Walter Scott - The Complete Poems of Sir Walter Scott

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This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Contents:
Introduction:
SIR WALTER SCOTT AND LADY MORGAN by Victor Hugo
MEMORIES AND PORTRAITS by Robert Louis Stevenson
SCOTT AND HIS PUBLISHERS by Charles Dickens
POETRY:
Notable Poems
MARMION
THE LADY OF THE LAKE
THE LAY OF THE LAST MINSTREL
ROKEBY
THE VISION OF DON RODERICK
THE BRIDAL OF TRIERMAIN
THE FIELD OF WATERLOO
THE LORD OF THE ISLES
HAROLD THE DAUNTLESS
Translations and Imitations from German Ballads
THE WILD HUNTSMAN
WILLIAM AND HELEN
FREDERICK AND ALICE
THE FIRE-KING
THE NOBLE MORINGER
THE BATTLE OF SEMPACH
THE ERL-KING
Contributions to «The Minstrelsy of the Scottish Border»
THE EVE OF ST. JOHN
CADYOW CASTLE
THOMAS THE RHYMER
THE GRAY BROTHER
GLENFINLAS; OR, LORD RONALD'S CORONACH
Poems from Novels and Other Poems
THE VIOLET
TO A LADY – WITH FLOWERS FROM A ROMAN WALL
BOTHWELL CASTLE
THE SHEPHERD'S TALE
CHEVIOT
THE REIVER'S WEDDING
THE BARD'S INCANTATION
HELLVELLYN
THE DYING BARD
THE NORMAN HORSESHOE
THE MAID OF TORO
THE PALMER
THE MAID OF NEIDPATH
WANDERING WILLIE
HUNTING SONG
EPITAPH. DESIGNED FOR A MONUMENT IN LICHFIELD CATHEDRAL
PROLOGUE TO MISS BAILLIK'S PLAY OF THE FAMILY LEGEND
THE POACHER
SONG
THE BOLD DRAGOON
ON THE MASSACRE OF GLENCOE
FOR A' THAT AND A' THAT
SONG, FOR THE ANNIVERSARY MEETING OF THE PITT CLUB OF SCOTLAND
PHAROS LOQUITUR
The Minstrelsy of the Scottish Border
ANDREW LANG'S VIEW OF SCOTT:
LETTERS TO DEAD AUTHORS by Andrew Lang
THE POEMS OF SIR WALTER SCOTT by Andrew Lang
SIR WALTER SCOTT AND THE BORDER MINSTRELSY by Andrew Lang
Sir Walter Scott (1771-1832) was a Scottish historical novelist, playwright and poet.

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XXVII

The anxious crowd, with horror pale,

All trembling heard the wondrous tale;

No sound was made, no word was spoke,

Till noble Angus silence broke;

And he a solemn sacred plight

Did to St. Bride of Douglas make,

That he a pilgrimage would take

To Melrose Abbey, for the sake

Of Michael’s restless sprite.

Then each, to ease his troubled breast,

To some bless’d saint his prayers address’d:

Some to St. Modan made their vows,

Some to St. Mary of the Lowes,

Some to the Holy Rood of Lisle,

Some to our Ladye of the Isle;

Each did his patron witness make,

That he such pilgrimage would take,

And monks should sing, and bells should toll,

All for the weal of Michael’s soul.

While vows were ta’en, and prayers were pray’d,

‘Tis said the noble dame, dismay’d,

Renounc’d, for aye, dark magic’s aid.

XXVIII

Nought of the bridal will I tell,

Which after in short space befell;

Nor how brave sons and daughters fair

Bless’d Teviot’s Flower, and Cranstoun’s heir:

After such dreadful scene, ‘twere vain

To wake the note of mirth again.

More meet it were to mark the day

Of penitence, and prayer divine,

When pilgrim-chiefs, in sad array,

Sought Melrose’ holy shrine.

