Stephen Crane - The Complete Works of Stephen Crane

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This carefully crafted ebook: «The Complete Works of Stephen Crane» is formatted for your eReader with a functional and detailed table of contents:
Novels and Novellas:
The Red Badge of Courage
Maggie: A Girl of the Streets
George's Mother
The Third Violet
Active Service
The Monster
The O'Ruddy
Short Stories:
The Little Regiment and Other Episodes from the American Civil War:
The Little Regiment
Three Miraculous Soldiers
A Mystery of Heroism
An Indiana Campaign
A Grey Sleeve
The Veteran
The Open Boat and Other Stories:
The Open Boat
A Man and Some Others
The Bride comes to Yellow Sky
The Wise Men
The Five White Mice
Flanagan and His Short
Filibustering Adventure
Horses
Death and the Child
An Experiment in Misery
The Men in the Storm
The Dual that was not Fought
An Ominous Baby
A Great Mistake
An Eloquence of Grief
The Auction
The Pace of Youth
A Detail
Blue Hotel
His New Mittens
Whilomville Stories:
The Angel Child
Lynx-Hunting
The Lover and the Telltale
"Showin' Off"
Making an Orator
Shame
The Carriage-Lamps
The Knife
The Stove
The Trial, Execution, and Burial of Homer Phelps
The Fight
The City Urchin and the Chaste Villagers
A Little Pilgrimage
Wounds in the Rain – War Stories:
The Price of the Harness
The Lone Charge of William B. Perkins
The Clan of No-Name
God Rest Ye, Merry Gentlemen
The Revenge of the Adolphus
The Sergeant's Private Madhouse
Virtue in War
Marines Signalling under Fire at Guantanamo
This Majestic Lie
War Memories
The Second Generation
Great Battles of the World:
Vittoria
The Siege of Plevna
The Storming of Burkersdorf Heights
A Swede's Campaign in Germany
The Storming of Badajoz
The Brief Campaign Against New Orleans
The Battle of Solferino
The Battle of Bunker Hill
Last Words:
The Reluctant Voyagers
Spitzbergen Tales
Wyoming Valley Tales
London Impressions
New York Sketches
The Assassins in Modern Battles
Irish Notes
Sullivan County Sketches
Miscellaneous
Other Short Stories
Poetry:
The Black Riders and Other Lines
War is Kind

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"Well, they're kind of aggravating beasts sometimes," he said. "But they're a good yoke—a good yoke. They can haul with anything in this region."

"It doesn't make them so terribly tired, does it?" she said hopefully. "They are such strong animals."

"No-o-o," he said. "I dunno. I never thought much about it."

With their heads close together they became so absorbed in their conversation that they seemed to forget the painter. He sat on a log and watched them.

Ultimately the girl said, "Won't you give us a ride?"

"Sure," said the old man. "Come on, and I'll help you up." He assisted her very painstakingly to the old board that usually served him as a seat, and he clambered to a place beside her. "Come on, William," he called. The painter climbed into the wagon and stood behind his father, putting his hand on the old man's shoulder to preserve his balance.

"Which is the near ox?" asked the girl with a serious frown.

"Git-ap! Haw! That one there," said the old man.

"And this one is the off ox?"

"Yep."

"Well, suppose you sat here where I do; would this one be the near ox and that one the off ox, then?"

"Nope. Be just same."

"Then the near ox isn't always the nearest one to a person, at all? That ox there is always the near ox?"

"Yep, always. 'Cause when you drive 'em a-foot you always walk on the left side."

"Well, I never knew that before."

After studying them in silence for a while, she said, "Do you think they are happy?"

"I dunno," said the old man. "I never thought." As the wagon creaked on they gravely discussed this problem, contemplating profoundly the backs of the animals. Hawker gazed in silence at the meditating two before him. Under the wagon Stanley, the setter, walked slowly, wagging his tail in placid contentment and ruminating upon his experiences.

At last the old man said cheerfully, "Shall I take you around by the inn?"

Hawker started and seemed to wince at the question. Perhaps he was about to interrupt, but the girl cried: "Oh, will you? Take us right to the door? Oh, that will be awfully good of you!"

"Why," began Hawker, "you don't want—you don't want to ride to the inn on an—on an ox wagon, do you?"

"Why, of course I do," she retorted, directing a withering glance at him.

"Well——" he protested.

"Let 'er be, William," interrupted the old man. "Let 'er do what she wants to. I guess everybody in th' world ain't even got an ox wagon to ride in. Have they?"

"No, indeed," she returned, while withering Hawker again.

"Gee! Gee! Whoa! Haw! Git-ap! Haw! Whoa! Back!"

After these two attacks Hawker became silent.

