P. C. Wren - Beau Geste - Complete Series - Beau Geste Trilogy & Good Gestes Tales

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Michael «Beau» Geste is the protagonist. The main narrator (among others) is his younger brother John. The three Geste brothers are a metaphor for the British upper class values of a time gone by, and «the decent thing to do» is the leitmotif of the trilogy. The Geste brothers are orphans and have been brought up by their aunt at Brandon Abbas. The rest of Beau's band are mainly Isobel, Claudia and Augustus. When a precious jewel known as the «Blue Water» goes missing, Beau leaves Britain to join the French Foreign Legion, followed by his brothers, Digby (his twin) and John. Beau Sabreur and Beau Ideal are sequel novels and Good Gestes is a collection of short tales mainly about the Geste brothers and their American friends Hank and Buddy.
Percival Christopher Wren (1875-1941) was an English writer, mostly of adventure fiction. He is remembered best for Beau Geste, a much-filmed book of 1924, involving the French Foreign Legion in North Africa. This was one of 33 novels and short story collections that he wrote, mostly dealing with colonial soldiering in Africa. While his fictional accounts of life in the pre-1914 Foreign Legion are highly romanticized, his details of Legion uniforms, training, equipment and barrack room layout are generally accurate, which has led to unproven suggestions that Wren himself served with the legion.
Table of Contents:
The Beau Geste Trilogy:
BEAU GESTE
BEAU SABREUR
BEAU IDEAL
GOOD GESTES:
What's in a Name
A Gentleman of Colour
David and His Incredible Jonathan
The McSnorrt Reminiscent
Mad Murphy's Miracle
Buried Treasure
If Wishes were Horses
The Devil and Digby Geste
The Mule
Low Finance
Presentiments
Dreams Come True

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Nothing seemed to have changed in those two and a half decades since she had come here, a bride, and he had visited her after seven years of exile. He had come, half in the hope that the sight of her in her own home, the wife of another man, would cure him of the foolish love that kept him a lonely bachelor, half in the hope that it would do the opposite, and be but a renewal of love.

He had been perversely glad to find that he loved the woman, if possible, more than he had loved the girl; that a callow boy's calf-love for a maiden had changed to a young man's devotion to a glorious woman; that she was to be a second Dante's Beatrice.

Again and again, at intervals of years, he had visited the shrine, not so much renewing the ever-burning fire at her altar, as watching it flame up brightly in her presence. Nor did the fact that she regarded him so much as friend that he could never be more, nor less, in any way affect this undeviating unprofitable sentiment.

At thirty, at thirty-five, at forty, at forty-five, he found that his love, if not unchanged, was not diminished, and that she remained, what she had been since their first meeting, the central fact of his life--not so much an obsession, an idée fixe , as his reason for existence, his sovereign, and the audience of the play in the theatre of his life.

And, each time he saw her, she was, to his prejudiced eye, more desirable, more beautiful, more wonderful. . . .

Yes--there was the fifteenth-century chest in which reposed croquet mallets, tennis rackets, and the other paraphernalia of those games. She had once sat on that old chest, beside him, while they waited for the dog-cart to take him to the station and back to Africa, and her hand had rested so kindly in his, as he had tried to find something to say--something other than what he might not say. . . .

Opposite to it was the muniment-box, into which many an abbot and holy friar had put many a lead-sealed parchment. It would be full of garden rugs and cushions. On that, she had sat beside him, after his dance with her, one New Year's Eve. . . .

Same pictures of horse and hound, and bird and beast; same antlers and foxes' masks and brushes; same trophies he had sent from Nigeria, specially good heads of lion, buffalo, gwambaza, and gazelle.

From these his eye travelled to the great fire-place, on each side of which stood a mounted Lake Tchad elephant's foot, doing menial service, while above its stone mantel, a fine trophy of African weapons gleamed. One of his greatest satisfactions had always been to acquire something worthy to be sent to Brandon Abbas--to give her pleasure and to keep him in mind.

And now, perhaps, was his real chance of giving her pleasure and keeping himself, for a space, very much in her mind. He pulled the quaint old handle of a chain, and a distant bell clanged.

A footman approached, a stranger.

He would enquire as to whether her ladyship were at home. But as he turned to go, the butler appeared in the doorway from the inner hall.

"Hallo, Burdon! How are you?" said Lawrence.

