Ethel Lina White - THE COLLECTED WORKS OF ETHEL LINA WHITE

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Some Must Watch: Set in early 20th century England, on the Welsh border, the novel tells the story of a serial killer who murders disabled young women in the community. His next victim apparently is Helen, a mute girl working as a maid for the wealthy, bedridden Mrs. Warren. Mrs. Warren urges her to leave the house, as does Dr. Parry, who knows the reason for Helen's loss of speech and hopes to help her get her voice back.
Fear Stalks the Village: Series of poison pen letters cause panic in a small, quiet English village and soon after, the murders start happening. As the fear arises, Joan Brooks, who used to live a peaceful life, is forced to act fast in order to save the lives of her loved ones and her own.
She Faded into Air: The story of the alleged disappearance of Evelyn Cross was too fantastic for credence. According to the available evidence, she melted into thin air shortly after four o'clock on a foggy afternoon in late October. One minute, she was visible in the flesh–a fashionable blonde, nineteen years of age and weighing about eight and a half stone. The next minute, she was gone.
The Wheel Spins: Miss Loveapple has always had an unusual belief in her incredible luck. However, her luck is about to run out when she becomes a target of a cruel serial killer. Unaware of the danger, she goes through a number of insane situations escaping the death by a mere wonder. How long will she last?
Contents:
Novels
Fear Stalks the Village
Some Must Watch (The Spiral Staircase)
Wax
The Wheel Spins (The Lady Vanishes)
Step in the Dark
While She Sleeps
She Faded into Air
Short Story
Cheese
Ethel Lina White (1876-1944) was a British crime writer, best known for her novel The Wheel Spins, on which the Alfred Hitchcock film, The Lady Vanishes, was based.

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The doctor slipped guiltily off the divan.

"I think I'll go and smoke a pipe with the padre," he said.

"Do. Go before I slay you. Give my love to that young man and tell him to stop shouting in the pulpit. As a mother, I protest against his waking up all the babies in Australia. And you needn't hurry back, for you're not popular. Leave me your novel."

The doctor fished it up from the carpet.

"Better not," he advised. "Like a woman, you'll miss its philosophy, and pick out all the improper bits. And then you'll slang men, generally, for their filthy taste...Good-bye, Marianne."

He left his wife feverishly turning over the pages of a ledger, while he mounted the shallow wide oaken staircase, in order to wash and change his coat. When he had finished his toilet, he stole into the night-nursery, where the two babies lay asleep, each with doubled fists and damp, downy head.

Although one was ten months the elder, there was a strong likeness between them; both were palpable little doctors, and outwardly ignored relationship with their temperamental mother. They were luxuriant babies, too, in expensive sleeping-suits, and tucked up under delicately-hued, ribbon-bound, air-cell blankets. Opulent satin bows decorated their white enamelled cots, and they had huge furry animal-toys for bed-fellows.

As the doctor stood looking down at them, the door was softly opened, and Marianne entered. A strap of her golden gown had slipped from her shoulder, and a lock of dark hair fell over her cheek, giving her a semblance of utterly disreputable allure. She threw her bare arm around her husband's neck and completed a picture of domestic happiness.

"Aren't they beautiful— beautiful ?" she crooned.

"They are," agreed the doctor.

Marianne's clasp on his shoulder tightened to a clutch, and she burst into tears.

"Ought we to have done it?" she cried. "They're so helpless—so entirely dependent on us. Suppose anything happened to you? Or to me? Strangers to care for them. Suppose the practice went down? What would become of them?"

Her husband instinctively shut his eyes as though blinded by the glare of tragedy. The next moment he had recovered his self-possession, as he patted his wife's arm, with a gentle laugh.

"You're morbid. It's probably due to acidity. You'd better go and take that bicarbonate."

CHAPTER III — THE HERALD

Table of Contents

Ten minutes later Dr. Perry lay stretched on a shabby 'Varsity chair on the Rector's yew-shaded lawn, while his host paced the daisied grass, waving his pipe, and declaiming as he tramped. In his character of a human dynamo, he was a source of interest to the doctor's curious mind; and, as he smoked, he studied him with cool detachment.

