James Cooper - LEATHERSTOCKING TALES – Complete Collection

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The Leatherstocking Tales is a series of five novels featuring the main hero Natty Bumppo, known by European settlers as «Leatherstocking» and «The Pathfinder», and by the Native Americans as «Deerslayer» and «Hawkeye». Natty Bumppo is a resourceful Anglo-American woodsman raised in part by Native Americans, who later becomes a fearless warrior skilled in many weapons, chiefly the long rifle. His constant companion is his «brother» Chingachgook, Mohican chief, who happens to be the actual last of the Mohicans. The stories take place on the rapidly advancing frontier of New York State and focus on the evolution of the wilderness into a civilized European-American community. Table of Contents: The Deerslayer: The First Warpath The Last of the Mohicans: A Narrative of 1757 The Pathfinder: The Inland Sea The Pioneers: The Sources of the Susquehanna The Prairie James Fenimore Cooper (1789-1851) was a prolific and popular American writer of the early 19th century. His historical romances of frontier and Indian life in the early American days created a unique form of American literature. Before embarking on his career as a writer, Cooper served in the U.S. Navy, which greatly influenced many of his novels. The novel that launched his career was The Spy and he wrote numerous sea stories. His best-known works are five historical novels of the frontier period known as the Leatherstocking Tales. Among his most famous works is the Romantic novel The Last of the Mohicans, often regarded as his masterpiece.

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The day passed by without further interruption, the Hurons, though possessed of a canoe, appearing so far satisfied with their success as to have relinquished all immediate designs on the castle. It would not have been a safe undertaking, indeed, to approach it under the rifles of those it was now known to contain, and it is probable that the truce was more owing to this circumstance than to any other. In the mean while the preparations were made for the interment of Hutter. To bury him on the land was impracticable, and it was Hetty’s wish that his body should lie by the side of that of her mother, in the lake. She had it in her power to quote one of his speeches, in which he himself had called the lake the “family burying ground,” and luckily this was done without the knowledge of her sister, who would have opposed the plan, had she known it, with unconquerable disgust. But Judith had not meddled with the arrangement, and every necessary disposition was made without her privity or advice.

The hour chosen for the rude ceremony was just as the sun was setting, and a moment and a scene more suited to paying the last offices to one of calm and pure spirit could not have been chosen. There are a mystery and a solemn dignity in death, that dispose the living to regard the remains of even a malefactor with a certain degree of reverence. All worldly distinctions have ceased; it is thought that the veil has been removed, and that the character and destiny of the departed are now as much beyond human opinions, as they are beyond human ken. In nothing is death more truly a leveller than in this, since, while it may be impossible absolutely to confound the great with the low, the worthy with the unworthy, the mind feels it to be arrogant to assume a right to judge of those who are believed to be standing at the judgment seat of God. When Judith was told that all was ready, she went upon the platform, passive to the request of her sister, and then she first took heed of the arrangement. The body was in the scow, enveloped in a sheet, and quite a hundred weight of stones, that had been taken from the fire place, were enclosed with it, in order that it might sink. No other preparation seemed to be thought necessary, though Hetty carried her Bible beneath her arm.

When all were on board the Ark, the singular habitation of the man whose body it now bore to its final abode, was set in motion. Hurry was at the oars. In his powerful hands, indeed, they seemed little more than a pair of sculls, which were wielded without effort, and, as he was expert in their use, the Delaware remained a passive spectator of the proceedings. The progress of the Ark had something of the stately solemnity of a funeral procession, the dip of the oars being measured, and the movement slow and steady. The wash of the water, as the blades rose and fell, kept time with the efforts of Hurry, and might have been likened to the measured tread of mourners. Then the tranquil scene was in beautiful accordance with a rite that ever associates with itself the idea of God. At that instant, the lake had not even a single ripple on its glassy surface, and the broad panorama of woods seemed to look down on the holy tranquillity of the hour and ceremony in melancholy stillness. Judith was affected to tears, and even Hurry, though he hardly knew why, was troubled. Hetty preserved the outward signs of tranquillity, but her inward grief greatly surpassed that of her sister, since her affectionate heart loved more from habit and long association, than from the usual connections of sentiment and taste. She was sustained by religious hope, however, which in her simple mind usually occupied the space that worldly feelings filled in that of Judith, and she was not without an expectation of witnessing some open manifestation of divine power, on an occasion so solemn. Still she was neither mystical nor exaggerated; her mental imbecility denying both. Nevertheless her thoughts had generally so much of the purity of a better world about them that it was easy for her to forget earth altogether, and to think only of heaven. Hist was serious, attentive and interested, for she had often seen the interments of the pale-faces, though never one that promised to be as peculiar as this; while the Delaware, though grave, and also observant, in his demeanor was stoical and calm.

