world, I believed, would accept nothing from me with distinguishing favour that did not bear upon the face of it the undoubted stamp of originality. Having long ruminated upon the principles of Political Justice, I persuaded myself that I could offer to the public, in a treatise on this subject, things at once new, true, and important. In the progress of the work I became more sanguine and confident. I talked over my ideas with a few familiar friends during its progress, and they gave me every generous encouragement. It happened that the fame of my book, in some inconsiderable degree, got before its publication, and a certain number of persons were prepared to receive it with favour. It would be false modesty in me to say that its acceptance, when published, did not nearly come up to everything that could soberly have been expected by me. In consequence of this, the tone of my mind, both during the period in which I was engaged in the work and afterwards, acquired a certain elevation, and made me now unwilling to stoop to what was insignificant.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «60 Gothic Classics»

Представляем Вашему вниманию похожие книги на «60 Gothic Classics» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «60 Gothic Classics»

Обсуждение, отзывы о книге «60 Gothic Classics» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x