"Why, Mr. George, sir!" replied the old man, who had known Lawrence for thirty years, coming forward and looking unwontedly human.

"This is a real pleasure, sir."

It was--a real five-pound note too, when the visitor, a perfect gent, departed. Quite a source of income Mr. Lawrence had been, ever since Henry Burdon had been under-footman in the service of her ladyship's father.

"Her Ladyship is at the Bower, sir, if you'd like to come straight out," he continued, knowing that the visitor was a very old friend indeed, and always welcome. "I will announce you."

Burdon led the way.

"How is Lady Brandon?" enquired Lawrence, impelled to unwonted loquacity by his nervousness.

"She enjoys very good health, sir--considering," replied the butler.

"Considering what?" asked Lawrence.

"Everythink, sir," was the non-committal reply.

The visitor smiled to himself. A good servant, this.

"And how is his Reverence?" he continued.

"Queer, sir, very. And gets queerer, poor gentleman," was the answer.

Lawrence expressed regret at this bad news concerning the chaplain, as the Reverend Maurice Ffolliot was always called in that house.

"Is Mr. Michael here?" he asked.

"No, sir, he ain't. Nor none of the other young gentlemen," was the reply. Was there anything unusual in the old man's tone? . . .

Emerging from the shrubbery, crossing a rose-garden, some lawn-tennis courts, and a daisy-pied stretch of cedar-studded sward, the pair entered a wood, followed a path beneath enormous elms and beeches, and came out on to a square of velvet turf.

On two sides, the left and rear, rose the great old trees of a thickly forested hill; on the right, the grey old house; and from the front of this open space the hillside fell away to the famous view.

By wicker table and hammock-stand, a lady reclined in a chaise longue . She was reading a book and her back was towards Lawrence, whose heart missed a beat and hastened to make up for the omission by a redoubled speed.

The butler coughed at the right distance and upon the right note, and, as Lady Brandon turned, announced the visitor, hovered, placed a wicker chair, and faded from the scene.

" George! " said Lady Brandon, in her soft deep contralto, with a pleased brightening of her wide grey eyes and flash of beautiful teeth. But she did not flush nor pale, and there was no quickening of her breathing. It was upon the man that these symptoms were produced by the meeting, although it was a meeting anticipated by him, unexpected by her.

" Patricia! " he said, and extended both hands. She took them frankly and Lawrence kissed them both, with a curiously gentle and reverent manner, an exhibition of a George Lawrence unknown to other people.

"Well, my dear!" he said, and looked long at the unlined, if mature, determined, clever face before him--that of a woman of forty years, of strong character and of aristocratic breeding.

"Yes," he continued.

"Yes 'what,' George?" asked Lady Brandon.

"Yes. You are positively as young and as beautiful as ever," he replied--but with no air of gallantry and compliment, and rather as a sober statement of ascertained fact.

"And you as foolish, George. . . . Sit down--and tell me why you have disobeyed me and come here before your wedding. . . . Or--or--are you married, George?" was the smiling reply.

"No, Patricia, I am not married," said Lawrence, relinquishing her hands slowly. "And I have disobeyed you, and come here again without bringing a wife, because I hoped you might be in need of my help. . . . I mean, I feared you might be in trouble and in need of help, and hoped that I might be able to give it."

Lady Brandon fixed a penetrating gaze on Lawrence's face--neither startled nor alarmed, he felt, but keen and, possibly, to be described as wary, or at least watchful.

"Trouble? In need of help, George? How?" she asked, and whatever of wariness or watchfulness had peeped from her eyes retired, and her face became a beautiful mask, showing no more than reposeful and faintly-amused interest.

"Well--it is a longish story," said Lawrence. "But I need not inflict it on you if you'll tell me if Beau Geste is all right and--er--the 'Blue Water'--er--safe and sound and--er--all that, you know."

" What? " ejaculated his hearer sharply.

There was no possible doubt now, as to the significance of the look on Lady Brandon's face. It certainly could be called one of alarm, and her direct gaze was distinctly watchful and wary. Had not she also paled very slightly? Undoubtedly she frowned faintly as she asked:

"What are you talking about, George?"

"Beau Geste, and the 'Blue Water,' Patricia," replied Lawrence. "If I appear to be talking through my hat, I am not really, and will produce reason for my wild-but-not-wicked words," he laughed. "There is method in my madness, dear."

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