Hetty acted as pilot, directing Hurry how to proceed, to find that spot in the lake which she was in the habit of terming “mother’s grave.” The reader will remember that the castle stood near the southern extremity of a shoal that extended near half a mile northerly, and it was at the farthest end of this shallow water that Floating Tom had seen fit to deposit the remains of his wife and child. His own were now in the course of being placed at their side. Hetty had marks on the land by which she usually found the spot, although the position of the buildings, the general direction of the shoal, and the beautiful transparency of the water all aided her, the latter even allowing the bottom to be seen. By these means the girl was enabled to note their progress, and at the proper time she approached March, whispering, “Now, Hurry you can stop rowing. We have passed the stone on the bottom, and mother’s grave is near.”

March ceased his efforts, immediately dropping the kedge and taking the warp in his hand in order to check the scow. The Ark turned slowly round under this restraint, and when it was quite stationary, Hetty was seen at its stern, pointing into the water, the tears streaming from her eyes, in ungovernable natural feeling. Judith had been present at the interment of her mother, but she had never visited the spot since. The neglect proceeded from no indifference to the memory of the deceased; for she had loved her mother, and bitterly had she found occasion to mourn her loss; but she was averse to the contemplation of death; and there had been passages in her own life since the day of that interment which increased this feeling, and rendered her, if possible, still more reluctant to approach the spot that contained the remains of one whose severe lessons of female morality and propriety had been deepened and rendered doubly impressive by remorse for her own failings. With Hetty, the case had been very different. To her simple and innocent mind, the remembrance of her mother brought no other feeling than one of gentle sorrow; a grief that is so often termed luxurious even, because it associates with itself the images of excellence and the purity of a better state of existence. For an entire summer, she had been in the habit of repairing to the place after night-fall; and carefully anchoring her canoe so as not to disturb the body, she would sit and hold fancied conversations with the deceased, sing sweet hymns to the evening air, and repeat the orisons that the being who now slumbered below had taught her in infancy. Hetty had passed her happiest hours in this indirect communion with the spirit of her mother; the wildness of Indian traditions and Indian opinions, unconsciously to herself, mingling with the Christian lore received in childhood. Once she had even been so far influenced by the former as to have bethought her of performing some of those physical rites at her mother’s grave which the redmen are known to observe; but the passing feeling had been obscured by the steady, though mild light of Christianity, which never ceased to burn in her gentle bosom. Now her emotions were merely the natural outpourings of a daughter that wept for a mother whose love was indelibly impressed on the heart, and whose lessons had been too earnestly taught to be easily forgotten by one who had so little temptation to err.

There was no other priest than nature at that wild and singular funeral rite. March cast his eyes below, and through the transparent medium of the clear water, which was almost as pure as air, he saw what Hetty was accustomed to call “mother’s grave.” It was a low, straggling mound of earth, fashioned by no spade, out of a corner of which gleamed a bit of the white cloth that formed the shroud of the dead. The body had been lowered to the bottom, and Hutter brought earth from the shore and let it fall upon it, until all was concealed. In this state the place had remained until the movement of the waters revealed the solitary sign of the uses of the spot that has just been mentioned.

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