Joseph Conrad - The Collected Works of Joseph Conrad - Novels, Short Stories, Letters & Memoirs

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Musaicum Books presents to you this carefully created volume of «The Collected Works of Joseph Conrad.» This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Content:
Novels
Almayer's Folly
An Outcast of the Islands
The Nigger of the 'Narcissus'
Heart of Darkness
Lord Jim
The Inheritors
Typhoon & Falk
The End of the Tether
Romance
Nostromo
The Secret Agent
The Nature of a Crime
Under Western Eyes
Chance
Victory
The Shadow Line
The Arrow of Gold
The Rescue
Short Stories
Point of Honor: A Military Tale
Falk: A Reminiscence
Amy Foster
To-morrow
Karain, A Memory
The Idiots
The Outpost of Progress
The Return
Youth
'Twixt Land and Sea
A Smile of Fortune
The Secret Sharer
Freya of the Seven Isles
Gaspar Ruiz
The Informer
The Brute
An Anarchist
The Duel
Il Conde
The Warrior's Soul
Prince Roman
The Tale
The Black Mate
The Planter of Malata
The Partner
The Inn of the Two Witches
Because of the Dollars
Play
One Day More
Memoirs, Letters and Essays
A Personal Record
The Mirror of the Sea
Collected Letters
Notes on My Books
Notes on Life & Letters
Autocracy And War
The Crime Of Partition
A Note On The Polish Problem
Poland Revisited
Reflections On The Loss Of The Titanic
Certain Aspects Of Inquiry
Protection Of Ocean Liners
A Friendly Place
On Red Badge of Courage
Biography and Critical Essays on Conrad
Joseph Conrad (A Biography) by Hugh Walpole
Joseph Conrad by John Albert Macy
A Conrad Miscellany by John Albert Macy
Joseph Conrad & The Athenæum by Arnold Bennett
Joseph Conrad by Virginia Woolf
Joseph Conrad (1857-1924) is regarded as one of the greatest English novelists. He wrote stories and novels, often with a nautical setting, that depict trials of the human spirit in the midst of an indifferent universe.

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The smooth darkness filling the shutter-hole grew paler and became blotchy with ill-defined shapes, as if a new universe was being evolved out of sombre chaos. Then outlines came out, defining forms without any details, indicating here a tree, there a bush; a black belt of forest far off; the straight lines of a house, the ridge of a high roof near by. Inside the hut, Babalatchi, who lately had been only a persuasive voice, became a human shape leaning its chin imprudently on the muzzle of a gun and rolling an uneasy eye over the reappearing world. The day came rapidly, dismal and oppressed by the fog of the river and by the heavy vapours of the sky—a day without colour and without sunshine: incomplete, disappointing, and sad.

Babalatchi twitched gently Lingard's sleeve, and when the old seaman had lifted up his head interrogatively, he stretched out an arm and a pointing forefinger towards Willems' house, now plainly visible to the right and beyond the big tree of the courtyard.

"Look, Tuan!" he said. "He lives there. That is the door—his door. Through it he will appear soon, with his hair in disorder and his mouth full of curses. That is so. He is a white man, and never satisfied. It is in my mind he is angry even in his sleep. A dangerous man. As Tuan may observe," he went on, obsequiously, "his door faces this opening, where you condescend to sit, which is concealed from all eyes. Faces it—straight—and not far. Observe, Tuan, not at all far."

"Yes, yes; I can see. I shall see him when he wakes."

"No doubt, Tuan. When he wakes. . . . If you remain here he can not see you. I shall withdraw quickly and prepare my canoe myself. I am only a poor man, and must go to Sambir to greet Lakamba when he opens his eyes. I must bow before Abdulla who has strength—even more strength than you. Now if you remain here, you shall easily behold the man who boasted to Abdulla that he had been your friend, even while he prepared to fight those who called you protector. Yes, he plotted with Abdulla for that cursed flag. Lakamba was blind then, and I was deceived. But you, Tuan! Remember, he deceived you more. Of that he boasted before all men."

He leaned the gun quietly against the wall close to the window, and said softly: "Shall I go now, Tuan? Be careful of the gun. I have put the fire-stone in. The fire-stone of the wise man, which never fails."

