Fyodor Dostoyevsky - The Complete Works of Fyodor Dostoyevsky - Novels, Short Stories and Autobiographical Writings

Fyodor Dostoyevsky

The Entire Opus of the Great Russian Novelist, Journalist and Philosopher, including a Biography of the Author, Crime and Punishment, The Idiot, Notes from Underground, The Brothers Karamazov…

Translated by Constance Garnett, C.J. Hogarth, Frederick Whishaw, Ethel Colburn Mayne

e-artnow, 2015

Contact: info@e-artnow.org

ISBN 978-80-268-3789-3

INTRODUCTION:

A SURVEY OF RUSSIAN LITERATURE by Isabel Florence Hapgood

DOSTOYEVSKY AND HIS MESSAGE TO THE WORLD by Zinaida Vengerova

ON RUSSIAN NOVELISTS by William Lyon Phelps

Extract from ‘AN OUTLINE OF RUSSIAN LITERATURE’ by Maurice Baring

NOVELS:

Netochka Nezvanova

The Village of Stepanchikovo

The Insulted and Humiliated

The House of the Dead

Crime and Punishment

The Idiot

The Possessed (Demons)

The Raw Youth (The Adolescent)

The Brothers Karamazov

NOVELLAS:

Poor Folk

The Double

The Landlady

Uncle's Dream

Notes from Underground

The Gambler

The Permanent Husband

SHORT STORIES:

The Grand Inquisitor (Chapter from The Brothers Karamazov)

Mr. Prohartchin

A Novel in Nine Letters

Another Man's Wife or, The Husband under the Bed

A Faint Heart

Polzunkov

The Honest Thief

The Christmas Tree and the Wedding

White Nights

A Little Hero

An Unpleasant Predicament (A Nasty Story)

The Crocodile

Bobok

The Heavenly Christmas Tree

A Gentle Spirit

The Peasant Marey

The Dream of a Ridiculous Man

LETTERS:

Letters of Fyodor Michailovitch Dostoyevsky to his Family and Friends

BIOGRAPHY:

Fyodor Dostoyevsky, A Study by Aimée Dostoyevsky

Table of Contents

Table of Contents

All the writers of the ‘40’s of the nineteenth century had their individual peculiarities. But in this respect, Feódor Mikháilovitch Dostoévsky (1821-1880) was even more sharply separated from all the rest by his characteristics, which almost removed him from the ranks of the writers of the epoch, and gave him a special place in literature.

The chief cause of this distinction lies in the fact that while most of the other writers sprang from the country regions, being members of the landed gentry class, Dostoévsky represents the plebeian, toiling class of society, a nervously choleric son of the town; and in the second place, while the majority of them were well-to-do, Dostoévsky alone in the company belonged to the class of educated strugglers with poverty, which had recently made its reappearance.

His father was staff physician in the Márya Hospital in Moscow, and he was the second son in a family of seven children. The whole family lived in two rooms, an anteroom and kitchen, which comprised the quarters allotted to the post by the government. Here strictly religious and patriarchal customs reigned, mitigated by the high cultivation of the head of the family.

In 1837 Feódor Mikháilovitch and his elder brother were taken to St. Petersburg by their father to be placed in the School for Engineers, but the elder did not succeed in entering, on account of feeble health. Dostoévsky had already evinced an inclination for literature, and naturally he was not very diligent in his studies of the dry, applied sciences taught in the school. But he found time to make acquaintance with the best works of Russian, English, French, and German classical authors. In 1843 he completed his course, and was appointed to actual service in the draughting department of the St. Petersburg engineer corps.

With his salary and the money sent to him by his guardian (his father being dead), he had about five thousand rubles a year, but as he was extremely improvident, bohemian, and luxurious in his tastes, he could never make both ends meet. He was still more straitened in his finances when, in 1844, he resigned from the service, which was repugnant to him, and utterly at variance with his literary proclivities, and was obliged to resort to making translations. In May, 1844, he completed his first romance, “Poor People,” and sent it to Nekrásoff by his school-friend Grigoróvitch. In his “Diary” Dostoévsky has narrated the manner of its reception by Nekrásoff (who was preparing to publish a collection), and by Byelínsky, to whom the latter gave it. Grigoróvitch and Nekrásoff sat up all night to read it, so fascinated were they, and then hastened straight to communicate their rapture to the author. Nekrásoff then gave the manuscript to Byelínsky with the exclamation, “A new Gógol has made his appearance!” to which Byelínsky sternly replied, “Gógols spring up like mushrooms with you.” But when he had read the romance, he cried out, with emotion, “Bring him, bring him to me!”

Even before the romance made its appearance in print (early in 1846), Dostoévsky had won a flattering literary reputation. The young author’s head was fairly turned with his swift success, and he grew arrogant, the result of which was that he soon quarreled with Byelínsky, Nekrásoff, and their whole circle, and published his later writings (with one exception) elsewhere than in “The Contemporary.” His coolness towards the circle of “The Contemporary” was not a little aided by the difference in opinions which began to make themselves felt. Dostoévsky was carried away by the political and social ideas which reigned in that circle, but at the same time he obstinately upheld his own religious views. The result of this was, that the members of the circle began to regard him as behind the times. He became more and more interested in socialism, and soon went to live with his new friends in quarters where the principles of association ruled. He then entered the Dúroff circle of Fourierists, the most moderate of all the Petrashévsky circles, which a good authority declares to have entertained no purely revolutionary ideas whatever. They rebelled against the maintenance of the strict censorship then in force, serfdom, and administrative abuses, but paid little attention to the question of a change in the form of government, and attributed no importance to political upheavals. Dostoévsky himself was, in general, very far from cherishing any revolutionary designs; he enthusiastically declaimed Púshkin’s verses about slavery falling “at the wave of the Tzar’s hand,” and insisted that no socialistic theories had the slightest importance for Russians, since in the commune, and the working unions (artél), and mutual guarantee system there had long existed in their land more solid and normal foundations than all the dreams of Saint Simon and his school, and that life in a community and phalanstery seemed to him more terrible and repulsive than that of any galley-slave.

Notwithstanding this, in May, 1849, Dostoévsky was arrested, along with the other followers of Petrashévsky, confined in the fortress, and condemned by court-martial on the charge of having “taken part in discussions concerning the severity of the censorship, and in one assembly, in March, 1849, had read a letter from Byelínsky to Gógol, received from Pleshtchéeff in Moscow, and had then read it aloud in the assemblies at Dúroff’s, and had given copies of it to Mombelli to copy. In the assemblies at Dúroff’s he had listened to the reading of articles, knew of the intention to set up a printing-press, and at Spyéshneff’s had listened to the reading of ‘A Soldier’s Conversation.’”