William Blake - The Greatest Works of William Blake (With Complete Original Illustrations)

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Taking his inspiration from the illuminated manuscripts of the middle ages, Blake invented the process of creating Illuminated Books. Between 1788 and early 1795 Blake published a series of fifteen Illuminated Books. He returned to creating Illuminated Books in 1804 when he began work on Milton (finished in 1808 or later) and Jerusalem. Blake committed himself in the minute particulars of producing his Illuminated Books. The process included creating a mental image, drawing, composing the design and poetry of the plate, engraving, printing, painting, compiling and selling. From inception to final production the color copy of Jerusalem was labored over for sixteen years. William Blake (1757 – 1827) was a British poet, painter, visionary mystic, and engraver, who illustrated and printed his own books. Blake proclaimed the supremacy of the imagination over the rationalism and materialism of the 18th-century. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age.

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Thy breath doth nourish the innocent lamb, he smells thy milky garments,

He crops thy flowers. while thou sittest smiling in his face,

Wiping his mild and meekin mouth from all contagious taints.

Thy wine doth purify the golden honey, thy perfume,

Which thou dost scatter on every little blade of grass that springs

Revives the milked cow, & tames the fire-breathing steed.

But Thel is like a faint cloud kindled at the rising sun:

I vanish from my pearly throne, and who shall find my place.

Queen of the vales the Lilly answerd, ask the tender cloud,

And it shall tell thee why it glitters in the morning sky,

And why it scatters its bright beauty thro’ the humid air.

Descend O little cloud & hover before the eyes of Thel.

The Cloud descended, and the Lilly bowd her modest head:

And went to mind her numerous charge among the verdant grass.

II.

O little Cloud the virgin said, I charge thee tell to me,

Why thou complainest not when in one hour thou fade away:

Then we shall seek thee but not find; ah Thel is like to thee.

I pass away. yet I complain, and no one hears my voice.

The Cloud then shew’d his golden head & his bright form emerg’d,

Hovering and glittering on the air before the face of Thel.

O virgin know’st thou not. our steeds drink of the golden springs

Where Luvah doth renew his horses: look’st thou on my youth,

And fearest thou because I vanish and am seen no more.

Nothing remains; O maid I tell thee, when I pass away,

It is to tenfold life, to love, to peace, and raptures holy:

Unseen descending, weigh my light wings upon balmy flowers;

And court the fair eyed dew. to take me to her shining tent;

The weeping virgin, trembling kneels before the risen sun,

Till we arise link’d in a golden band, and never part;

But walk united, bearing food to all our tender flowers

Dost thou O little Cloud? I fear that I am not like thee;

For I walk through the vales of Har. and smell the sweetest flowers;

But I feed not the little flowers: I hear the warbling birds,

But I feed not the warbling birds. they fly and seek their food;

But Thel delights in these no more because I fade away,

And all shall say, without a use this shining woman liv’d,

Or did she only live. to be at death the food of worms.

The Cloud reclind upon his airy throne and answer’d thus.

Then if thou art the food of worms. O virgin of the skies,

How great thy use. how great thy blessing; every thing that lives,

Lives not alone, nor for itself: fear not and I will call

The weak worm from its lowly bed, and thou shalt hear its voice.

Come forth worm of the silent valley, to thy pensive queen.

The helpless worm arose, and sat upon the Lillys leaf,

And the bright Cloud saild on, to find his partner in the vale.

III.

Then Thel astonish’d view’d the Worm upon its dewy bed.

Art thou a Worm? image of weakness. art thou but a Worm?

I see thee like an infant wrapped in the Lillys leaf:

Ah weep not little voice, thou can’st not speak. but thou can’st weep;

Is this a Worm? I see thee lay helpless & naked: weeping,

And none to answer, none to cherish thee with mothers smiles.

The Clod of Clay heard the Worms voice, & raisd her pitying head;

She bowd over the weeping infant, and her life exhal’d

In milky fondness, then on Thel she fix’d her humble eyes.

O beauty of the vales of Har. we live not for ourselves,

Thou seest me the meanest thing, and so I am indeed;

My bosom of itself is cold. and of itself is dark,

But he that loves the lowly, pours his oil upon my head.

And kisses me, and binds his nuptial bands around my breast.

And says; Thou mother of my children, I have loved thee.

And I have given thee a crown that none can take away

But how this is sweet maid, I know not, and I cannot know,

I ponder, and I cannot ponder; yet I live and love.

The daughter of beauty wip’d her pitying tears with her white veil,

And said. Alas! I knew not this, and therefore did I weep:

That God would love a Worm I knew, and punish the evil foot

That wilful, bruis’d its helpless form: but that he cherish’d it

With milk and oil, I never knew; and therefore did I weep,

And I complaind in the mild air, because I fade away,

And lay me down in thy cold bed, and leave my shining lot.

Queen of the vales, the matron Clay answerd; I heard thy sighs.

And all thy moans flew o’er my roof. but I have call’d them down:

Wilt thou O Queen enter my house. ‘tis given thee to enter,

And to return; fear nothing. enter with thy virgin feet.

IV.

The eternal gates terrific porter lifted the northern bar:

Thel enter’d in & saw the secrets of the land unknown;

She saw the couches of the dead, & where the fibrous roots

Of every heart on earth infixes deep its restless twists:

A land of sorrows & of tears where never smile was seen.

She wanderd in the land of clouds thro’ valleys dark, listning

Dolours & lamentations: waiting oft beside a dewy grave

She stood in silence. listning to the voices of the ground,

Till to her own grave plot she came, & there she sat down.

And heard this voice of sorrow breathed from the hollow pit.

Why cannot the Ear be closed to its own destruction?

Or the glistning Eye to the poison of a smile!

Why are Eyelids stord with arrows ready drawn,

Where a thousand fighting men in ambush lie?

Or an Eye of gifts & graces, show’ring fruits & coined gold!

Why a Tongue impress’d with honey from every wind?

Why an Ear, a whirlpool fierce to draw creations in?

Why a Nostril wide inhaling terror trembling & affright.

Why a tender curb upon the youthful burning boy!

Why a little curtain of flesh on the bed of our desire?

The Virgin started from her seat, & with a shriek.

Fled back unhinderd till she came into the vales of Har

***The End ***

The Marriage of Heaven and Hell (1790)

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