Lingard's eyes were fastened on the distant doorway. Across his line of sight, in the grey emptiness of the courtyard, a big fruit-pigeon flapped languidly towards the forests with a loud booming cry, like the note of a deep gong: a brilliant bird looking in the gloom of threatening day as black as a crow. A serried flock of white rice birds rose above the trees with a faint scream, and hovered, swaying in a disordered mass that suddenly scattered in all directions, as if burst asunder by a silent explosion. Behind his back Lingard heard a shuffle of feet—women leaving the hut. In the other courtyard a voice was heard complaining of cold, and coming very feeble, but exceedingly distinct, out of the vast silence of the abandoned houses and clearings. Babalatchi coughed discreetly. From under the house the thumping of wooden pestles husking the rice started with unexpected abruptness. The weak but clear voice in the yard again urged, "Blow up the embers, O brother!" Another voice answered, drawling in modulated, thin sing-song, "Do it yourself, O shivering pig!" and the drawl of the last words stopped short, as if the man had fallen into a deep hole. Babalatchi coughed again a little impatiently, and said in a confidential tone—

"Do you think it is time for me to go, Tuan? Will you take care of my gun, Tuan? I am a man that knows how to obey; even obey Abdulla, who has deceived me. Nevertheless this gun carries far and true—if you would want to know, Tuan. And I have put in a double measure of powder, and three slugs. Yes, Tuan. Now—perhaps—I go."

When Babalatchi commenced speaking, Lingard turned slowly round and gazed upon him with the dull and unwilling look of a sick man waking to another day of suffering. As the astute statesman proceeded, Lingard's eyebrows came close, his eyes became animated, and a big vein stood out on his forehead, accentuating a lowering frown. When speaking his last words Babalatchi faltered, then stopped, confused, before the steady gaze of the old seaman.

Lingard rose. His face cleared, and he looked down at the anxious Babalatchi with sudden benevolence.

"So! That's what you were after," he said, laying a heavy hand on Babalatchi's yielding shoulder. "You thought I came here to murder him. Hey? Speak! You faithful dog of an Arab trader!"

"And what else, Tuan?" shrieked Babalatchi, exasperated into sincerity. "What else, Tuan! Remember what he has done; he poisoned our ears with his talk about you. You are a man. If you did not come to kill, Tuan, then either I am a fool or . . ."

He paused, struck his naked breast with his open palm, and finished in a discouraged whisper—"or, Tuan, you are."

Lingard looked down at him with scornful serenity. After his long and painful gropings amongst the obscure abominations of Willems' conduct, the logical if tortuous evolutions of Babalatchi's diplomatic mind were to him welcome as daylight. There was something at last he could understand—the clear effect of a simple cause. He felt indulgent towards the disappointed sage.

"So you are angry with your friend, O one-eyed one!" he said slowly, nodding his fierce countenance close to Babalatchi's discomfited face. "It seems to me that you must have had much to do with what happened in Sambir lately. Hey? You son of a burnt father."

"May I perish under your hand, O Rajah of the sea, if my words are not true!" said Babalatchi, with reckless excitement. "You are here in the midst of your enemies. He the greatest. Abdulla would do nothing without him, and I could do nothing without Abdulla. Strike me—so that you strike all!"

"Who are you," exclaimed Lingard contemptuously—"who are you to dare call yourself my enemy! Dirt! Nothing! Go out first," he went on severely. "Lakas! quick. March out!"

He pushed Babalatchi through the doorway and followed him down the short ladder into the courtyard. The boatmen squatting over the fire turned their slow eyes with apparent difficulty towards the two men; then, unconcerned, huddled close together again, stretching forlornly their hands over the embers. The women stopped in their work and with uplifted pestles flashed quick and curious glances from the gloom under the house.

"Is that the way?" asked Lingard with a nod towards the little wicket-gate of Willems' enclosure.

"If you seek death, that is surely the way," answered Babalatchi in a dispassionate voice, as if he had exhausted all the emotions. "He lives there: he who destroyed your friends; who hastened Omar's death; who plotted with Abdulla first against you, then against me. I have been like a child. O shame! . . . But go, Tuan. Go there."

"I go where I like," said Lingard, emphatically, "and you may go to the devil; I do not want you any more. The islands of these seas shall sink before I, Rajah Laut, serve the will of any of your people. Tau? But I tell you this: I do not care what you do with him after to-day. And I say that because I am merciful."

"Tida! I do nothing," said Babalatchi, shaking his head with bitter apathy. "I am in Abdulla's hand and care not, even as you do. No! no!" he added, turning away, "I have learned much wisdom this morning. There are no men anywhere. You whites are cruel to your friends and merciful to your enemies—which is the work of fools."

He went away towards the riverside, and, without once looking back, disappeared in the low bank of mist that lay over the water and the shore. Lingard followed him with his eyes thoughtfully. After awhile he roused himself and called out to his boatmen—

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