Stephen Crane - The Complete Works of Stephen Crane

"To meet the stage."

"Oh, well, I won't have to play tennis for an hour, and if you insist——"

"Of course."

As they strolled slowly in the shade of the trees Hollanden began, "Isn't that Hawker an ill-bred old thing?"

"No, he is not." Then after a time she said, "Why?"

"Oh, he gets so absorbed in a beastly smudge of paint that I really suppose he cares nothing for anything else in the world. Men who are really artists—I don't believe they are capable of deep human affections. So much of them is occupied by art. There's not much left over, you see."

"I don't believe it at all," she exclaimed.

"You don't, eh?" cried Hollanden scornfully. "Well, let me tell you, young woman, there is a great deal of truth in it. Now, there's Hawker—as good a fellow as ever lived, too, in a way, and yet he's an artist. Why, look how he treats—look how he treats that poor setter dog!"

"Why, he's as kind to him as he can be," she declared.

"And I tell you he is not!" cried Hollanden.

"He is, Hollie. You—you are unspeakable when you get in these moods."

"There—that's just you in an argument. I'm not in a mood at all. Now, look—the dog loves him with simple, unquestioning devotion that fairly brings tears to one's eyes——"

"Yes," she said.

"And he—why, he's as cold and stern——"

"He isn't. He isn't, Holly. You are awf'ly unfair."

"No, I'm not. I am simply a liberal observer. And Hawker, with his people, too," he went on darkly; "you can't tell—you don't know anything about it—but I tell you that what I have seen proves my assertion that the artistic mind has no space left for the human affections. And as for the dog——"

"I thought you were his friend, Hollie?"

"Whose?"

"No, not the dog's. And yet you—really, Hollie, there is something unnatural in you. You are so stupidly keen in looking at people that you do not possess common loyalty to your friends. It is because you are a writer, I suppose. That has to explain so many things. Some of your traits are very disagreeable."

"There! there!" plaintively cried Hollanden. "This is only about the treatment of a dog, mind you. Goodness, what an oration!"

"It wasn't about the treatment of a dog. It was about your treatment of your friends."

"Well," he said sagely, "it only goes to show that there is nothing impersonal in the mind of a woman. I undertook to discuss broadly——

"Oh, Hollie!"

"At any rate, it was rather below you to do such scoffing at me."

"Well, I didn't mean—not all of it, Hollie."

"Well, I didn't mean what I said about the dog and all that, either."

"You didn't?" She turned toward him, large-eyed.

"No. Not a single word of it."

"Well, what did you say it for, then?" she demanded indignantly.

"I said it," answered Hollanden placidly, "just to tease you." He looked abstractedly up to the trees.

Presently she said slowly, "Just to tease me?"

At this time Hollanden wore an unmistakable air of having a desire to turn up his coat collar. "Oh, come now——" he began nervously.

"George Hollanden," said the voice at his shoulder, "you are not only disagreeable, but you are hopelessly ridiculous. I—I wish you would never speak to me again!"

"Oh, come now, Grace, don't—don't—— Look! There's the stage coming, isn't it?"

"No, the stage is not coming. I wish—I wish you were at the bottom of the sea, George Hollanden. And—and Mr. Hawker, too. There!"

"Oh, bless my soul! And all about an infernal dog," wailed Hollanden. "Look! Honest, now, there's the stage. See it? See it?"

"It isn't there at all," she said.

Gradually he seemed to recover his courage. "What made you so tremendously angry? I don't see why."

After consideration, she said decisively, "Well, because."

"That's why I teased you," he rejoined.

"Well, because—because——"

"Go on," he told her finally. "You are doing very well." He waited patiently.

"Well," she said, "it is dreadful to defend somebody so—so excitedly, and then have it turned out just a tease. I don't know what he would think."

"Who would think?"

"Why—he."

"What could he think? Now, what could he think? Why," said Hollanden, waxing eloquent, "he couldn't under any circumstances think—think anything at all. Now, could he?"

She made no reply.

"Could he?"

She was apparently reflecting.

"Under any circumstances," persisted Hollanden, "he couldn't think anything at all. Now, could he?"

"No," she said.

"Well, why are you angry at me, then?"

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"John," said the old mother, from the profound mufflings of the pillow and quilts.

"What?" said the old man. He was tugging at his right boot, and his tone was very irascible.

"I think William's changed a good deal."

"Well, what if he has?" replied the father, in another burst of ill-temper. He was then tugging at his left boot.

"Yes, I'm afraid he's changed a good deal," said the muffled voice from the bed. "He's got a good many fine friends, now, John—folks what put on a good many airs; and he don't care for his home like he did."

"Oh, well, I don't guess he's changed very much," said the old man cheerfully. He was now free of both boots.

She raised herself on an elbow and looked out with a troubled face. "John, I think he likes that girl."

"What girl?" said he.

"What girl? Why, that awful handsome girl you see around—of course."

"Do you think he likes 'er?"

"I'm afraid so—I'm afraid so," murmured the mother mournfully.

"Oh, well," said the old man, without alarm, or grief, or pleasure in his tone.

He turned the lamp's wick very low and carried the lamp to the head of the stairs, where he perched it on the step. When he returned he said, "She's mighty good-look-in'!"

"Well, that ain't everything," she snapped. "How do we know she ain't proud, and selfish, and—everything?"

"How do you know she is?" returned the old man.

"And she may just be leading him on."

"Do him good, then," said he, with impregnable serenity. "Next time he'll know better."

"Well, I'm worried about it," she said, as she sank back on the pillow again. "I think William's changed a good deal. He don't seem to care about—us—like he did."

"Oh, go to sleep!" said the father drowsily.

She was silent for a time, and then she said, "John?"

"What?"

"Do you think I better speak to him about that girl?"

"No."

She grew silent again, but at last she demanded, "Why not?"

"'Cause it's none of your business. Go to sleep, will you?" And presently he did, but the old mother lay blinking wild-eyed into the darkness.

In the morning Hawker did not appear at the early breakfast, eaten when the blue glow of dawn shed its ghostly lights upon the valley. The old mother placed various dishes on the back part of the stove. At ten o'clock he came downstairs. His mother was sweeping busily in the parlour at the time, but she saw him and ran to the back part of the stove. She slid the various dishes on to the table. "Did you oversleep?" she asked.

"Yes. I don't feel very well this morning," he said. He pulled his chair close to the table and sat there staring.

She renewed her sweeping in the parlour. When she returned he sat still staring undeviatingly at nothing.

"Why don't you eat your breakfast?" she said anxiously.

"I tell you, mother, I don't feel very well this morning," he answered quite sharply.

"Well," she said meekly, "drink some coffee and you'll feel better."

Afterward he took his painting machinery and left the house. His younger sister was at the well. She looked at him with a little smile and a little sneer. "Going up to the inn this morning?" she said.