G. Chesterton - Father Brown - Complete Series (All 53 Stories in One Volume)

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This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Contents:
The Innocence of Father Brown:
The Blue Cross
The Secret Garden
The Queer Feet
The Flying Stars
The Invisible Man
The Honour of Israel Gow
The Wrong Shape
The Sins of Prince Saradine
The Hammer of God
The Eye of Apollo
The Sign of the Broken Sword
The Three Tools of Death
The Wisdom of Father Brown:
The Absence of Mr Glass
The Paradise of Thieves
The Duel of Dr Hirsch
The Man in the Passage
The Mistake of the Machine
The Head of Caesar
The Purple Wig
The Perishing of the Pendragons
The God of the Gongs
The Salad of Colonel Cray
The Strange Crime of John Boulnois
The Fairy Tale of Father Brown
The Incredulity of Father Brown:
The Resurrection of Father Brown
The Arrow of Heaven
The Oracle of the Dog
The Miracle of Moon Crescent
The Curse of the Golden Cross
The Dagger with Wings
The Doom of the Darnaways
The Ghost of Gideon Wise
The Secret of Father Brown:
The Secret of Father Brown
The Mirror of the Magistrate
The Man With Two Beards
The Song of the Flying Fish
The Actor and the Alibi
The Vanishing of Vaudrey
The Worst Crime in the World
The Red Moon of Meru
The Chief Mourner of Marne
The Secret of Flambeau
The Scandal of Father Brown:
The Scandal of Father Brown
The Quick One
The Blast of the Book
The Green Man
The Pursuit of Mr Blue
The Crime of the Communist
The Point of a Pin
The Insoluble Problem
The Vampire of the Village
Uncollected Stories:
The Donnington Affair

Gilbert Keith Chesterton (1874-1936) was an English writer, poet, philosopher, dramatist, journalist, orator, lay theologian, biographer, and literary and art critic. He is often referred to as the «prince of paradox». Chesterton is best known for his fictional priest-detective Father Brown, but also for his reasoned apologetics.

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G. K. Chesterton

Father Brown: Complete Series (All 53 Stories in One Volume)

The Innocence of Father Brown, The Wisdom of Father Brown, The Incredulity of Father Brown…

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musaicumbooks@okpublishing.info2017 OK Publishing ISBN 978-80-272-3284-0

Table of Contents

The Innocence of Father Brown The Innocence of Father Brown Table of Contents

The Blue Cross

The Secret Garden

The Queer Feet

The Flying Stars

The Invisible Man

The Honour of Israel Gow

The Wrong Shape

The Sins of Prince Saradine

The Hammer of God

The Eye of Apollo

The Sign of the Broken Sword

The Three Tools of Death

The Wisdom of Father Brown

The Absence of Mr. Glass

The Paradise of Thieves

The Duel of Dr. Hirsch

The Man in the Passage

The Mistake of the Machine

The Head of Caesar

The Purple Wig

The Perishing of the Pendragons

The God of the Gongs

The Salad of Colonel Cray

The Strange Crime of John Boulnois

The Fairy Tale of Father Brown

The Incredulity of Father Brown

The Resurrection of Father Brown

The Arrow of Heaven

The Oracle of the Dog

The Miracle of Moon Crescent

The Curse of the Golden Cross

The Dagger with Wings

The Doom of the Darnaways

The Ghost of Gideon Wise

The Secret of Father Brown

The Secret of Father Brown

The Mirror of the Magistrate

The Man With Two Beards

The Song of the Flying Fish

The Actor and the Alibi

The Vanishing of Vaudrey

The Worst Crime In the World

The Red Moon of Meru

The Chief Mourner of Marne

The Secret of Flambeau

The Scandal of Father Brown

The Scandal of Father Brown

The Quick One

The Blast of the Book

The Green Man

The Pursuit of Mr. Blue

The Crime of the Communist

The Point of a Pin

The Insoluble Problem

The Vampire of the Village

Uncollected Stories

The Donnington Affair

The Mask of Midas

The Innocence of Father Brown

Table of Contents

To

WALDO AND MILDRED D'AVIGDOR

The Blue Cross

Table of Contents

Between the silver ribbon of morning and the green glittering ribbon of sea, the boat touched Harwich and let loose a swarm of folk like flies, among whom the man we must follow was by no means conspicuous—nor wished to be. There was nothing notable about him, except a slight contrast between the holiday gaiety of his clothes and the official gravity of his face. His clothes included a slight, pale grey jacket, a white waistcoat, and a silver straw hat with a grey-blue ribbon. His lean face was dark by contrast, and ended in a curt black beard that looked Spanish and suggested an Elizabethan ruff. He was smoking a cigarette with the seriousness of an idler. There was nothing about him to indicate the fact that the grey jacket covered a loaded revolver, that the white waistcoat covered a police card, or that the straw hat covered one of the most powerful intellects in Europe. For this was Valentin himself, the head of the Paris police and the most famous investigator of the world; and he was coming from Brussels to London to make the greatest arrest of the century.

