E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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'Georgie, entrancing,' said Lucia. 'They're all being themselves, and all so human and busy — '

'If I don't get Mallards Cottage,' said Georgie, 'I shall die.'

'But you must. You shall. Now it's time to go to bed, though I could wander about for ever. We must be up early in order to get to the house-agents' as soon as it's open. Woggles & Pickstick, isn't it?'

'Now you've confused me,' said Georgie. 'Rather like it, but not quite.'

They went upstairs to bed: their rooms were next each other, with a communicating door. There was a bolt on Georgie's side of it, and he went swiftly across to this and fastened it. Even as he did so, he heard a key quietly turned from the other side of it. He undressed with the stealth of a burglar prowling about a house, for somehow it was shy work that he and Lucia should be going to bed so close to each other; he brushed his teeth with infinite precaution and bent low over the basin to eject (spitting would be too noisy a word) the water with which he had rinsed his mouth, for it would never do to let a sound of these intimate manoeuvres penetrate next door. When half-undressed he remembered that the house-agents' name was Woolgar & Pipstow, and he longed to tap at Lucia's door and proclaim it, but the silence of the grave reigned next door, and perhaps Lucia was asleep already. Or was she, too, being as stealthy as he? Whichever it was (particularly if it was the last) he must not let a betrayal of his presence reach her.

He got into bed and clicked out his light. That could be done quite boldly: she might hear that, for it only betokened that all was over. Then, in spite of this long day in the open air, which should have conduced to drowsiness, he felt terribly wide-awake, for the subject which had intermittently occupied his mind, shadowing it with dim apprehension, ever since Peppino's death, presented itself in the most garish colours. For years, by a pretty Riseholme fantasy, it had always been supposed that he was the implacably Platonic but devout lover of Lucia: somehow that interesting fiction had grown up, and Lucia had certainly abetted it as well as himself. She had let it be supposed that he was, and that she accepted this chaste fervour. But now that her year of widowhood was nearly over, there loomed in front of Georgie the awful fact that very soon there could be no earthly reason why he should not claim his reward for these years of devotion and exchange his passionate celibacy for an even more passionate matrimony. It was an unnerving thought that he might have the right before the summer was over, to tap at some door of communication like that which he had so carefully bolted (and she locked) and say, 'May I come in, darling?' He felt that the words would freeze on his tongue before he could utter them.

Did Lucia expect him to ask to marry her? There was the crux and his imagination proceeded to crucify him upon it. They had posed for years as cherishing for each other a stainless devotion, but what if, with her, it had been no pose at all, but a dreadful reality? Had he been encouraging her to hope, by coming down to stay at this hotel in this very compromising manner? In his ghastly midnight musing, it seemed terribly likely. He had been very rash to come, and all this afternoon he had been pursuing his foolhardy career. He had said that life wasn't worth living if he could not get hold of Mallards Cottage, which was less than a stone's throw (even he could throw a stone as far as that) from the house she was to inhabit alone. Really it looked as if it was the proximity to her that made the cottage so desirable. If she only knew how embarrassing her proximity had been just now when he prepared himself for bed! . . .

And Lucia always got what she wanted. There was a force about her he supposed (so different from poor Daisy's violent yappings and scufflings), which caused things to happen in the way she wished. He had fallen in with all her plans with a zest which it was only reasonable she should interpret favourably: only an hour or two ago he had solemnly affirmed that he must take Mallards Cottage, and the thing already was as good as done, for they were to breakfast tomorrow morning at eight, in order to be at the house-agents' (Woggle & Pipsqueak, was it? He had forgotten again), as soon as it opened. Things happened like that for her: she got what she wanted. 'But never, never,' thought Georgie, 'shall she get me. I couldn't possibly marry her, and I won't. I want to live quietly and do my sewing and my sketching, and see lots of Lucia, and play any amount of duets with her, but not marry her. Pray God, she doesn't want me to!'

Lucia was lying awake, too, next door, and if either of them could have known what the other was thinking about, they would both instantly have fallen into a refreshing sleep, instead of tossing and turning as they were doing. She, too, knew that for years she and Georgie had let it be taken for granted that they were mutually devoted, and had both about equally encouraged that impression. There had been an interlude, it is true, when that wonderful Olga Bracely had shone (like evening stars singing) over Riseholme, but she was to be absent from England for a year; besides she was married, and even if she had not been would certainly not have married Georgie. 'So we needn't consider Olga,' thought Lucia. 'It's all about Georgie and me. Dear Georgie: he was so terribly glad when I began to be myself again, and how he jumped at the plan of coming to Tilling and spending the night here! And how he froze on to the idea of taking Mallards Cottage as soon as he knew I had got Mallards! I'm afraid I've been encouraging him to hope. He knows that my year of widowhood is almost over, and on the very eve of its accomplishment, I take him off on this solitary expedition with me. Dear me: it looks as if I was positively asking for it. How perfectly horrible!'

Though it was quite dark, Lucia felt herself blushing.

'What on earth am I to do?' continued these disconcerting reflections. 'If he asks me to marry him, I must certainly refuse, for I couldn't do so: quite impossible. And then when I say no, he has every right to turn on me, and say I've been leading him on. I've been taking moonlight walks with him, I'm at this moment staying alone with him in an hotel. Oh dear! Oh dear!'

Lucia sat up in bed and listened. She longed to hear sounds of snoring from the next room, for that would show that the thought of the fulfilment of his long devotion was not keeping him awake, but there was no sound of any kind.

'I must do something about it tomorrow,' she said to herself, 'for if I allow things to go on like this, these two months here with him will be one series of agitating apprehensions. I must make it quite clear that I won't before he asks me. I can't bear to think of hurting Georgie, but it will hurt him less if I show him beforehand he's got no chance. Something about the beauty of a friendship untroubled with passion. Something about the tranquillity that comes with age . . . There's that eternal old church clock striking three. Surely it must be fast.'

Lucia lay down again: at last she was getting sleepy.

'Mallards,' she said to herself. 'Quaint Irene . . . Woffles and . . . Georgie will know. Certainly Tilling is fascinating . . . Intriguing, too . . . characters of strong individuality to be dealt with . . . A great variety, but I think I can manage them . . . And what about Miss Mapp? . . . Those wide grins . . . We shall see about that . . .'

Lucia awoke herself from a doze by giving a loud snore, and for one agonized moment thought it was Georgie, whom she had hoped to hear snoring, in alarming proximity to herself. That nightmare-spasm was quickly over, and she recognized that it was she that had done it. After all her trouble in not letting a sound of any sort penetrate through that door!

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