Josephine Tey - The Collected Works

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This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Table of Contents:
Inspector Alan Grant Mysteries:
The Man in the Queue (Killer in the Crowd)
A Shilling for Candles
The Franchise Affair
To Love and Be Wise
The Daughter of Time
The Singing Sands
Other Mysteries:
Miss Pym Disposes
Brat Farrar (Come and Kill Me)

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“I upset him!” Grant took a deep breath and expressed his hope that Erica was not going to let the plight of a good-looking young man play havoc with her heart.

“Oh no. Nothing like that. His nose is too long. Besides, I’m in love with Togare.”

“Who is Togare?”

“The lion-tamer, of course.” She turned to look at him doubtfully. “Do you really mean that you haven’t heard of Togare?”

Grant was afraid that that was so.

“Don’t you go to Olympia at Christmas? But you should! I’ll get Mr. Mills to send you seats.”

“Thank you. And how long have you been in love with this Togare?”

“Four years. I’m very faithful.”

Grant admitted that she must be.

“Drop me at the Orient office, will you?” she said, in the same tone as she had announced her faithfulness. And Grant set her down by the yellow-funneled liner.

“Going cruising?” he asked.

“Oh, no. I go round the offices collecting booklets for Nannie. She loves them. She’s never been out of England because she’s terrified of the sea, but she likes to sit in safety and imagine. I got her some marvellous mountain ones from the Austrian place in Regent Street in the spring. And she’s very knowledgeable about the German spas. Goodbye. Thank you for the lift. How shall I know when you come to Westover? For the ice, I mean.”

“I shall send you word through your father. Will that do?”

“Yes. Goodbye.” And she disappeared into the office.

And Grant went on his way to meet Christine Clay’s lawyer and Christine Clay’s husband, feeling better.

8

Table of Contents

It was obvious at once why no one called Edward Champneis anything but Edward. He was a very tall, very dignified, very good-looking, and very orthodox person, with a manner of grave, if kindly, interest, and a rare but charming smile. Alongside the fretful movements of the fussy Mr. Erskine, his composure was like that of a liner suffering the administrations of a tug.

Grant had not met him before. Edward Champneis had arrived in London on Thursday afternoon, after nearly three months’ absence, only to be greeted by the news of his wife’s death. He had gone down immediately to Westover and identified the body, and on Friday he had interviewed the worried County Constabulary, puzzling over the button, and helped them to make up their minds that it was a case for the Yard. The thousand things waiting in town to be done as a result of his wife’s death and his own long absence had sent him back to London just as Grant left it.

He looked very tired, now, but showed no emotion. Grant wondered under what circumstances this orthodox product of five hundred years of privilege and obligation would show emotion. And then, suddenly, as he drew the chair under him, it occurred to him that Edward Champneis was anything but orthodox. Had he conformed to the tribe, as his looks conformed, he would have married a second cousin, gone into the Service, looked after an estate, and read the Morning Post. But he had done none of those things. He had married an artist picked up at the other side of the world, he explored for fun, and he wrote books. There was something almost eerie in the thought that an exterior could be so utterly misleading.

“Lord Edward has, of course, seen the will,” Erskine was saying. “He was, in fact, aware of its more important provisions some time ago, Lady Edward having acquainted him with her desires at the time the testament was made. There is, however, one surprise. But perhaps you would like to read the document for yourself.”

He turned the impressive-looking sheet round on the table so that it faced Grant.

“Lady Edward had made two previous wills, both in the United States, but they were destroyed, on her instructions, by her American lawyers. She was anxious that her estate should be administered from England, for the stability of which she had a great admiration.”

Christine had left nothing to her husband. “I leave no money to my husband, Edward Champneis, because he has always had, and always will have, more than he can spend, and because he has never greatly cared for money.” Whatever he cared to keep of her personal possessions were to be his, however, except where legacies specifically provided otherwise. There were various bequests of money, in bulk or in annuities, to friends and dependents. To Bundle, her housekeeper and late dresser. To her Negro chauffeur. To Joe Myers, who had directed her greatest successes. To a bellhop in Chicago “to buy that gas station with.” To nearly thirty people in all, in all parts of the globe and in all spheres of existence. But there was no mention of Jason Harmer.

Grant glanced at the date. Eighteen months ago. She had at that time probably not yet met Harmer.

The legacies, however generous, left the great bulk of her very large fortune untouched. And that fortune was left, surprisingly, not to any individual, but “for the preservation of the beauty of England.” There was to be a trust, in which would be embodied the power to buy any beautiful building or space threatened by extinction and to provide for its upkeep.

That was Grant’s third surprise. The fourth came at the end of the list of legacies. The last legacy of all read, “To my brother Herbert, a shilling for candles.”

“A brother?” Grant said, and looked up enquiring.

“Lord Edward was unaware that Lady Edward had a brother until the will was read. Lady Edward’s parents died many years ago, and there had been no mention of any surviving family except for herself.”

“A shilling for candles. Does it convey anything to you, sir?” He turned to Champneis, who shook his head.

“A family feud, I expect. Perhaps something that happened when they were children. These are often the things one is most unforgiving about.” He glanced towards the lawyer. “The thing I remember when I meet Alicia is always that she smashed my birds’-egg collection.”

“But not necessarily a childhood quarrel,” Grant said. “She must have known him much later.”

“Bundle would be the person to ask. She dressed my wife from her early days in New York. But is it important? After all, the fellow was being dismissed with a shilling.”

“It’s important because it is the first sign of real enmity I have discovered among Miss Clay’s relationships. One never knows what it might lead us to.”

“The Inspector may not think it so important when he has seen this,” Erskine said. “This, which I will give you to read, is the surprise I spoke of.”

So the surprise had not been one of those in the will.

Grant took the paper from the lawyer’s dry, slightly trembling hand. It was a sheet of the shiny, thick, cream-coloured note-paper to be obtained in village shops all over England, and on it was a letter from Christine Clay to her lawyer. The letter was headed “Briars, Medley, Kent,” and contained instructions for a codicil to her will. She left her ranch in California, with all stock and implements, together with the sum of five thousand pounds, to one Robert Stannaway, late of Yeoman’s Row, London.

“That,” said the lawyer, “was written on Wednesday, as you see. And on Thursday morning—” He broke off, expressively.

“Is it legal?” Grant asked.

“I should not like to contest it. It is entirely handwritten and properly signed with her full name. The signature is witnessed by Margaret Pitts. The provision is perfectly clear, and the style eminently sane.”

“No chance of a forgery?”

“Not the slightest. I know Lady Edward’s hand very well—you will observe that it is peculiar and not easy to reproduce—and moreover I am very well acquainted with her style, which would be still more difficult to imitate.”

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