Joseph Conrad - The Collected Works of Joseph Conrad - Novels, Short Stories, Letters & Memoirs

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Musaicum Books presents to you this carefully created volume of «The Collected Works of Joseph Conrad.» This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Content:
Novels
Almayer's Folly
An Outcast of the Islands
The Nigger of the 'Narcissus'
Heart of Darkness
Lord Jim
The Inheritors
Typhoon & Falk
The End of the Tether
Romance
Nostromo
The Secret Agent
The Nature of a Crime
Under Western Eyes
Chance
Victory
The Shadow Line
The Arrow of Gold
The Rescue
Short Stories
Point of Honor: A Military Tale
Falk: A Reminiscence
Amy Foster
To-morrow
Karain, A Memory
The Idiots
The Outpost of Progress
The Return
Youth
'Twixt Land and Sea
A Smile of Fortune
The Secret Sharer
Freya of the Seven Isles
Gaspar Ruiz
The Informer
The Brute
An Anarchist
The Duel
Il Conde
The Warrior's Soul
Prince Roman
The Tale
The Black Mate
The Planter of Malata
The Partner
The Inn of the Two Witches
Because of the Dollars
Play
One Day More
Memoirs, Letters and Essays
A Personal Record
The Mirror of the Sea
Collected Letters
Notes on My Books
Notes on Life & Letters
Autocracy And War
The Crime Of Partition
A Note On The Polish Problem
Poland Revisited
Reflections On The Loss Of The Titanic
Certain Aspects Of Inquiry
Protection Of Ocean Liners
A Friendly Place
On Red Badge of Courage
Biography and Critical Essays on Conrad
Joseph Conrad (A Biography) by Hugh Walpole
Joseph Conrad by John Albert Macy
A Conrad Miscellany by John Albert Macy
Joseph Conrad & The Athenæum by Arnold Bennett
Joseph Conrad by Virginia Woolf
Joseph Conrad (1857-1924) is regarded as one of the greatest English novelists. He wrote stories and novels, often with a nautical setting, that depict trials of the human spirit in the midst of an indifferent universe.

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Sometimes, stretched at ease in the shade of a roadside tree, we watch the motions of a labourer in a distant field, and after a time, begin to wonder languidly as to what the fellow may be at. We watch the movements of his body, the waving of his arms, we see him bend down, stand up, hesitate, begin again. It may add to the charm of an idle hour to be told the purpose of his exertions. If we know he is trying to lift a stone, to dig a ditch, to uproot a stump, we look with a more real interest at his efforts; we are disposed to condone the jar of his agitation upon the restfulness of the landscape; and even, if in a brotherly frame of mind, we may bring ourselves to forgive his failure. We understood his object, and, after all, the fellow has tried, and perhaps he had not the strength—and perhaps he had not the knowledge. We forgive, go on our way—and forget.

And so it is with the workman of art. Art is long and life is short, and success is very far off. And thus, doubtful of strength to travel so far, we talk a little about the aim—the aim of art, which, like life itself, is inspiring, difficult—obscured by mists; it is not in the clear logic of a triumphant conclusion; it is not in the unveiling of one of those heartless secrets which are called the Laws of Nature. It is not less great, but only more difficult.

To arrest, for the space of a breath, the hands busy about the work of the earth, and compel men entranced by the sight of distant goals to glance for a moment at the surrounding vision of form and colour, of sunshine and shadows; to make them pause for a look, for a sigh, for a smile—such is the aim, difficult and evanescent, and reserved only for a very few to achieve. But sometimes, by the deserving and the fortunate, even that task is accomplished. And when it is accomplished—behold!—all the truth of life is there: a moment of vision, a sigh, a smile—and the return to an eternal rest.

1897. J. C.

CHAPTER ONE

Table of Contents

Mr. Baker, chief mate of the ship Narcissus , stepped in one stride out of his lighted cabin into the darkness of the quarter-deck. Above his head, on the break of the poop, the night-watchman rang a double stroke. It was nine o'clock. Mr. Baker, speaking up to the man above him, asked:—"Are all the hands aboard, Knowles?"

The man limped down the ladder, then said reflectively:—

"I think so, sir. All our old chaps are there, and a lot of new men has come.... They must be all there."

"Tell the boatswain to send all hands aft," went on Mr. Baker; "and tell one of the youngsters to bring a good lamp here. I want to muster our crowd."

The main deck was dark aft, but halfway from forward, through the open doors of the forecastle, two streaks of brilliant light cut the shadow of the quiet night that lay upon the ship. A hum of voices was heard there, while port and starboard, in the illuminated doorways, silhouettes of moving men appeared for a moment, very black, without relief, like figures cut out of sheet tin. The ship was ready for sea. The carpenter had driven in the last wedge of the mainhatch battens, and, throwing down his maul, had wiped his face with great deliberation, just on the stroke of five. The decks had been swept, the windlass oiled and made ready to heave up the anchor; the big tow-rope lay in long bights along one side of the main deck, with one end carried up and hung over the bows, in readiness for the tug that would come paddling and hissing noisily, hot and smoky, in the limpid, cool quietness of the early morning. The captain was ashore, where he had been engaging some new hands to make up his full crew; and, the work of the day over, the ship's officers had kept out of the way, glad of a little breathing-time. Soon after dark the few liberty-men and the new hands began to arrive in shore-boats rowed by white-clad Asiatics, who clamoured fiercely for payment before coming alongside the gangway-ladder. The feverish and shrill babble of Eastern language struggled against the masterful tones of tipsy seamen, who argued against brazen claims and dishonest hopes by profane shouts. The resplendent and bestarred peace of the East was torn into squalid tatters by howls of rage and shrieks of lament raised over sums ranging from five annas to half a rupee; and every soul afloat in Bombay Harbour became aware that the new hands were joining the Narcissus .

