P. C. Wren - Beau Geste - Complete Series - Beau Geste Trilogy & Good Gestes Tales

"I'll take it if you like," said Lawrence. "I shall be near Brandon Abbas next week. And knowing Michael Geste, I confess I am curious."

Major de Beaujolais was conscious of the fact that "curious" was not exactly the word he would have used. His self-repressed, taciturn, and unemotional friend had been stirred to the depths of his soul, and had given an exhibition of interest and emotion such as he had never displayed before in all de Beaujolais' experience of him.

What touched Lady Brandon evidently touched him--to an extent that rendered "curious" a curious word to use. He smiled to himself as he gravely replied:

"But excellent, mon vieux ! That would be splendid. It will save me from writing a letter a mile long, and Lady Brandon cannot feel that I have treated the affaire casually, and as if of no importance. I explain the whole matter to you, her old friend, give you the document, and ask you to lay it before her. You could say that while supposing the document to be merely a canard , interesting only by reason of how and where it was found, I nevertheless think that she ought to have it, just in case there is anything I can do in the matter."

"Just that," agreed Lawrence. "Of course 'Beau' Geste never stole the sapphire, or anything else; but I suppose, as you say, a document like that ought to go to her and Geste, as their names are mentioned."

"Certainly, mon ami . And if the stone has been stolen, the paper might be an invaluable clue to its recovery. Hand-writing, for example, a splendid clue. She could please herself as to whether she put it in the hands of your Criminal Investigation Department at Scotland Yard and asked them to get in touch with our police. . . . Assure her of my anxiety to do absolutely anything I can in the matter--if either the jewel or Michael Geste should be missing."

"Righto, Jolly," was the reply. "I'll drop in there one day. Probably the first person I shall see will be 'Beau' Geste himself, and probably I shall see the 'Blue Water' the same evening."

"No doubt, George," agreed de Beaujolais, and added, "Do you know Michael Geste's handwriting?"

"No. Never saw it to my knowledge," was the reply. "Why do you ask? You don't suppose that Beau Geste wrote that, do you?"

"I have given up supposing, my friend," said de Beaujolais. "But I shall open my next letter from you with some alacrity. Either this 'Blue Water' is stolen or it is not. In either case that paper, in a dead man's hand, at Zinderneuf, is uniquely interesting. But if it has been stolen, it will be of practical as well as unique interest; whereas if it has not been stolen, the unique interest will be merely theoretical."

"Not very practical from the point of view of recovery, I am afraid. It looks as though the thief and the jewel and the story all ended together in the burning of Zinderneuf fort," mused Lawrence.

" Mon Dieu! I never thought of it before. The biggest and finest sapphire in the world, valued at three-quarters of a million francs, may be lying at this moment among the rubble and rubbish of the burnt-out ruins of Zinderneuf fort!" said de Beaujolais.

"By Jove! So it may!" agreed Lawrence. "Suppose it has been stolen. . . . If I wired to you, could anything be done about making a search there, do you think?"

For a moment George Lawrence had visions of devoting his leave to jewel-hunting, and returning to Brandon Abbas with three-quarters of a million francs' worth of crystallised alumina in his pocket.

"That will require prompt and careful consideration, directly we learn that the stone has gone, George," said de Beaujolais, and added: "This grows more and more interesting. . . . A treasure hunt at Zinderneuf! Fancy the Arabs if the information got about! Fancy the builders of the new fort, and the garrison! Zinderneuf would become the most popular outpost in Africa, instead of the least--until the sapphire was found. If it is there, I suppose the surest way to lose it for ever would be to hint at the fact . . . No, we should have to keep it very quiet and do all the searching ourselves, if possible. . . . Good heavens above us! More complications!" He smiled whimsically.

George Lawrence pursued his vision and the two fell silent for a space.

"Supposing that stone had actually been in the pocket of a man on that roof, when it collapsed into the furnace below," said de Beaujolais as he sat up and felt for his cigarette case, "would the jewel be destroyed when the body of the man was cremated? Does fire affect precious stones?"

"Don't know," replied Lawrence. "We could find that out from any jeweller, I suppose. I rather think not. Aren't they, in fact, formed in the earth by a heat greater than any furnace can produce?"

"Of course," agreed de Beaujolais. "You could make as many diamonds as you wanted if you could get sufficient heat and pressure. They are only crystallised carbon. Fire certainly wouldn't hurt a diamond, and I don't suppose it would hurt any other precious stone."

"No," he mused on. "If the Blue Water has been stolen, it is probably safe and sound at this moment in Zinderneuf, adorning the charred remains of a skeleton" . . . and George Lawrence day-dreamed awhile, of himself, Lady Brandon, and the sacrifice of his leave to the making of a great restoration. Of his leave? Nay, if necessary, of his career, his whole life.

("Describe me a man's day-dreams and I will describe you the man," said the Philosopher. He might have described George Lawrence as a romantic and quixotic fool-errant, which he was not, or perhaps merely as a man in love, which he was. Possibly the Philosopher might have added that the descriptions are synonymous, and that therefore George Lawrence was both.)

He was awakened from his reverie by the voice of de Beaujolais.

"Queer, that it never got into the papers, George," mused that gentleman.

"Yes. It is," agreed Lawrence. "I should certainly have seen it if it had. I read my Telegraph and Observer religiously. . . . No, I certainly should never have missed it. . . . Probably the damned thing was never stolen at all."

"Looks like it," said his friend. "Every English paper would have had an account of the theft of a famous jewel like that. . . . Though it is just possible that Lady Brandon hushed it up for some reason. . . . What about an aperitif , my old one?"

And, his old one agreeing, they once more dropped the subject of Beau Geste, the "Blue Water," Zinderneuf, and its secret.

On parting in London, Major de Beaujolais handed a document to George Lawrence, who promised to deliver it, and also to keep his friend informed as to any developments of the story.

The Major felt that he had the middle of it, and he particularly desired to discover its beginning, and to follow it to the end.

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As his hireling car sped along the country road that led to the park gates of Brandon Abbas, George Lawrence's heart beat like that of a boy going to his first love-tryst.

Had she married him, a quarter of a century ago, when she was plain (but very beautiful) Patricia Rivers, he probably would still have loved her, though he would not have been in love with her.

As it was he had never been anything but in love with her from the time when he had taken her refusal like the man he was, and had sought an outlet and an anodyne in work and Central Africa.

As the car entered the gates and swept up the long, winding avenue of Norman oaks, he actually trembled, and his bronzed face was drawn and changed in tint. He drew off a glove and put it on again, fingered his tie, and tugged at his moustache.

The car swept round a shrubbery-enclosed square at the back of the house, and stopped at a big porch and a hospitably open door. Standing at this, Lawrence looked into a well-remembered panelled hall and ran his eye over its gleaming floor and walls, almost nodding to the two suits of armour that stood one on each side of a big, doorless doorway. This led into another hall, from, and round, which ran a wide staircase and galleries right up to the top of the house, for, from the floor of that hall one could look up to a glass roof three stories above. He pictured it and past scenes enacted in it, and a woman with slow and stately grace, ascending and descending.