"Gee! Gee! Gee there, blast—s'cuse me. Gee! Whoa! Git-ap!"

All the boarders of the inn were upon its porches waiting for the dinner gong. There was a surge toward the railing as a middle-aged woman passed the word along her middle-aged friends that Miss Fanhall, accompanied by Mr. Hawker, had arrived on the ox cart of Mr. Hawker's father.

"Whoa! Ha! Git-ap!" said the old man in more subdued tones. "Whoa there, Red! Whoa, now! Wh-o-a!"

Hawker helped the girl to alight, and she paused for a moment conversing with the old man about the oxen. Then she ran smiling up the steps to meet the Worcester girls.

"Oh, such a lovely time! Those dear old oxen—you should have been with us!"

CHAPTER XV.

Table of Contents

"Oh, Miss Fanhall!"

"What is it, Mrs. Truscot?"

"That was a great prank of yours last night, my dear. We all enjoyed the joke so much."

"Prank?"

"Yes, your riding on the ox cart with that old farmer and that young Mr. What's-his-name, you know. We all thought it delicious. Ah, my dear, after all—don't be offended—if we had your people's wealth and position we might do that sort of unconventional thing, too; but, ah, my dear, we can't, we can't! Isn't the young painter a charming man?"

Out on the porch Hollanden was haranguing his friends. He heard a step and glanced over his shoulder to see who was about to interrupt him. He suddenly ceased his oration, and said, "Hello! what's the matter with Grace?" The heads turned promptly.

As the girl came toward them it could be seen that her cheeks were very pink and her eyes were flashing general wrath and defiance.

The Worcester girls burst into eager interrogation. "Oh, nothing!" she replied at first, but later she added in an undertone, "That wretched Mrs. Truscot——"

"What did she say?" whispered the younger Worcester girl.

"Why, she said—oh, nothing!"

Both Hollanden and Hawker were industriously reflecting.

Later in the morning Hawker said privately to the girl, "I know what Mrs. Truscot talked to you about."

She turned upon him belligerently. "You do?"

"Yes," he answered with meekness. "It was undoubtedly some reference to your ride upon the ox wagon."

She hesitated a moment, and then said, "Well?"

With still greater meekness he said, "I am very sorry."

"Are you, indeed?" she inquired loftily. "Sorry for what? Sorry that I rode upon your father's ox wagon, or sorry that Mrs. Truscot was rude to me about it?"

"Well, in some ways it was my fault."

"Was it? I suppose you intend to apologize for your father's owning an ox wagon, don't you?"

"No, but——"

"Well, I am going to ride in the ox wagon whenever I choose. Your father, I know, will always be glad to have me. And if it so shocks you, there is not the slightest necessity of your coming with us."

They glowered at each other, and he said, "You have twisted the question with the usual ability of your sex."

She pondered as if seeking some particularly destructive retort. She ended by saying bluntly, "Did you know that we were going home next week?"

A flush came suddenly to his face. "No. Going home? Who? You?"

"Why, of course." And then with an indolent air she continued, "I meant to have told you before this, but somehow it quite escaped me."

He stammered, "Are—are you, honestly?"

She nodded. "Why, of course. Can't stay here forever, you know."

They were then silent for a long time.

At last Hawker said, "Do you remember what I told you yesterday?"

"No. What was it?"

He cried indignantly, "You know very well what I told you!"

"I do not."

"No," he sneered, "of course not! You never take the trouble to remember such things. Of course not! Of course not!"

"You are a very ridiculous person," she vouchsafed, after eying him coldly.

He arose abruptly. "I believe I am. By heavens, I believe I am!" he cried in a fury.

She laughed. "You are more ridiculous now than I have yet seen you."

After a pause he said magnificently, "Well, Miss Fanhall, you will doubtless find Mr. Hollanden's conversation to have a much greater interest than that of such a ridiculous person."

Hollanden approached them with the blithesome step of an untroubled man. "Hello, you two people, why don't you—oh—ahem! Hold on, Billie, where are you going?"

"I——" began Hawker.

"Oh, Hollie," cried the girl impetuously, "do tell me how to do that slam thing, you know. I've tried it so often, but I don't believe I hold my racket right. And you do it so beautifully."

"Oh, that," said Hollanden. "It's not so very difficult. I'll show it to you. You don't want to know this minute, do you?"

"Yes," she answered.

"Well, come over to the court, then. Come ahead, Billie!"

"No," said Hawker, without looking at his friend, "I can't this morning, Hollie. I've got to go to work. Good-bye!" He comprehended them both in a swift bow and stalked away.

Hollanden turned quickly to the girl. "What was the matter with Billie? What was he grinding his teeth for? What was the matter with him?"

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