XXIX

With naked foot, and sackcloth vest,

And arms enfolded on his breast,

Did every pilgrim go;

The standers-by might hear uneath,

Footstep, or voice, or high-drawn breath,

Through all the lengthen’d row:

No lordly look, nor martial stride;

Gone was their glory, sunk their pride,

Forgotten their renown

Silent and slow, like ghosts they glide

To the high altar’s hallow’d side,

And there they knelt them down:

Above the suppliant chieftains wave

The banners of departed brave;

Beneath the letter d stones were laid

The ashes of their fathers dead;

From many a garnish’d niche around,

Stern saints and tortur’d martyrs frown’d.

XXX

And slow up the dim aisle afar,

With sable cowl and scapular,

And snow-white stoles, in order due,

The holy Fathers, two and two,

In long procession came;

Taper and host, and book they bare,

And holy banner, flourish’d fair

With the Redeemer’s name.

Above the prostrate pilgrim band

The mitred Abbot stretch’d his hand

And bless’d them as they kneel’d

With holy cross he sign’d them all,

And pray’d they might be sage in hall,

And fortunate in field.

Then mass was sung, and prayers were said,

And solemn requiem for the dead;

And bells toll’d out their mighty peal,

For the departed spirit’s weal;

And ever in the office close

The hymn of intercession rose;

And far the echoing aisles prolong

The awful burthen of the song,

Dies Iræ, Dies Illa,

Solvet Sæclum in Favilla,

While the pealing organ rung.

Were it meet with sacred strain

To close my lay, so light and vain,

Thus the holy Fathers sung:

XXXI

Hymn for the Dead

That day of wrath, that dreadful day,

When heaven and earth shall pass away,

What power shall be the sinner’s stay?

How shall he meet that dreadful day?

When, shrivelling like a parched scroll,

The flaming heavens together roll;

When louder yet, and yet more dread,

Swells the high trump that wakes the dead:

Oh! on that day, that wrathful day,

When man to judgment wakes from clay,

Be Thou the trembling sinner’s stay,

Though heaven and earth shall pass away!

Hush’d is the harp: the Minstrel gone.

And did he wander forth alone?

Alone, in indigence and age,

To linger out his pilgrimage?

No; close beneath proud Newark’s tower,

Arose the Minstrel’s lowly bower;

A simple hut; but there was seen

The little garden hedged with green,

The cheerful hearth, and lattice clean.

There shelter’d wanderers, by the blaze,

Oft heard the tale of other days;

For much he lov’d to ope his door,

And give the aid he begg’d before.

So pass’d the winter’s day; but still,

When summer smil’d on sweet Bowhill,

And July’s eve, with balmy breath,

Wav’d the blue-bells on Newark heath;

When throstles sung in Harehead-shaw,

And corn was green on Carterhaugh,

And flourish’d, broad, Blackandro’s oak,

The aged Harper’s soul awoke!

Then would he sing achievements high,

And circumstance of chivalry,

Till the rapt traveller would stay,

Forgetful of the closing day;

And noble youths, the strain to hear,

Forsook the hunting of the deer;

And Yarrow, as he roll’d along,

Bore burden to the Minstrel’s song.

ROKEBY

Table of Contents

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Canto I

Canto II

Canto III

Canto IV

Canto V

Canto VI

TO

JOHN R. S. MORRITT, ESQ.

THIS POEM,

THE SCENE OF WHICH IS LAID IN HIS BEAUTIFUL

DEMESNE OF ROKEBY,

IS INSCRIBED,

IN TOKEN OF SINCERE FRIENDSHIP,

BY

WALTER SCOTT.

DEC. 31, 1812.

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Table of Contents

The scene of this poem is laid at Rokeby, near Greta Bridge, in Yorkshire, and shifts to the adjacent fortress of Barnard Castle, and to other places in that vicinity.

The time occupied by the action is a space of five days, three of which are supposed to elapse between the end of the Fifth and beginning of the Sixth Canto.

The date of the supposed events is immediately subsequent to the great battle of Marston Moor, 3d July, 1644. This period of public confusion has been chosen, without any puipose of combining the Fable with the Military or Political Events of the Civil War, but only as affording a degree of probability to the fictitious narrative now presented to the Public.

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