Gradually the distracting noise had subsided. The boats came no longer in splashing clusters of three or four together, but dropped alongside singly, in a subdued buzz of expostulation cut short by a "Not a pace more! You go to the devil!" from some man staggering up the accommodation-ladder—a dark figure, with a long bag poised on the shoulder. In the forecastle the newcomers, upright and swaying amongst corded boxes and bundles of bedding, made friends with the old hands, who sat one above another in the two tiers of bunks, gazing at their future shipmates with glances critical but friendly. The two forecastle lamps were turned up high, and shed an intense hard glare; shore-going round hats were pushed far on the backs of heads, or rolled about on the deck amongst the chain-cables; white collars, undone, stuck out on each side of red faces; big arms in white sleeves gesticulated; the growling voices hummed steady amongst bursts of laughter and hoarse calls. "Here, sonny, take that bunk!... Don't you do it!... What's your last ship?... I know her.... Three years ago, in Puget Sound.... This here berth leaks, I tell you!... Come on; give us a chance to swing that chest!... Did you bring a bottle, any of you shore toffs?... Give us a bit of 'baccy.... I know her; her skipper drank himself to death.... He was a dandy boy!... Liked his lotion inside, he did!... No!... Hold your row, you chaps!... I tell you, you came on board a hooker, where they get their money's worth out of poor Jack, by—!..."

A little fellow, called Craik and nicknamed Belfast, abused the ship violently, romancing on principle, just to give the new hands something to think over. Archie, sitting aslant on his sea-chest, kept his knees out of the way, and pushed the needle steadily through a white patch in a pair of blue trousers. Men in black jackets and stand-up collars, mixed with men bare-footed, bare-armed, with coloured shirts open on hairy chests, pushed against one another in the middle of the forecastle. The group swayed, reeled, turning upon itself with the motion of a scrimmage, in a haze of tobacco smoke. All were speaking together, swearing at every second word. A Russian Finn, wearing a yellow shirt with pink stripes, stared upwards, dreamy-eyed, from under a mop of tumbled hair. Two young giants with smooth, baby faces—two Scandinavians—helped each other to spread their bedding, silent, and smiling placidly at the tempest of good-humoured and meaningless curses. Old Singleton, the oldest able seaman in the ship, sat apart on the deck right under the lamps, stripped to the waist, tattooed like a cannibal chief all over his powerful chest and enormous biceps. Between the blue and red patterns his white skin gleamed like satin; his bare back was propped against the heel of the bowsprit, and he held a book at arm's length before his big, sunburnt face. With his spectacles and a venerable white beard, he resembled a learned and savage patriarch, the incarnation of barbarian wisdom serene in the blasphemous turmoil of the world. He was intensely absorbed, and as he turned the pages an expression of grave surprise would pass over his rugged features. He was reading "Pelham." The popularity of Bulwer Lytton in the forecastles of Southern-going ships is a wonderful and bizarre phenomenon. What ideas do his polished and so curiously insincere sentences awaken in the simple minds of the big children who people those dark and wandering places of the earth? What meaning can their rough, inexperienced souls find in the elegant verbiage of his pages? What excitement?—what forgetfulness?—what appeasement? Mystery! Is it the fascination of the incomprehensible?—is it the charm of the impossible? Or are those beings who exist beyond the pale of life stirred by his tales as by an enigmatical disclosure of a resplendent world that exists within the frontier of infamy and filth, within that border of dirt and hunger, of misery and dissipation, that comes down on all sides to the water's edge of the incorruptible ocean, and is the only thing they know of life, the only thing they see of surrounding land—those life-long prisoners of the sea? Mystery! Singleton, who had sailed to the southward since the age of twelve, who in the last forty-five years had lived (as we had calculated from his papers) no more than forty months ashore—old Singleton, who boasted, with the mild composure of long years well spent, that generally from the day he was paid off from one ship till the day he shipped in another he seldom was in a condition to distinguish daylight—old Singleton sat unmoved in the clash of voices and cries, spelling through "Pelham" with slow labour, and lost in an absorption profound enough to resemble a trance. He breathed regularly. Every time he turned the book in his enormous and blackened hands the muscles of his big white arms rolled slightly under the smooth skin. Hidden by the white moustache, his lips, stained with tobacco-juice that trickled down the long beard, moved in inward whisper. His bleared eyes gazed fixedly from behind the glitter of black-rimmed glasses. Opposite to him, and on a level with his face, the ship's cat sat on the barrel of the windlass in the pose of a crouching chimera, blinking its green eyes at its old friend. It seemed to meditate a leap on to the old man's lap over the bent back of the ordinary seaman who sat at Singleton's feet. Young Charley was lean and long-necked. The ridge of his backbone made a chain of small hills under the old shirt. His face of a street-boy—a face precocious, sagacious, and ironic, with deep downward folds on each side of the thin, wide mouth—hung low over his bony knees. He was learning to make a lanyard knot with a bit of an old rope. Small drops of perspiration stood out on his bulging forehead; he sniffed strongly from time to time, glancing out of the corners of his restless eyes at the old seaman, who took no notice of the puzzled youngster muttering at his work.

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