Flambeau was in England. The police of three countries had tracked the great criminal at last from Ghent to Brussels, from Brussels to the Hook of Holland; and it was conjectured that he would take some advantage of the unfamiliarity and confusion of the Eucharistic Congress, then taking place in London. Probably he would travel as some minor clerk or secretary connected with it; but, of course, Valentin could not be certain; nobody could be certain about Flambeau.

It is many years now since this colossus of crime suddenly ceased keeping the world in a turmoil; and when he ceased, as they said after the death of Roland, there was a great quiet upon the earth. But in his best days (I mean, of course, his worst) Flambeau was a figure as statuesque and international as the Kaiser. Almost every morning the daily paper announced that he had escaped the consequences of one extraordinary crime by committing another. He was a Gascon of gigantic stature and bodily daring; and the wildest tales were told of his outbursts of athletic humour; how he turned the juge d'instruction upside down and stood him on his head, "to clear his mind"; how he ran down the Rue de Rivoli with a policeman under each arm. It is due to him to say that his fantastic physical strength was generally employed in such bloodless though undignified scenes; his real crimes were chiefly those of ingenious and wholesale robbery. But each of his thefts was almost a new sin, and would make a story by itself. It was he who ran the great Tyrolean Dairy Company in London, with no dairies, no cows, no carts, no milk, but with some thousand subscribers. These he served by the simple operation of moving the little milk cans outside people's doors to the doors of his own customers. It was he who had kept up an unaccountable and close correspondence with a young lady whose whole letter-bag was intercepted, by the extraordinary trick of photographing his messages infinitesimally small upon the slides of a microscope. A sweeping simplicity, however, marked many of his experiments. It is said that he once repainted all the numbers in a street in the dead of night merely to divert one traveller into a trap. It is quite certain that he invented a portable pillar-box, which he put up at corners in quiet suburbs on the chance of strangers dropping postal orders into it. Lastly, he was known to be a startling acrobat; despite his huge figure, he could leap like a grasshopper and melt into the tree-tops like a monkey. Hence the great Valentin, when he set out to find Flambeau, was perfectly aware that his adventures would not end when he had found him.

But how was he to find him? On this the great Valentin's ideas were still in process of settlement.

There was one thing which Flambeau, with all his dexterity of disguise, could not cover, and that was his singular height. If Valentin's quick eye had caught a tall apple-woman, a tall grenadier, or even a tolerably tall duchess, he might have arrested them on the spot. But all along his train there was nobody that could be a disguised Flambeau, any more than a cat could be a disguised giraffe. About the people on the boat he had already satisfied himself; and the people picked up at Harwich or on the journey limited themselves with certainty to six. There was a short railway official travelling up to the terminus, three fairly short market gardeners picked up two stations afterwards, one very short widow lady going up from a small Essex town, and a very short Roman Catholic priest going up from a small Essex village. When it came to the last case, Valentin gave it up and almost laughed. The little priest was so much the essence of those Eastern flats; he had a face as round and dull as a Norfolk dumpling; he had eyes as empty as the North Sea; he had several brown paper parcels, which he was quite incapable of collecting. The Eucharistic Congress had doubtless sucked out of their local stagnation many such creatures, blind and helpless, like moles disinterred. Valentin was a sceptic in the severe style of France, and could have no love for priests. But he could have pity for them, and this one might have provoked pity in anybody. He had a large, shabby umbrella, which constantly fell on the floor. He did not seem to know which was the right end of his return ticket. He explained with a moon-calf simplicity to everybody in the carriage that he had to be careful, because he had something made of real silver "with blue stones" in one of his brown-paper parcels. His quaint blending of Essex flatness with saintly simplicity continuously amused the Frenchman till the priest arrived (somehow) at Tottenham with all his parcels, and came back for his umbrella. When he did the last, Valentin even had the good nature to warn him not to take care of the silver by telling everybody about it. But to whomever he talked, Valentin kept his eye open for someone else; he looked out steadily for anyone, rich or poor, male or female, who was well up to six feet; for Flambeau was four inches above it.

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