Stephen Crane - The Complete Works of Stephen Crane

"Are you sorry that this is your last evening at Hemlock Inn?" said the painter at last, in a low tone.

"Why, yes—certainly," said the girl.

Under the sloping porch of the inn the vague orange light from the parlours drifted to the black wall of the night.

"I shall miss you," said the painter.

"Oh, I dare say," said the girl.

Hollanden was lecturing at length and wonderfully. In the mystic spaces of the night the pines could be heard in their weird monotone, as they softly smote branch and branch, as if moving in some solemn and sorrowful dance.

"This has been quite the most delightful summer of my experience," said the painter.

"I have found it very pleasant," said the girl.

From time to time Hawker glanced furtively at Oglethorpe, Hollanden, and the Worcester girl. This glance expressed no desire for their well-being.

"I shall miss you," he said to the girl again. His manner was rather desperate. She made no reply, and, after leaning toward her, he subsided with an air of defeat.

Eventually he remarked: "It will be very lonely here again. I dare say I shall return to New York myself in a few weeks."

"I hope you will call," she said.

"I shall be delighted," he answered stiffly, and with a dissatisfied look at her.

"Oh, Mr. Hawker," cried the younger Worcester girl, suddenly emerging from the cloud of argument which Hollanden and Oglethorpe kept in the air, "won't it be sad to lose Grace? Indeed, I don't know what we shall do. Sha'n't we miss her dreadfully?"

"Yes," said Hawker, "we shall of course miss her dreadfully."

"Yes, won't it be frightful?" said the elder Worcester girl. "I can't imagine what we will do without her. And Hollie is only going to spend ten more days. Oh, dear! mamma, I believe, will insist on staying the entire summer. It was papa's orders, you know, and I really think she is going to obey them. He said he wanted her to have one period of rest at any rate. She is such a busy woman in town, you know."

"Here," said Hollanden, wheeling to them suddenly, "you all look as if you were badgering Hawker, and he looks badgered. What are you saying to him?"

"Why," answered the younger Worcester girl, "we were only saying to him how lonely it would be without Grace."

"Oh!" said Hollanden.

As the evening grew old, the mother of the Worcester girls joined the group. This was a sign that the girls were not to long delay the vanishing time. She sat almost upon the edge of her chair, as if she expected to be called upon at any moment to arise and bow "Good-night," and she repaid Hollanden's eloquent attention with the placid and absent-minded smiles of the chaperon who waits.

Once the younger Worcester girl shrugged her shoulders and turned to say, "Mamma, you make me nervous!" Her mother merely smiled in a still more placid and absent-minded manner.

Oglethorpe arose to drag his chair nearer to the railing, and when he stood the Worcester mother moved and looked around expectantly, but Oglethorpe took seat again. Hawker kept an anxious eye upon her.

Presently Miss Fanhall arose.

"Why, you are not going in already, are you?" said Hawker and Hollanden and Oglethorpe. The Worcester mother moved toward the door followed by her daughters, who were protesting in muffled tones. Hollanden pitched violently upon Oglethorpe. "Well, at any rate——" he said. He picked the thread of a past argument with great agility.

Hawker said to the girl, "I—I—I shall miss you dreadfully."

She turned to look at him and smiled. "Shall you?" she said in a low voice.

"Yes," he said. Thereafter he stood before her awkwardly and in silence. She scrutinized the boards of the floor. Suddenly she drew a violet from a cluster of them upon her gown and thrust it out to him as she turned toward the approaching Oglethorpe.

"Good-night, Mr. Hawker," said the latter. "I am very glad to have met you, I'm sure. Hope to see you in town. Good-night."

He stood near when the girl said to Hawker: "Good-bye. You have given us such a charming summer. We shall be delighted to see you in town. You must come some time when the children can see you, too. Good-bye."

"Good-bye," replied Hawker, eagerly and feverishly, trying to interpret the inscrutable feminine face before him. "I shall come at my first opportunity."

"Good-bye."

"Good-bye."

Down at the farmhouse, in the black quiet of the night, a dog lay curled on the door-mat. Of a sudden the tail of this dog began to thump, thump, on the boards. It began as a lazy movement, but it passed into a state of gentle enthusiasm, and then into one of curiously loud and joyful celebration. At last the gate clicked. The dog uncurled, and went to the edge of the steps to greet his master. He gave adoring, tremulous welcome with his clear eyes shining in the darkness. "Well, Stan, old boy," said Hawker, stooping to stroke the dog's head. After his master had entered the house the dog went forward and sniffed at something that lay on the top step. Apparently it did not interest him greatly, for he returned in a moment to the door-mat.

But he was again obliged to uncurl himself, for his master came out of the house with a lighted lamp and made search of the door-mat, the steps, and the walk, swearing meanwhile in an undertone. The dog wagged his tail and sleepily watched this ceremony. When his master had again entered the house the dog went forward and sniffed at the top step, but the thing that had lain there was gone.

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It was evident at breakfast that Hawker's sisters had achieved information. "What's the matter with you this morning?" asked one. "You look as if you hadn't slep' well."

"There is nothing the matter with me," he rejoined, looking glumly at his plate.

"Well, you look kind of broke up."

"How I look is of no consequence. I tell you there is nothing the matter with me."

"Oh!" said his sister. She exchanged meaning glances with the other feminine members of the family. Presently the other sister observed, "I heard she was going home to-day."

"Who?" said Hawker, with a challenge in his tone.

"Why, that New York girl—Miss What's-her-name," replied the sister, with an undaunted smile.

"Did you, indeed? Well, perhaps she is."

"Oh, you don't know for sure, I s'pose."

Hawker arose from the table, and, taking his hat, went away.

"Mary!" said the mother, in the sepulchral tone of belated but conscientious reproof.

"Well, I don't care. He needn't be so grand. I didn't go to tease him. I don't care."

"Well, you ought to care," said the old man suddenly. "There's no sense in you wimen folks pestering the boy all the time. Let him alone with his own business, can't you?"

"Well, ain't we leaving him alone?"

"No, you ain't—'cept when he ain't here. I don't wonder the boy grabs his hat and skips out when you git to going."

"Well, what did we say to him now? Tell us what we said to him that was so dreadful."

"Aw, thunder an' lightnin'!" cried the old man with a sudden great snarl. They seemed to know by this ejaculation that he had emerged in an instant from that place where man endures, and they ended the discussion. The old man continued his breakfast.

During his walk that morning Hawker visited a certain cascade, a certain lake, and some roads, paths, groves, nooks. Later in the day he made a sketch, choosing an hour when the atmosphere was of a dark blue, like powder smoke in the shade of trees, and the western sky was burning in strips of red. He painted with a wild face, like a man who is killing.

After supper he and his father strolled under the apple boughs in the orchard and smoked. Once he gestured wearily. "Oh, I guess I'll go back to New York in a few days."