Charles Dickens - BARNABY RUDGE (Illustrated)

Miggs was back in her room, and had her head out of the window, before an elderly gentleman could have winked and recovered from it. Out he came at the street-door, shut it carefully behind him, tried it with his knee, and swaggered off, putting something in his pocket as he went along. At this spectacle Miggs cried ‘Gracious!’ again, and then ‘Goodness gracious!’ and then ‘Goodness gracious me!’ and then, candle in hand, went downstairs as he had done. Coming to the workshop, she saw the lamp burning on the forge, and everything as Sim had left it.

‘Why I wish I may only have a walking funeral, and never be buried decent with a mourning-coach and feathers, if the boy hasn’t been and made a key for his own self!’ cried Miggs. ‘Oh the little villain!’

This conclusion was not arrived at without consideration, and much peeping and peering about; nor was it unassisted by the recollection that she had on several occasions come upon the ‘prentice suddenly, and found him busy at some mysterious occupation. Lest the fact of Miss Miggs calling him, on whom she stooped to cast a favourable eye, a boy, should create surprise in any breast, it may be observed that she invariably affected to regard all male bipeds under thirty as mere chits and infants; which phenomenon is not unusual in ladies of Miss Miggs’s temper, and is indeed generally found to be the associate of such indomitable and savage virtue.

Miss Miggs deliberated within herself for some little time, looking hard at the shop-door while she did so, as though her eyes and thoughts were both upon it; and then, taking a sheet of paper from a drawer, twisted it into a long thin spiral tube. Having filled this instrument with a quantity of small coal-dust from the forge, she approached the door, and dropping on one knee before it, dexterously blew into the keyhole as much of these fine ashes as the lock would hold. When she had filled it to the brim in a very workmanlike and skilful manner, she crept upstairs again, and chuckled as she went.

‘There!’ cried Miggs, rubbing her hands, ‘now let’s see whether you won’t be glad to take some notice of me, mister. He, he, he! You’ll have eyes for somebody besides Miss Dolly now, I think. A fat-faced puss she is, as ever I come across!’

As she uttered this criticism, she glanced approvingly at her small mirror, as who should say, I thank my stars that can’t be said of me!—as it certainly could not; for Miss Miggs’s style of beauty was of that kind which Mr Tappertit himself had not inaptly termed, in private, ‘scraggy.’

‘I don’t go to bed this night!’ said Miggs, wrapping herself in a shawl, and drawing a couple of chairs near the window, flouncing down upon one, and putting her feet upon the other, ‘till you come home, my lad. I wouldn’t,’ said Miggs viciously, ‘no, not for five-and-forty pound!’

With that, and with an expression of face in which a great number of opposite ingredients, such as mischief, cunning, malice, triumph, and patient expectation, were all mixed up together in a kind of physiognomical punch, Miss Miggs composed herself to wait and listen, like some fair ogress who had set a trap and was watching for a nibble from a plump young traveller.

She sat there, with perfect composure, all night. At length, just upon break of day, there was a footstep in the street, and presently she could hear Mr Tappertit stop at the door. Then she could make out that he tried his key—that he was blowing into it—that he knocked it on the nearest post to beat the dust out—that he took it under a lamp to look at it—that he poked bits of stick into the lock to clear it—that he peeped into the keyhole, first with one eye, and then with the other—that he tried the key again—that he couldn’t turn it, and what was worse, couldn’t get it out—that he bent it—that then it was much less disposed to come out than before—that he gave it a mighty twist and a great pull, and then it came out so suddenly that he staggered backwards—that he kicked the door—that he shook it—finally, that he smote his forehead, and sat down on the step in despair.

When this crisis had arrived, Miss Miggs, affecting to be exhausted with terror, and to cling to the window-sill for support, put out her nightcap, and demanded in a faint voice who was there.

Mr Tappertit cried ‘Hush!’ and, backing to the road, exhorted her in frenzied pantomime to secrecy and silence.

‘Tell me one thing,’ said Miggs. ‘Is it thieves?’

‘No—no—no!’ cried Mr Tappertit.

‘Then,’ said Miggs, more faintly than before, ‘it’s fire. Where is it, sir? It’s near this room, I know. I’ve a good conscience, sir, and would much rather die than go down a ladder. All I wish is, respecting my love to my married sister, Golden Lion Court, number twenty-sivin, second bell-handle on the right-hand door-post.’

‘Miggs!’ cried Mr Tappertit, ‘don’t you know me? Sim, you know—Sim—’

‘Oh! what about him!’ cried Miggs, clasping her hands. ‘Is he in any danger? Is he in the midst of flames and blazes! Oh gracious, gracious!’

‘Why I’m here, an’t I?’ rejoined Mr Tappertit, knocking himself on the breast. ‘Don’t you see me? What a fool you are, Miggs!’

‘There!’ cried Miggs, unmindful of this compliment. ‘Why—so it—Goodness, what is the meaning of—If you please, mim, here’s—’

‘No, no!’ cried Mr Tappertit, standing on tiptoe, as if by that means he, in the street, were any nearer being able to stop the mouth of Miggs in the garret. ‘Don’t!—I’ve been out without leave, and something or another’s the matter with the lock. Come down, and undo the shop window, that I may get in that way.’

‘I dursn’t do it, Simmun,’ cried Miggs—for that was her pronunciation of his Christian name. ‘I dursn’t do it, indeed. You know as well as anybody, how particular I am. And to come down in the dead of night, when the house is wrapped in slumbers and weiled in obscurity.’ And there she stopped and shivered, for her modesty caught cold at the very thought.

‘But Miggs,’ cried Mr Tappertit, getting under the lamp, that she might see his eyes. ‘My darling Miggs—’

Miggs screamed slightly.

‘—That I love so much, and never can help thinking of,’ and it is impossible to describe the use he made of his eyes when he said this—‘do—for my sake, do.’

‘Oh Simmun,’ cried Miggs, ‘this is worse than all. I know if I come down, you’ll go, and—’

‘And what, my precious?’ said Mr Tappertit.

‘And try,’ said Miggs, hysterically, ‘to kiss me, or some such dreadfulness; I know you will!’

‘I swear I won’t,’ said Mr Tappertit, with remarkable earnestness. ‘Upon my soul I won’t. It’s getting broad day, and the watchman’s waking up. Angelic Miggs! If you’ll only come and let me in, I promise you faithfully and truly I won’t.’

Miss Miggs, whose gentle heart was touched, did not wait for the oath (knowing how strong the temptation was, and fearing he might forswear himself), but tripped lightly down the stairs, and with her own fair hands drew back the rough fastenings of the workshop window. Having helped the wayward ‘prentice in, she faintly articulated the words ‘Simmun is safe!’ and yielding to her woman’s nature, immediately became insensible.

‘I knew I should quench her,’ said Sim, rather embarrassed by this circumstance. ‘Of course I was certain it would come to this, but there was nothing else to be done—if I hadn’t eyed her over, she wouldn’t have come down. Here. Keep up a minute, Miggs. What a slippery figure she is! There’s no holding her, comfortably. Do keep up a minute, Miggs, will you?’