The Reverend Simon Blake was a tall, bull-necked man, of great muscular strength, with blunted, classic features, crisp coal-black hair, and flashing, arrogant eyes. He looked rather like the offspring of a union between a battered Roman emperor and an anonymous plebeian mother. His voice was strong and vibrant, and all his gestures expressed vehemence. He appeared never to have acquired the habit of sitting, and he talked continuously.

Dr. Perry knew that his display of overflowing vitality was misleading, and that he was only in the process of rekindling fires which had blazed too fiercely, and died. It was the last back-kick of nervous tension which made him such a restless planet of a fellow. He had worked himself out in a Dockside parish, sticking to his job long after he was beaten. Not until he had crashed, both mentally and physically, had he consented to accept this living in the country.

"Sit down, man," urged the doctor. "You're like the spirit of atomic energy."

The Rector obediently dropped down on his protesting chair, with the force of machinery, only to spring up again.

"This place, doctor," he said, "is perfect. I pray I may end my days here. Look at it, now."

He waved his pipe towards the village street, which staged the usual sunset pageant. Children skipped and played on the cobbles, exactly like golden girls and boys and little chimney-sweepers, long passed to dust. Women gossiped over their garden gates, just as they had gossiped in Tudor times, and they talked of much the same things. At a quarter-to-eight, Mr. and Mrs. Scudamore emerged from the gates of the Clock House for their evening stroll. The lady wore a feathered hat and a fichu of real lace, and all the village did homage to the Honiton point.

The doctor studied the Rector, and he—in his turn—watched the stately advance of the pair. The clergyman noticed how the lawyer's frost-bitten face thawed whenever he spoke to his wife, and he was delighted by her responsive smile. Yet they were not too engrossed in each other to pass a couple of sunburnt children, in old-fashioned lilac sunbonnets. The little girl took a sugar almond out of her mouth, to prove that its colour had turned from pink to white, and the Scudamores rather overdid their pantomimic surprise at the miracle.

The doctor's lip curled slightly, but the Rector beamed.

"Lovers still," he said. "That's a perfect marriage."

"In the sight of God and the neighbours," murmured the doctor. He added with a bleak smile, "There is only one danger in this 'God save the Squire and his relations' attitude. The villagers would be too sunken in tradition to complain, in case of abuse. They know they wouldn't be believed."

"Abuse?" echoed the Rector. " Here? Are you mad?"

"Probably. Most of us are, if we're normal. By the way, when I get a free Sunday I'm coming to hear you preach, padre. You're the one man who can keep me awake."

The Rector grinned in a boyish, half-bashful manner.

"I know I'm a noisy fellow," he confessed, "but oratory is my talent. It's out of place here, but I dare not let it rust. Besides, it may do secret good. Who knows?"

He knew that his red-hot Gospel, with which he had blasted his old Parish to attention, was like a series of bombs exploding under the arches of the Norman church. But habit persisted, and he exhorted his hearers, every Sunday, to search their hearts for hidden sin. The congregation remained tranquil, while he liked the sound of his own organ-voice.

The Scudamores had disappeared round the bend when the delicately-wrought iron gates of 'The Spout' were opened to let out a girl. In the distance she looked like Joan Brook; and the doctor, who was also misled, watched the sudden flicker of interest in the Rector's face. When she drew nearer, however, it was evident that Joan was only her model, for she was far more beautiful than Lady d'Arcy's companion.

Her hair was red-gold, her eyes blue-green, and her complexion a compound of cherries and cream, while her features and her unwashed milky teeth were perfect. She wore a sleeveless white frock of cheap crêpe-de-Chine, silk stockings of the shade known as 'muddy water', and silver slave-bangles on her shapely arms. Only her red hands betrayed her dedication to the tasks of domestic service.

It was Ada—Miss Asprey's famous housemaid, and the acknowledged beauty of the district. She crossed the green, and then lingered under the wall of the raised Rectory garden, in order to consult her wrist-watch, which, outwardly, was exactly like Joan Brook's. Directly she saw the two men smoking above her, she dropped as simple a curtsy as any of the village children.

"Good evening, Ada," beamed the Rector. "Finished with work?"

"Yes, sir," smiled Ada.

"What do you find to do on your evenings out?" asked the Rector.

"Plenty, sir."

"And you never get bored, or miss the Pictures?"

"Oh, no , sir." Ada's violet eyes were filled with reproach. "I'm going home, to see our mother's new baby."

"A new baby? Fine. What is it?"

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